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1 " The problem with you middle-class gay guys is, you pass for white. You move to the metropolitan gay centres, and you're more or less closeted--" private" , you'd call it--when you step outside the ghetto. You assimilate yourselves, and suddenly you've got property to protect and money invested. I ask you, what impelled the militants of the civil rights movement of the sixties? You know what impelled them? They had nothing to lose. That's how they could brave the police dogs and the fire hoses. Even torture and death. Could you have done that? "
2 " The fury of those nativists advocating wholesale slaughter was what struck Nadia most, and it struck her because it seemed so familiar, so much like the fury of the militants in her own city. She wondered whether she and Saeed had done anything by moving, whether the faces and buildings had changed but the basic reality of their predicament had not. "
― Mohsin Hamid , Exit West
3 " Darwin and Nietzsche were the common spiritual and intellectual source for the mean-spirited and bellicose ideological assault on progress, liberalism, and democracy that fired the late-nineteenth-century campaign to preserve or rejuvenate the traditional order. Presensitized for this retreat from modernity, prominent fin-de-siècle aesthetes, engages literati, polemical publicists, academic sociologists, and last but not least, conservative and reactionary politicians became both consumers and disseminators of the untried action-ideas.Oscar Wilde and Stefan George were perhaps most representative of the aristocratizing aesthetes whose rush into dandyism or retreat into cultural monasticism was part of the outburst against bourgeois philistinism and social levelling. Their yearning for a return to an aristocratic past and their aversion to the invasive democracy of their day were shared by Thomas Mann and Hugo von Hofmannsthal, whose nostalgia for the presumably superior sensibilities of a bygone cultivated society was part of their claim to privileged social space and position in the present. Although they were all of burgher or bourgeois descent, they extolled ultra-patrician values and poses, thereby reflecting and advancing the rediscovery and reaffirmation of the merits and necessities of elitism. Theirs was not simply an aesthetic and unpolitical posture precisely because they knowingly contributed to the exaltation of societal hierarchy at a time when this exaltation was being used to do battle against both liberty and equality. At any rate, they may be said to have condoned this partisan attack by not explicitly distancing themselves from it.Maurice Barrès, Paul Bourget, and Gabriele D'Annunzio were not nearly so self-effacing. They were not only conspicuous and active militants of antidemocratic elitism, but they meant their literary works to convert the reader to their strident persuasion. Their polemical statements and their novels promoted the cult of the superior self and nation, in which the Church performed the holy sacraments. Barrès, Bourget, and D'Annunzio were purposeful practitioners of the irruptive politics of nostalgia that called for the restoration of enlightened absolutism, hierarchical society. and elite culture in the energizing fires of war. "
4 " I can remember when I was a bit of an ETA fan myself. It was in 1973, when a group of Basque militants assassinated Adm. Carrero Blanco. The admiral was a stone-faced secret police chief, personally groomed to be the successor to the decrepit Francisco Franco. His car blew up, killing only him and his chauffeur with a carefully planted charge, and not only was the world well rid of another fascist, but, more important, the whole scheme of extending Franco's rule was vaporized in the same instant. The dictator had to turn instead to Crown Prince Juan Carlos, who turned out to be the best Bourbon in history and who swiftly dismantled Franco's entire system. If this action was 'terrorism,' it had something to be said for it. Everyone I knew in Spain made a little holiday in their hearts when the gruesome admiral went sky-high. "
― Christopher Hitchens , Christopher Hitchens and His Critics: Terror, Iraq, and the Left
5 " When I came to the Middle East, journalists had a kind of immunity that allowed us to travel freely and meet with militants who hated Israel and the United States. In 2000, when I was working for Agence France-Presse, I didn’t feel fearful when I went to Gaza to meet with Hamas leaders or to the West Bank to speak to Palestinian gunmen. These men didn’t much like me. We didn’t have anything in common. But they felt that they had to treat me with common decency and a modicum of respect because I was a journalist and I was writing about them. They wanted to spin me so that I would give the world their version of events. They were never completely happy, of course, because my pieces didn’t make them look as perfect as they looked to themselves. But they needed to talk to me and other reporters because we were the only way they could get their story out. Now jump ahead to 2006. Zarqawi was on his killing spree in Iraq, and suddenly the Internet had become ubiquitous, and uploading videos on YouTube and other platforms was literally child’s play. So Zarqawi and his henchmen said to themselves, “Why should we let reporters interview us and filter what we say? We can go straight to the Internet and say exactly what we want, for as long as we want to say it, and we can post videos that Western journalists would never show.” Journalists became worthless, at least as megaphones. But we became valuable as commodities to be stolen, bought, and sold, traded for prisoners, or ransomed for millions. "
― Richard Engel , And Then All Hell Broke Loose: Two Decades in the Middle East