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1 " Ladies and gentlemen of the class of '97:Wear sunscreen.If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 p.m. on some idle Tuesday. "
― Mary Schmich
2 " so here i sit. a sum of the parts. about a third way down this wonderful path, so to speak. and i've been thinking lately about a friendship that fell apart with time, with distance, and with the misunderstanding of youth. i'm trying not to confuse sadness with regret. not the easiest thing at times. i dont regret that certain things happened. i understand that perhaps i had a choice in the matter, or perhaps i believe in fate. probably not, but so far actions as small as the quickest glance to events as monumental as death have pushed me slowly along to right here, right now. there was no other way to get here. the meandering and erratic path was actually the straightest of lines. take away a handful of angry words, things once thought of as mistakes or regrets, and i'm suddenly a different person with a different history, a different future. that, i would regret. so here i sit. thinking about a person i once called my best friends. a man who might be full of sadness and regret, who might not give a damn, or who might, just might, remember the future and realize that's where its at. "
― chris wright
3 " Beauty is not a warrant for wellbeing and so does happiness not hinge on social success, but is only tangible via intricate, meandering discovery journeys in the mind. (" Absence of beauty was like hell" ) "
4 " To HelenI saw thee once-once only-years ago;I must not say how many-but not many.It was a july midnight; and from outA full-orbed moon, that, like thine own soul, soaring,Sought a precipitate pathway up through heaven,There fell a silvery-silken veil of light,With quietude, and sultriness, and slumberUpon the upturn'd faces of a thousandRoses that grew in an enchanted garden,Where no wind dared to stir, unless on tiptoe-Fell on the upturn'd faces of these rosesThat gave out, in return for the love-lightThier odorous souls in an ecstatic death-Fell on the upturn'd faces of these rosesThat smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence.Clad all in white, upon a violet bank I saw thee half reclining; while the moonFell on the upturn'd faces of the rosesAnd on thine own, upturn'd-alas, in sorrow!Was it not Fate that, on this july midnight-Was it not Fate (whose name is also sorrow)That bade me pause before that garden-gate,To breathe the incense of those slumbering roses?No footstep stirred; the hated world all slept,Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!)Save only thee and me. I paused- I looked-And in an instant all things disappeared.(Ah, bear in mind this garden was enchanted!)The pearly lustre of the moon went out;The mossy banks and the meandering paths,The happy flowers and the repining trees,Were seen no more: the very roses' odorsDied in the arms of the adoring airs.All- all expired save thee- save less than thou:Save only the divine light in thine eyes-Save but the soul in thine uplifted eyes.I saw but them- they were the world to me.I saw but them- saw only them for hours-Saw only them until the moon went down.What wild heart-histories seemed to lie enwrittenUpon those crystalline, celestial spheres!How dark a woe! yet how sublime a hope!How silently serene a sea of pride!How daring an ambition!yet how deep-How fathomless a capacity for love!But now, at length, dear Dian sank from sight,Into western couch of thunder-cloud;And thou, a ghost, amid the entombing treesDidst glide away. Only thine eyes remained.They would not go- they never yet have gone.Lighting my lonely pathway home that night,They have not left me (as my hopes have) since.They follow me- they lead me through the years.They are my ministers- yet I thier slaveThier office is to illumine and enkindle-My duty, to be saved by thier bright light,And purified in thier electric fire,And sanctified in thier Elysian fire.They fill my soul with Beauty (which is Hope),And are far up in heaven- the stars I kneel toIn the sad, silent watches of my night;While even in the meridian glare of dayI see them still- two sweetly scintillantVenuses, unextinguished by the sun! "
― Edgar Allan Poe
5 " I saw thee once - only once - years ago:I must not say how many - but not many.It was a July midnight; and from outA full-orbed moon, that, like thine own soul, soaring,Sought a precipitate pathway up through heaven,There fell a silvery-silken veil of light,With quietude, and sultriness, and slumber,Upon the upturn'd faces of a thousandRoses that grew in an enchanted garden,Where no wind dared stir, unless on tiptoe -Fell on the upturn'd faces of these rosesThat gave out, in return for the love-light,Their odorous souls in an ecstatic death -Fell on the upturn'd faces of these rosesThat smiled and died in the parterre, enchantedBy thee, and by the poetry of thy presence.Clad all in white, upon a violet bankI saw thee half reclining; while the moonFell upon the upturn'd faces of the roses,And on thine own, upturn'd - alas, in sorrow!Was it not Fate, that, on this July midnight -Was it not Fate, (whose name is also Sorrow,)That bade me pause before that garden-gate,To breathe the incense of those slumbering roses?No footsteps stirred: the hated world all slept,Save only thee and me. (Oh, Heaven! - oh, G**!How my heart beats in coupling those two words!)Save only thee and me. I paused - I looked -And in an instant all things disappeared.