Home > Topic > melodramatic
1 " At the evident risk of seeming ridiculous, I want to begin by saying that I have tried for much of my life to write as if I was composing my sentences to be read posthumously. I hope this isn't too melodramatic or self-centred a way of saying that I attempt to write as if I did not care what reviewers said, what peers thought, or what prevailing opinions may be. "
― Christopher Hitchens , A Long Short War: The Postponed Liberation of Iraq
2 " Another strike of lightening – now accompanied by the deep-bellied rumble, and the horse reared, incidentally setting Henry very picturesquely against the inconstant moon. Alas, Catherine was deeply engaged in her argument with Old Edric and this missed entirely the melodramatic display. But we may assume that, possessing so strong an imagination, Catherine had often pictured Henry thus... "
― Emily C.A. Snyder , Nachtstürm Castle: A Gothic Austen Novel
3 " Exiting from any long-term relationship comes at great personal expense, which explains why so many people are understandably reluctant to endure the cost of severance. Beginnings and endings are always dramatic and occasionally traumatic. Youthful brio allows us to engage in transformation. As we age, we carefully weigh the spectacle of continuing enduring harrowing situations or seeking melodramatic renovation of our core being. Analysis of the respective cost benefit ratio, consideration of the known versus the unknown, can delay or permanently deter us from altering our environment, leading our persona to become more rigid as we mature. Transformations in life are disconcerting to people who resist change. "
― , Dead Toad Scrolls
4 " People who mock incidents in history such as 9/11 or the Holocaust, referring to it all as a hoax or stirring up crazy conspiracy theories about it, should really stop and think about their words first, both because it shows flaws in logic and rationality to deny the obvious, and because to play pretend with incidents which killed innocent people, well, that's just like laughing in the face of tragedy. It's as if to say, " no, it's not horrible enough that these people were killed, oh no, we have to drag on these incidents by indulging in melodramatic fantasies!" In essence this means that those who lost loved ones not only have to live with these losses forever, they also have to live with the people who deny that any of it ever happened. It does no good to forget history or to deny it. All it does is desensitize people; it tells them that it's all just a game, which then risks the possibility of nobody taking it seriously enough to prevent something similar from happening again. "
5 " A vivid - if somewhat melodramatic - firsthand description of what deliberate practice can feel like comes from dancer Martha Graham: 'Dancing appears glamorous, easy, delightful. But the path to the paradise of that achievement is not easier than any other. There is fatigue so great that the body cries even in its sleep. There are times of complete frustration. There are daily small deaths. "
― Angela Duckworth , Grit: The Power of Passion and Perseverance
6 " My first kiss I regret. My first date I regret. But I do not regret the choice to say I love you for the first time. Even though that was the melodramatic story. Even though that one ended badly. I don’t regret it. Because that time ... that night, I was myself. I found my feelings and honored them. I loved myself enough to trust what I felt and say what I needed to say. And I chose to be myself. I was present as I delivered my awkward speech and felt each pound of my beating heart. I had never been more of myself than in that moment. "
― Stephen Lovegrove , How to Find Yourself, Love Yourself, & Be Yourself: The Secret Instruction Manual for Being Human
7 " If people have no respect for God, no love for their Maker, I would ask the question another way: Why not pillage, rape, persecute and murder? If it feels good, and they can get away with it, why not? If God is dead or does not exist, as these people believe, why are not all things permitted? Why should they restrain themselves? Because it’s just wrong? Because it’s not the way civilized people behave? Because what goes around comes around? Because they’ll end up feeling terrible inside?Within tidy circles of properly socialized and reasonable people, such appeals can seem like they actually have the power to restrain people from doing what they otherwise feel like doing. But in the real world outside the philosophy seminar room, oppressors frankly don’t care that you think it’s just wrong. Who are you, they ask, to foist your random moral intuition on them? Who are you to tell them or the lords of the Third Reich what civilized people should and should not do? If what goes around tends to come around, then there’s no moral problem, only a practical problem of making sure it doesn’t come around to you. They think, Fine, if being brutal makes you feel terrible inside, then don’t do it. But it makes me feel powerful, alive, exhilarated and masterful, so quit whining — unless you want to try to stop me.This description of a dark Nietzschean world of self-will — a vacuum devoid of moral authority or spiritual resources for good — used to sen excessively melodramatic to me. But then I got out more. The world is truly full of brutal oppression because humans have rejected their Maker, the source of all goodness, mercy, compassion, truth, justice, and love. "
― Gary A. Haugen , Good News About Injustice: A Witness of Courage in a Hurting World
8 " He did not care upon what terms he satisfied his passion. He had even a mad, melodramatic idea to drug her. "
― W. Somerset Maugham
