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1 " Well,” Lynx said once the man was dead. “That was…uneventful.”“You’re as fickle as an old woman,” Zeus told Lynx. “One minute too much carnage, the next not enough. "
― , On the Edge of Love (Mama's Brood, #1)
2 " She has a serene, glowing disposition. She looks at you and the rest of the world through the eyes of a lynx and is always mysterious, possibly because she always harbours those hidden laughs just beneath her lips. She’s always ready to laugh. "
― C. JoyBell C.
3 " Home. the word always had air quotes around it in her mind. She'd done what she could to make her flat cozy, filling it with art, books, ornate lanterns, and a Persian carpet as soft as lynx fur. And of course there were her angel wings taking up one whole wall. But there was no help for the real emptiness; its close air was stirred by no breath but her own. When she was alone, the empty place within her, the missingness, as she thought of it, seemed to swell. Even being with Kaz had done something to keep it at bay, though not enough. Never enough. "
― Laini Taylor
4 " I went on writing reviews for the newspaper, and critical articles crying out for a different approach to culture, as even the most inattentive reader could hardly fail to notice if he scratched the surface a little, critical articles crying out, indeed begging, for a return to the Greek and Latin greats, to the Troubadours, to the dolce stil nuovo and the classics of Spain, France and England, more culture! more culture! read Whitman and Pound and Eliot, read Neruda and Borges and Vallejo, read Victor Hugo, for God’s sake, and Tolstoy, and proudly I cried myself hoarse in the desert, but my vociferations and on occasions my howling could only be heard by those who were able to scratch the surface of my writings with the nails of their index fingers, and they were not many, but enough for me, and life went on and on and on, like a necklace of rice grains, on each grain of which a landscape had been painted, tiny grains and microscopic landscapes, and I knew that everyone was putting that necklace on and wearing it, but no one had the patience or the strength or the courage to take it off and look at it closely and decipher each landscape grain by grain, partly because to do so required the vision of a lynx or an eagle, and partly because the landscapes usually turned out to contain unpleasant surprises like coffins, makeshift cemeteries, ghost towns, the void and the horror, the smallness of being and its ridiculous will, people watching television, people going to football matches, boredom navigating the Chilean imagination like an enormous aircraft carrier. And that’s the truth. We were bored. We intellectuals. Because you can't read all day and all night. You can't write all day and all night. Splendid isolation has never been our style... "
― Roberto Bolaño , By Night in Chile