9
" Growing numbers of us are acknowledging with grief that many forms of supremacy—Christian, white, male, heterosexual, and human—are deeply embedded not just in Christian history, but also in Christian theology. We are coming to see that in hallowed words like almighty, sovereignty, kingdom, dominion, supreme, elect, chosen, clean, remnant, sacrifice, lord, and even God, dangerous vices often lie hidden. . . . We are coming to see in the life and teaching of Christ, and especially in the cross and resurrection of Christ, a radical rejection of dominating supremacy in all its forms.
The theological term for [this] is kenosis, which means self-emptying. . . . Rather than seizing, hoarding, and exercising power in the domineering ways of typical kings, conquistadors, and religious leaders, Jesus was consistently empowering others. He descended the ladders and pyramids of influence instead of climbing them upwards, released power instead of grasping at it, and served instead of dominating. He ultimately overturned all conventional understandings of . . . power by purging [it] of violence—to the point where he himself chose to be killed rather than kill. "
― Brian D. McLaren , The Great Spiritual Migration: How the World's Largest Religion Is Seeking a Better Way to Be Christian
10
" Down the rusty bars of ladders to the undergrounds of the night propitious to the first man and woman at the beginning of the world. where there were no words by which to possess each other, no music for serenades, no presents to court with, no tournaments to impress and force a yielding, no secondary instruments, no adornments, necklaces, crowns to subdue, but only one ritual, a joyous, joyous, joyous, joyous, impaling of a woman on a man´s sensual mast "
― Anaïs Nin
16
" Tinkling sounds came from outside, of hammering and chiselling, as labourers worked like bees, and seven- or eight-storeyed buildings rose in the place of ancestral mansions that had been razed cruelly to the ground, climbing up like ladders through screens of dust. An old mansion opposite the veranda had been repainted white, to its last banister and pillar, so that it looked like a set of new teeth. ... In another sphere altogether, birds took off from a tree or parapet, or the roof of some rich Marwari’s house, startling and speckling the neutral sky. Not a moment was still or like another moment. In a window in a servants’ outhouse attached to a mansion – both the master’s house and the servants’ lost in a bond now anachronistic and buried – a light shone even at this time of the day, beacon of winter. "
― Amit Chaudhuri , Freedom Song
