2
" It was pitiful for a person born in a wholesome free atmosphere to listen to their humble and hearty outpourings of loyalty toward their king and Church and nobility; as if they had any more occasion to love and honor king and Church and noble than a slave has to love and honor the lash, or a dog has to love and honor the stranger that kicks him! Why, dear me, ANY kind of royalty, howsoever modified, ANY kind of aristocracy, howsoever pruned, is rightly an insult; but if you are born and brought up under that sort of arrangement you probably never find it out for yourself, and don't believe it when somebody else tells you. It is enough to make a body ashamed of his race to think of the sort of froth that has always occupied its thrones without shadow of right or reason, and the seventh-rate people that have always figured as its aristocracies -- a company of monarchs and nobles who, as a rule, would have achieved only poverty and obscurity if left, like their betters, to their own exertions...
The truth was, the nation as a body was in the world for one object, and one only: to grovel before king and Church and noble; to slave for them, sweat blood for them, starve that they might be fed, work that they might play, drink misery to the dregs that they might be happy, go naked that they might wear silks and jewels, pay taxes that they might be spared from paying them, be familiar all their lives with the degrading language and postures of adulation that they might walk in pride and think themselves the gods of this world. And for all this, the thanks they got were cuffs and contempt; and so poor-spirited were they that they took even this sort of attention as an honor. "
― Mark Twain
4
" She now discovered amidst them, the poet's flights of fancy, and the historian's seldom pleasing—ever instructive page. The first may transmit to posterity the records of a sublime genius, which once flashed in strong, but transient rays, through the tenement of clay it was given a moment to inhabit: and though the tenement decayed and the spirit fled, the essence of a mind which darted through the universe to cull each created and creative image to enrich an ever-varying fancy, is thus snatched from oblivion, and retained, spite of nature, amidst the mortality from which it has struggled, and is freed. The page of the historian can monarchs behold, and not offer up the sceptre to be disencumbered of the ponderous load that clogs their elevation! Can they read of armies stretch upon the plain, provinces laid waste, and countries desolated, and wish to be the mortal whose vengeance, or whose less fierce, but fatal decision sent those armies forth! "
8
" O for a Muse of fire, that would ascend
The brightest heaven of invention,
A kingdom for a stage, princes to act
And monarchs to behold the swelling scene!
Then should the warlike Harry, like himself,
Assume the port of Mars; and at his heels,
Leash'd in like hounds, should famine, sword and fire
Crouch for employment. But pardon, and gentles all,
The flat unraised spirits that have dared
On this unworthy scaffold to bring forth
So great an object: can this cockpit hold
The vasty fields of France? or may we cram
Within this wooden O the very casques
That did affright the air at Agincourt?
O, pardon! since a crooked figure may
Attest in little place a million;
And let us, ciphers to this great accompt,
On your imaginary forces work.
Suppose within the girdle of these walls
Are now confined two mighty monarchies,
Whose high upreared and abutting fronts
The perilous narrow ocean parts asunder:
Piece out our imperfections with your thoughts;
Into a thousand parts divide on man,
And make imaginary puissance;
Think when we talk of horses, that you see them
Printing their proud hoofs i' the receiving earth;
For 'tis your thoughts that now must deck our kings,
Carry them here and there; jumping o'er times,
Turning the accomplishment of many years
Into an hour-glass: for the which supply,
Admit me Chorus to this history;
Who prologue-like your humble patience pray,
Gently to hear, kindly to judge, our play. "
― William Shakespeare , Henry V
13
" When I venture to point out the unfairness of this, I am reminded of the second item on my list. Apparently the only acceptable destiny for a young female member of the house of Windsor is to marry into another of the royal houses that still seem to litter Europe, even though there are precious few reigning monarchs these days. it seems that even a very minor Windsor like myself is a desirable commodity for those wishing a tenuous alliance with Britain at this unsettled time. I am constantly being reminded that is is my duty to make a good match with some half-lunatic, buck-toothed, chinless, spineless, and utterly awful European royal, thus cementing ties with a potential enemy. My cousin Alex did this, poor thing. I have learned from her tragic example. "
― Rhys Bowen , Her Royal Spyness (Her Royal Spyness Mysteries, #1)
15
" [T]he hyphenation question is, and always has been and will be, different for English immigrants. One can be an Italian-American, a Greek-American, an Irish-American and so forth. (Jews for some reason prefer the words the other way around, as in 'American Jewish Congress' or 'American Jewish Committee.') And any of those groups can and does have a 'national day' parade on Fifth Avenue in New York. But there is no such thing as an 'English-American' let alone a 'British-American,' and one can only boggle at the idea of what, if we did exist, our national day parade on Fifth Avenue might look like. One can, though, be an Englishman in America. There is a culture, even a literature, possibly a language, and certainly a diplomatic and military relationship, that can accurately be termed 'Anglo-American.' But something in the very landscape and mapping of America, with seven eastern seaboard states named for English monarchs or aristocrats and countless hamlets and cities replicated from counties and shires across the Atlantic, that makes hyphenation redundant. Hyphenation—if one may be blunt—is for latecomers. "
― Christopher Hitchens , Hitch 22: A Memoir