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1 " Why is it we want so badly to memorialize ourselves? Even while we're still alive. We wish to assert our existence, like dogs peeing on fire hydrants. We put on display our framed photographs, our parchment diplomas, our silver-plated cups; we monogram our linen, we carve our names on trees, we scrawl them on washroom walls. It's all the same impulse. What do we hope from it? Applause, envy, respect? Or simply attention, of any kind we can get?At the very least we want a witness. We can't stand the idea of our own voices falling silent finally, like a radio running down. "
― Margaret Atwood , The Blind Assassin
2 " You are wrong,” says the man. His voice is low and resonant. The metal walls of the dome, all the knives and swords and spears, all seem to vibrate with each of his words. “Your rulers and their propaganda have sold you this watered-down conceit of war, of a warrior yoked to the whims of civilization. Yet for all their self-professed civility, your rulers will gladly spend a soldier’s life to better aid their posturing, to keep the cost of a crude good low. They will send the children of others off to die and only think upon it later to grandly and loudly memorialize them, lauding their great sacrifice. Civilization is but the adoption of this cowardly method of murder. "
― Robert Jackson Bennett , City of Blades (The Divine Cities, #2)
3 " You can’t re-create the first time you promise to love someone or the first time you feel loved by another. You cannot relive the sensation of fear, admiration, self-consciousness, passion, and desire all mixed into one because it never happens twice. You chase it like the first high for the rest of your life. It doesn’t mean you can’t love another or move on; it just means that the one spontaneous moment, the split second that you took the leap, when your heart was racing and your mind was muddled with What ifs?—that moment—will never happen the same way again. It will never feel as intense as the first time. At least, that’s the way I remember it. That’s why my mother always said we memorialize our past. Everything seems better in a memory. "
― Renee Carlino , Before We Were Strangers
4 " Another site of Leftist struggle [other than Detroit] that has parallels to New Orleans: Palestine. From the central role of displacement to the ways in which culture and community serve as tools of resistance, there are illuminating comparisons to be made between these two otherwise very different places.In the New Orleans Black community, death is commemorated as a public ritual (it's often an occasion for a street party), and the deceased are often also memorialized on t-shirts featuring their photos embellished with designs that celebrate their lives. Worn by most of the deceased's friends and family, these t-shirts remind me of the martyr posters in Palestine, which also feature a photo and design to memorialize the person who has passed on. In Palestine, the poster's subjects are anyone who has been killed by the occupation, whether a sick child who died at a checkpoint or an armed fighter killed in combat. In New Orleans, anyone with family and friends can be memorialized on a t-shift. But a sad truth of life in poor communities is that too many of those celebrate on t-shirts lost their lives to violence. For both New Orleans and Palestine, outsiders often think that people have become so accustomed to death by violence that it has become trivialized by t-shirts and posters.While it's true that these traditions wouldn't manifest in these particular ways if either population had more opportunities for long lives and death from natural causes, it's also far from trivial to find ways to celebrate a life. Outsiders tend to demonize those killed--especially the young men--in both cultures as thugs, killers, or terrorists whose lives shouldn't be memorialized in this way, or at all. But the people carrying on these traditions emphasize that every person is a son or daughter of someone, and every death should be mourned, every life celebrated. "
― Jordan Flaherty , Floodlines: Community and Resistance from Katrina to the Jena Six
5 " Why is it we want so badly to memorialize ourselves? Even while we're still alive. We wish to assert our existence, like dogs peeing on fire hydrants. "
6 " No one has yet had the courage to memorialize his wealth on his tombstone. A dollar mark would not look well there. "
7 " Personally, I can't see the appeal in trekking down to D.C. for a networking extravaganza, even if it is built around a special moment in American history. While I find the election of Barack Obama inspirational, I don't have a desire to memorialize it with overly effusive celebration. "
8 " I think it's very important for writers and artists generally to be witnesses to the world, and to be transparent. To let other people speak... to travel... to experience the world. And memorialize it. "