5
" I smiled sweetly at his embarressment, beginning to walk again, kicking up golden leaves. I heard him scuffling leaves behind me. " And what was the point of this again?" Forget it!" Sam said. " Do you you like this place or not?" I stoped in my tracks, spinning to face him. " Hey." I pointed at him; he raised his eyebrows and stopped in his tracks. " You didn't think Jack would be here at all, did you?" His thick black eyebrows went up even farther. Did you evan intend to look for him at all?" He held his hands up as if a surrender. " What do you want me to say?" You were trying to see if I would reconize it, wern't you?" I took anouther step, colsing the distance between us. I could feel the heat of his body, even without touching him, in the increasing cold of the day. " YOU told me about this wood somehow. How did you show it to me?" I keep trying to tell you. You wont listen. Because you're stubbon. It's how we speek- it's the only words we have. Just pictures. Just simple little picters. You HAVE changed Grace. Just not your skin. I want you to believe me." His hands were still raise, but he was starting to grin at me in the failing light.So you brought me here to see this." I stepped forward again, and he stepped back.Do you like it?" Under false pretence." Anouther step forward; anouther back. The grine widenedSo do you like it?" When you knew we wouldn't come across anybody else." His teeth flashed in his grin. " Do you like it?" I punched my hands into his chest. " You know I love it. You knew I would." I went to punch him, and he grabed my wrists. For a moment we stood there like that, him looking down at me with a grin half-caught on his face, and me lookingup at him: Still Life with Boy and Girl. It would've been the perfect moment to kiss me, but he didn't. He just looked at me and looked at me, and by the time I relizeed I could just as easily kiss him, I noticed that his grin was slipping away. Sam slowly lowered my wrists and relesed them. " I'm glad." he said very quietly.My arms still hung by my sides, right where Sam had put them. I frowned at him. " You were supposed to kiss me." I thought about it." I just kept looking at the soft, sad shape of his lips, looking just like his voice sounded. I was probably staring, but I couldn't stop thinking about how much I wanted him to kiss me and how stupide it was to want it so badly. " Why don't you?" He leaned over and gave mr the lightest of kisses. His lips, cool and dry, ever so polite and incredibly maddening. " I have to get inside soon," he whispered " It's getting cold "
9
" AlmondineTo her, the scent and the memory of him were one. Where it lay strongest, the distant past came to her as if that morning: Taking a dead sparrow from her jaws, before she knew to hide such things. Guiding her to the floor, bending her knee until the arthritis made it stick, his palm hotsided on her ribs to measure her breaths and know where the pain began. And to comfort her. That had been the week before he went away.He was gone, she knew this, but something of him clung to the baseboards. At times the floor quivered under his footstep. She stood then and nosed into the kitchen and the bathroom and the bedroom-especially the closet-her intention to press her ruff against his hand, run it along his thigh, feel the heat of his body through the fabric.Places, times, weather-all these drew him up inside her. Rain, especially, falling past the double doors of the kennel, where he’d waited through so many storms, each drop throwing a dozen replicas into the air as it struck the waterlogged earth. And where the rising and falling water met, something like an expectation formed, a place where he might appear and pass in long strides, silent and gestureless. For she was not without her own selfish desires: to hold things motionless, to measure herself against them and find herself present, to know that she was alive precisely because he needn’t acknowledge her in casual passing; that utter constancy might prevail if she attended the world so carefully. And if not constancy, then only those changes she desired, not those that sapped her, undefined her.And so she searched. She’d watched his casket lowered into the ground, a box, man-made, no more like him than the trees that swayed under the winter wind. To assign him an identity outside the world was not in her thinking. The fence line where he walked and the bed where he slept-that was where he lived, and they remembered him.Yet he was gone. She knew it most keenly in the diminishment of her own self. In her life, she’d been nourished and sustained by certain things, him being one of them, Trudy another, and Edgar, the third and most important, but it was really the three of them together, intersecting in her, for each of them powered her heart a different way. Each of them bore different responsibilities to her and with her and required different things from her, and her day was the fulfillment of those responsibilities. She could not imagine that portion of her would never return. With her it was not hope, or wistful thoughts-it was her sense of being alive that thinned by the proportion of her spirit devoted to him." ory of Edgar Sawtelle" As spring came on, his scent about the place began to fade. She stopped looking for him. Whole days she slept beside his chair, as the sunlight drifted from eastern-slant to western-slant, moving only to ease the weight of her bones against the floor.And Trudy and Edgar, encapsulated in mourning, somehow forgot to care for one another, let alone her. Or if they knew, their grief and heartache overwhelmed them. Anyway, there was so little they might have done, save to bring out a shirt of his to lie on, perhaps walk with her along the fence line, where fragments of time had snagged and hung. But if they noticed her grief, they hardly knew to do those things. And she without the language to ask. "
11
" You may write me down in history
With your bitter, twisted lies,
You may tread me in the very dirt
But still, like dust, I'll rise.
Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.
Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?
Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise. "
― Maya Angelou
14
" It's a weird thing, writing.
Sometimes you can look out across what you're writing, and it's like looking out over a landscape on a glorious, clear summer's day. You can see every leaf on every tree, and hear the birdsong, and you know where you'll be going on your walk.
And that's wonderful.
Sometimes it's like driving through fog. You can't really see where you're going. You have just enough of the road in front of you to know that you're probably still on the road, and if you drive slowly and keep your headlamps lowered you'll still get where you were going.
And that's hard while you're doing it, but satisfying at the end of a day like that, where you look down and you got 1500 words that didn't exist in that order down on paper, half of what you'd get on a good day, and you drove slowly, but you drove.
And sometimes you come out of the fog into clarity, and you can see just what you're doing and where you're going, and you couldn't see or know any of that five minutes before.
And that's magic. "
― Neil Gaiman
15
" Professor Langdon,' called a young man with curly hair in the back row, 'if Masonry is not a secret society, not a corporation, and not a religion, then what is it?''Well, if you were to ask a Mason, he would offer the following definition: Masonry is a system of morality, veiled in allegory and illustrated by symbols.''Sounds to me like a euphemism for " freaky cult." ''Freaky, you say?''Hell yes!' the kid said, standing up. 'I heard what they do inside those secret buildings! Weird candlelight rituals with coffins, and nooses, and drinking wine out of skulls. Now that's freaky!'Langdon scanned the class. 'Does that sound freaky to anyone else?''Yes!' they all chimed in.Langdon feigned a sad sigh. 'Too bad. If that's too freaky for you, then I know you'll never want to join my cult.'Silence settled over the room. The student from the Women's Center looked uneasy. 'You're in a cult?'Langdon nodded and lowered his voice to a conspiratorial whisper. 'Don't tell anyone, but on the pagan day of the sun god Ra, I kneel at the foot of an ancient instrument of torture and consume ritualistic symbols of blood and flesh.'The class looked horrified.Langdon shrugged. 'And if any of you care to join me, come to the Harvard chapel on Sunday, kneel beneath the crucifix, and take Holy Communion.'The classroom remained silent.Langdon winked. 'Open your minds, my friends. We all fear what we do not understand. "
18
" Well, well, well,” Santa said once the elf had retreated. “Come and sit on my lap, little boy.”This Santa’s beard was real, and so was his hair. He wasn’t fucking around.“I’m not really a little boy,” I pointed out.“Get on my lap, then, big boy.”I walked up to him. There wasn’t much lap under his belly. And even though he tried to disguise it, as I went up there, I swear he adjustedhis crotch.“Ho ho ho!” he chortled.I sat gingerly on his knee, like it was a subway seat with gum on it.“Have you been a good little boy this year?” he asked.I didn’t feel that I was the right person to determine my own goodness or badness, but in the interest of speeding along this encounter, I said yes.He actually wobbled with joy.“Good! Good! Then what can I bring you this Christmas?”I thought it was obvious.“A message from Lily,” I said. “That’s what I want for Christmas. But I want it right now.”“So impatient!” Santa lowered his voice and whispered in my ear. “But Santa does have a little something for you”—he shifted a little inhis seat—“right under his coat. If you want to have your present, you’ll have to rub Santa’s belly.”“What?” I asked.He gestured with his eyes down to his stomach. “Go ahead.”I looked closely and saw the faint outline of an envelope beneath his red velvet coat.“You know you want it,” he whispered.The only way I could survive this was to think of it as the dare it was.Fuck off, Lily. You can’t intimidate me.I reached right under Santa’s coat. To my horror, I found he wasn’t wearing anything underneath. It was hot, sweaty, Geshy, hairy … andhis belly was this massive obstacle, blocking me from the envelope. I had to lean over to angle my arm in order to reach it, the whole timehaving Santa laugh, “Oh ho ho, ho ho oh ho!” in my ear. I heard the elf scream, “What the hell!” and various parents start to shriek. Yes, I was feeling up Santa. And now the corner of the envelope was in my hand. He tried to jiggle it away from me, but I held tight and yanked itout, pulling some of his white belly hair with me. “OW ho ho!” he cried. I jumped o1 his lap. “Security’s here!” the elf proclaimed.The letter was in my hand, damp but intact.“He touched Santa!” a young child squealed. "
20
" Okay, time to get serious. I let my smile fade slowly and lowered my pitch, as no human woman could have. “I’m not joking this time. If I see it, it’s mine, and you won’t get it back at the end of the school year.” I growled, deep and long, savoring the feel of the vibrations in my throat, as if the sound alone could save me. It wasn’t quite a cat’s growl but it was damn close. And it was his last warning.
Miguel dismissed my threat with an easy smile, and my stomach clenched. Oh, yeah, Faythe. You have Puss shaking in his boots, all right. "
― Rachel Vincent , Stray (Shifters, #1)
