5
" Supermarkets this large and clean and modern are a revelation to me. I spent my life in small steamy delicatessens with slanted display cabinets full of trays that hold soft wet lumpy matter in pale colours. High enough cabinets so you had to stand on tiptoes to give your order. Shouts, accents. In cities no one notices specific dying. Dying is a quality of the air. It's everywhere and nowhere. Men shout as they die to be noticed, remembered for a second or two. To die in an apartment instead of a house can depress the soul, I would imagine, for several lives to come. In a town there are houses, plants in bay windows. People notice dying better. The dead have faces, automobiles. If you don't know a name you know a street name, a dog's name. 'He drove an orange Mazda.' You know a couple of useless things about a person that become major facts of identification and cosmic placement when he dies suddenly, after a short illness, in his own bed, with a comforter and matching pillows, on a rainy Wednesday afternoon, feverish, a little congested in the sinuses and chest, thinking about his dry cleaning. "
― Don DeLillo , White Noise
6
" Dearly beloved...The president’s daughter and Cameron Roberts faced each other, hands lightly clasped, eyes locked.I, Blair Allison Powell, take you, Cameron Reed Roberts, to be my friend, my lover, the mother of my children, and my wife. I will be yours in times of plenty and in times of want, in times of sickness and in times of health, in times of joy and in times of sorrow, in times of failure and in times of triumph. I promise to cherish and respect you, to care for and protect you, to comfort and encourage you, and to stay with you, for all eternity.A willowy blonde stepped to Blair’s side, and Blair lifted a gleaming gold band from her palm. She lifted Cam’s left hand and slid the ring securely on her third nger. With this ring, I thee wed.Cameron Roberts’s gaze never wavered from Blair’s face, her voice ringing strong and clear. I, Cameron Reed Roberts, take you, Blair Allison Powell, to be my friend, my lover, the mother of my children, and my wife. I will be yours in times of plenty and in times of want, in times of sickness and in times of health, in times of joy and in times of sorrow, in times of failure and in times of triumph. I promise to cherish and respect you, to care for and protect you, to comfort and encourage you, and to stay with you, for all eternity.Roberts accepted the matching ring from a young dark-haired woman who leaned on a plain wood cane, and slipped it onto Blair’s nger. With this ring, I thee wed.An anticipatory breath shuddered through the crowd. Six uniformed of cers, the Guard of Honor, stepped in sync to form a path from the proceedings area, facing one another in a line, white-gloved hands on shining saber hilts.By the power vested in me by the United States Army, the President of the United States, and the Commonwealth of...The three male and three female of cers drew their swords with a slick of steel, their blades raised and touching to form the Arch of Sabers....I pronounce you wed.The couple kissed, the crowd clapped... "
14
" What do you mean, 'Angle of Repose?' she asked me when I dreamed we were talking about Grandmother's life, and I said it was the angle at which a man or woman finally lies down. I suppose it is; and yet ... I thought when I began, and still think, that there was another angle in all those years when she was growing old and older and very old, and Grandfather was matching her year for year, a separate line that did not intersect with hers. They were vertical people, they lived by pride, and it is only by the ocular illusion of perspective that they can be said to have met. But he had not been dead two months when she lay down and died too, and that may indicate that at that absolute vanishing point they did intersect. They had intersected for years, for more than he especially would ever admit. "
― Wallace Stegner , Angle of Repose
15
" I was about 12 years old and I was sitting watching the television and it was some kind of talent show, you know, and on marches this monkey, this ape, in a pair of red-checked trousers with a little matching jacket holding a ukelele and it started jigging around playing it, and it was looking straight into the camera, straight at me, and I remember thinking, that's it, that'll be me, you know, that'll be me. "
― Nick Cave
16
" There were fat cats and skinny cats. The long-tailed and the bobbed. The daring young leapers, and the old windowsill sleepers. Balls of waddling fluff, smooth-coated prowlers, and hairless ones that looked fragile and wise. The tiger-striped, the ring-tailed, and the ones with matching coloured socks and mittens. There were tabbies and calicos. Manx and Persians. Siamese and Bombay. Ragdolls and Birmans. Maine Coons and Russian Blues. There were Snowshoes and Somalis, Tonkinese and Turkish, and many, many more. Brown and beige and orange and grey and black and white and silver cats, each with gleaming eyes of emerald, or sapphire, or amber. A rainbow of precious stones. "
― Brooke Burgess , The Cat's Maw (The Shadowland Saga #1)
17
" Her gaze flickered to the balcony doors and back, her brows knitted in confusion. “My balcony doesn’t connect to yours.”
“I jumped.” He grinned at the flash of concern he saw in “her eyes. “At dinner, your grandmother informed me that you’d be moving to the room beside mine. She also mentioned how close my balcony was to yours; so close that even an old lady like herself could leap between the two without the least effort.”
Venetia’s cheeks heated and she pulled her nightgown closer. “Grandmama is anything but subtle.”
“Almost as subtle as your mother.”
“Oh, no! Not Mama, too.”
Gregor paused beside a small table to pick up a silver tray holding a cut crystal decanter and matching glasses and set it on the table before Venetia. “Your mother was concerned I might be afraid of heights. She told me that if she were thinking of jumping between the balconies and couldn’t bring herself to make the leap, it might be possible to pick the lock on the connecting door with, say, a cravat pin.”
Venetia blushed. “I’m surprised they aren’t in here now, throwing rose petals before you as you walk.”
“I would never countenance petal tossing. Too showy. "
― Karen Hawkins , To Scotland, With Love (MacLean Curse, #2)
18
" Was it a moment of indecision or was it a moment of redemption. Redemption long overdue and long unacknowledged? They didn’t know. He suddenly went at her mouth and she claimed it as if it was never supposed to be elsewhere.
It was stormy. It was fierce. His manhood shafted through his loose night pajamas challenging her even beyond the thickness of her bath robe, which was cast aside in one unsparing sweep of his hand, revealing the quavering ripeness of her fulsome breasts. After a moment of awe, he went at them with unquenched ferocity.
First he devoured her there itself, against the wall, on the carpet. Within moments their frenzied hands tore away each other’s underpants with unapologetic fury and then in one smooth motion of a dancer’s lucidity, he lifted her and like a great performer of an opera, placed her on the bed. The inviting altar of desire and passion and longing. Now as they claimed each other, there was unhurried fluidity in their motion. Tears of pain and love in their eyes. Ecstasy of carnal compatibility in their fusion. Symphony of sensuality in their strokes and when he finally exploded inside her, she had gone aflame with matching uncontrollability.
It was a heavenly union which in one go had robbed them of their beings, their earth, their universe, their past, their present, their future. In one instant, they had undone what was done and had done what was ‘not done’. "
― Vinod Pande