(Ah, bear in mind the garden was enchanted!)The pearly lustre of the moon went out:The mossy banks and the meandering paths,The happy flowers and the repining trees,Were seen no more: the very roses' odorsDied in the arms of the adoring airs.All - all expired save thee - save less than thou:Save only divine light in thine eyes -Save but the soul in thine uplifted eyes.I saw but them - they were the world to me.I saw but them - saw only them for hours -Saw only them until the moon went down.What wild heart-histories seemed to lie enwrittenUpon those crystalline, celestial spheres!How dark a wo! yet how sublime a hope!How silently serene a sea of pride!How daring an ambition! yet how deep -How fathomless a capacity for love!But now, at length, dear Dian sank from sight,Into a western couch of thunder-cloud;And thou, a ghost, amid the entombing treesDidst glide away. Only thine eyes remained.They would not go - they never yet have gone.Lighting my lonely pathway home that night,They have not left me (as my hopes have) since.They follow me - they lead me through the years.They are my ministers - yet I their slave.Their office is to illumine and enkindle -My duty, to be saved by their bright fire,And purified in their electric fire,And sanctified in their elysian fire.They fill my soul with Beauty (which is Hope,)And are far up in Heaven - the stars I kneel toIn the sad, silent watches of my night;While even in the meridian glare of dayI see them still - two sweetly scintillantVenuses, unextinguished by the sun! "
― Edgar Allan Poe , The Raven and Other Poems
6 " What does education often do? It makes a straight-cut ditch of a free, meandering brook. "
― Henry David Thoreau
7 " I see foxes often, but always they are crossing fallow fields in the distance. Gold flecks on faraway expanses of green. Magnetic to the meandering eye. Enigmatic, unreachable. "
― Sara Baume , A Line Made by Walking
8 " The course of the Rhine below Mainz becomes much more picturesque. The river descends rapidly and winds between hills, not high, but steep, and of beautiful forms. We saw many ruined castles standing on the edges of precipices, surrounded by black woods, high and inaccessible. This part of the Rhine, indeed, presents a singularly variegated landscape. In one spot you view rugged hills, ruined castles overlooking tremendous precipices, with the dark Rhine rushing beneath; and on the sudden turn of a promontory, flourishing vineyards with green sloping banks and a meandering river and populous towns occupy the scene. "
― Mary Wollstonecraft Shelley , Frankenstein: The 1818 Text
9 " Power and glory are two dialectic energies working in common ground. Taking a glimpse of the meandering under swell of glory in the shade of power, can be very inspiring and illuminating. (" The power and the glory" ) "
10 " Creativity can turn into an avalanche or a tempest, but can also flow like a meandering tributary to same destination "
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11 " ...we’re not even really hiking,more like meandering in cinematic light. "
― Kristen Henderson , Drum Machine
12 " I thought how lovely and how strange a river is. A river is a river, always there, and yet the water flowing through it is never the same water and is never still. It’s always changing and is always on the move. And over time the river itself changes too. It widens and deepens as it rubs and scours, gnaws and kneads, eats and bores its way through the land. Even the greatest rivers- the Nile and the Ganges, the Yangtze and he Mississippi, the Amazon and the great grey-green greasy Limpopo all set about with fever trees-must have been no more than trickles and flickering streams before they grew into mighty rivers.Are people like that? I wondered. Am I like that? Always me, like the river itself, always flowing but always different, like the water flowing in the river, sometimes walking steadily along andante, sometimes surging over rapids furioso, sometimes meandering wit hardly any visible movement tranquilo, lento, ppp pianissimo, sometimes gurgling giacoso with pleasure, sometimes sparkling brillante in the sun, sometimes lacrimoso, sometimes appassionato, sometimes misterioso, sometimes pesante, sometimes legato, sometimes staccato, sometimes sospirando, sometimes vivace, and always, I hope, amoroso.Do I change like a river, widening and deepening, eddying back on myself sometimes, bursting my banks sometimes when there’s too much water, too much life in me, and sometimes dried up from lack of rain? Will the I that is me grow and widen and deepen? Or will I stagnate and become an arid riverbed? Will I allow people to dam me up and confine me to wall so that I flow only where they want? Will I allow them to turn me into a canal to use for they own purposes? Or will I make sure I flow freely, coursing my way through the land and ploughing a valley of my own? "
― Aidan Chambers , This is All: The Pillow Book of Cordelia Kenn