9 " We welcome into our homes the machines that vacuum the thoughts out of our heads and pump in someone else's. John Berger in Ways of Seeing said that television advertisers succeeded by persuading viewers to envy themselves as they would be if they bought the product. These programmes do something similar, by persuading the viewer to envy himself as he would be if his life were that little bit more exciting and melodramatic than it actually is. They can make things seem normal that are not. "
― Peter Hitchens , The Abolition of Britain: From Winston Churchill to Princess Diana
10 " Apart from such chaotic classics as these, my own taste in novel reading is one which I am prepared in a rather especial manner, not only to declare, but to defend. My taste is for the sensational novel, the detective story, the story about death, robbery and secret societies; a taste which I share in common with the bulk at least of the male population of this world. There was a time in my own melodramatic boyhood when I became quite fastidious in this respect. I would look at the first chapter of any new novel as a final test of its merits. If there was a murdered man under the sofa in the first chapter, I read the story. If there was no murdered man under the sofa in the first chapter, I dismissed the story as tea-table twaddle, which it often really was. But we all lose a little of that fine edge of austerity and idealism which sharpened our spiritual standard in our youth. I have come to compromise with the tea-table and to be less insistent about the sofa. As long as a corpse or two turns up in the second, the third, nay even the fourth or fifth chapter, I make allowance for human weakness, and I ask no more. But a novel without any death in it is still to me a novel without any life in it. I admit that the very best of the tea-table novels are great art - for instance, Emma or Northanger Abbey. Sheer elemental genius can make a work of art out of anything. Michelangelo might make a statue out of mud, and Jane Austen could make a novel out of tea - that much more contemptible substance. But on the whole I think that a tale about one man killing another man is more likely to have something in it than a tale in which, all the characters are talking trivialities without any of that instant and silent presence of death which is one of the strong spiritual bonds of all mankind. I still prefer the novel in which one person does another person to death to the novel in which all the persons are feebly (and vainly) trying to get the others to come to life. "
― G.K. Chesterton ,
11 " Our fiction is not merely in flight from the physical data of the actual world…it is, bewilderingly and embarrassingly, a gothic fiction, nonrealistic and negative, sadist and melodramatic – a literature of darkness and the grotesque in a land of light and affirmation…our classic [American] literature is a literature of horror for boys "
― Leslie Fielder
12 " Critical pessimists, such as media critics Mark Crispin Miller, Noam Chomsky, and Robert McChesney, focus primarily on the obstacles to achieving a more democratic society. In the process, they often exaggerate the power of big media in order to frighten readers into taking action. I don't disagree with their concern about media concentration, but the way they frame the debate is self-defeating insofar as it disempowers consumers even as it seeks to mobilize them. Far too much media reform rhetoric rests on melodramatic discourse about victimization and vulnerability, seduction and manipulation, " propaganda machines" and " weapons of mass deception" . Again and again, this version of the media reform movement has ignored the complexity of the public's relationship to popular culture and sided with those opposed to a more diverse and participatory culture. The politics of critical utopianism is founded on a notion of empowerment; the politics of critical pessimism on a politics of victimization. One focuses on what we are doing with media, and the other on what media is doing to us. As with previous revolutions, the media reform movement is gaining momentum at a time when people are starting to feel more empowered, not when they are at their weakest. "
13 " Life sucks. Hard. I don’t care how melodramatic that sounds, it’s the truth and I’m living it. "
14 " Neither would you, had you grown up in a library of melodramatic romance novels. "
15 " How did the hearing go?” she asked.“We won, sort of,” Kaldar said. “We die at dawn.”“The court gave the Sheeriles twenty-four hours,” William corrected.“Yes, but ‘we die at dawn the day after tomorrow’ doesn’t sound nearlyas dramatic.”“Does it have to be dramatic all the time?” Catherine murmured.“Of course. Everyone has a talent. Yours is crocheting and mine ismaking melodramatic statements. "
― Ilona Andrews , Bayou Moon (The Edge, #2)
16 " Exaggeration is the melodramatic child of truth. "
―
17 " This is the fairytale of my life, the mythology of my existence, and, as I only have one story to tell, there is only one way to tell it. You may find it a little melodramatic at moments and you may not like who I was at times. But, princes frequently start out as frogs and, perhaps, by the time I reach my end, you will understand why. And so, as we all must have a beginning, a middle and an end, I will start at the beginning. Once upon a time... "
― James Campion Conway , The Vagabond King: A coming of age story
18 " My view is that life is too short. I'm not being melodramatic or anything, but when your mother dies in your arms - just you and her, and it's one o'clock in the morning, and you're waiting for her to exhale - you just think, life's too bloody short to argue about the little things. "