13 " I opened my eyes today to a world that felt alien. For though things resembled the familiar, nothing was the same. Walls I once considered confining, crumbled at the slightest shove. Mountains that for ages had barred my view now faded, transparent. Meandering roads stretched out as straight as an arrow, void of stop signs. Obstacles no longer stood stationary. Pinnacles loomed within reach. Beasts were tame, bullies timid, wagging tongues all tied into knots, and in the palm of my hand glistened the end of a glorious rainbow. It took but a moment to realize that in my newfound sight, everything I’d ever longed for was accessible. Incredibly, the only thing that had really changed was the way I saw the world. "
14 " Do I, then, belong to the heavens?Why, if not so, should the heavensFix me thus with their ceaseless blue stare,Luring me on, and my mind, higherEver higher, up into the sky,Drawing me ceaselessly upTo heights far, far above the human?Why, when balance has been strictly studiedAnd flight calculated with the best of reasonTill no aberrant element should, by rights, remain-Why, still, should the lust for ascensionSeem, in itself, so close to madness?Nothing is that can satify me;Earthly novelty is too soon dulled;I am drawn higher and higher, more unstable,Closer and closer to the sun's effulgence.Why do these rays of reason destroy me?Villages below and meandering streamsGrow tolerable as our distance grows.Why do they plead, approve, lure meWith promise that I may love the humanIf only it is seen, thus, from afar-Although the goal could never have been love, Nor, had it been, could I ever haveBelonged to the heavens?I have not envied the bird its freedomNor have I longed for the ease of Nature,Driven by naught save this strange yearningFor the higher, and the closer, to plunge myselfInto the deep sky's blue, so contraryTo all organic joys, so farFrom pleasures of superiority But higher, and higher,Dazzled, perhaps, by the dizzy incandescenceOf waxen wings.Or do I then Belong, after all, to the earth?Why, if not so, should the earthShow such swiftness to encompass my fall?Granting no space to think or feel,Why did the soft, indolent earth thusGreet me with the shock of steel plate?Did the soft earth thus turn to steelOnly to show me my own softness?That Nature might bring home to meThat to fall, not to fly, is in the order of things,More natural by far than that improbable passion?Is the blue of the sky then a dream?Was it devised by the earth, to which I belonged,On account of the fleeting, white-hot intoxicationAchieved for a moment by waxen wings?And did the heavens abet the plan to punish me?To punish me for not believing in myself Or for believing too much;Too earger to know where lay my allegianceOr vainly assuming that already I knew all;For wanting to fly offTo the unknownOr the known:Both of them a single, blue speck of an idea? "
― Yukio Mishima , Sun and Steel
15 " Village life gently swirled around them, with the perpetual ebb and flow of people, scurrying in every direction. The village was a living, organic entity, with blood flowing through its veins, and with a definite pulse and heartbeat. It had its own distinct personality and its own dark caustic humour, and was constantly processing and regurgitating information through its winding, meandering streets. "
― Leonardo Donofrio , Old Country
16 " Pastors enter congregations vocationally in order to embrace the totality of human life in Jesus' name. We are convinced there is no detail, however unpromising, in people's lives in which Christ may not work his will. Pastors agree to stay with the people in their communities week in and week out, year in and year out, to proclaim and guide, encourage and instruct as God work his purposes (gloriously, it will eventually turn out) in the meandering and disturbingly inconstant lives of our congregations.This necessarily means taking seriously, and in faith, the dull routines, the empty boredom, and the unattractive responsibilities that make up much of most people's lives. It means witnessing to the transcendent in the fog and rain. It means living hopefully among people who from time to time get flickering glimpses of the Glory but then live through stretches, sometimes long ones, of unaccountable grayness. Most pastor work takes place in obscurity: deciphering grace in the shadows, searching out meaning in a difficult text, blowing on the embers of a hard-used life. This is hard work and not conspicuously glamorous. "
― Eugene H. Peterson , Under the Unpredictable Plant an Exploration in Vocational Holiness (The Pastoral series, #3)
17 " Alternately in our lives come black and white.Nothing is visible through the silent dark hole:no light, no life, no meandering respitein the tunnel of death, journeys the eternal soul. "
18 " Books are like rivers, meandering this way and that, but taking us on a steady, flowing course to somewhere different. "
― Carla H. Krueger
19 " Well, as you can plainly see, the possibilities are endless like meandering paths in a great big beautiful garden. "
― William S. Burroughs , Naked Lunch
20 " And I feel like the Queen of Water. I feel like water that transforms from a flowing river to a tranquil lake to a powerful waterfall to a freshwater spring to a meandering creek to a salty sea to raindrops gentle on your face to hard, stinging hail to frost on a mountaintop, and back to a river again. "
― María Virginia Farinango , The Queen of Water