1
" The noise of his zip was like the drag of a fingernail down her spine, and Juliet moaned, helpless to stop, as he pushed first his jeans, then his underwear, down and off. He stood tall and proud in front of her, his abs taut, his shoulders back, his stare still fixed between her legs, dark and hooded and intense.
His nudity was breathtaking, his cock jutting out thick and hard as he shoved his hands on his hips.
It was a thoroughly arrogant pose. Like a prince. Or a feudal Lord.
And her body responded in kind, waiting with baited breath for his next royal command, his next move. Knowing she’d do just about anything for him in this moment with the wild beat of her pulse echoing though her ears and her gut and the slick heat at her heart.
Open her mouth. Roll over. Get on all fours.
Beg. "
― Amy Andrews , Playing With Forever (Sydney Smoke Rugby, #4)
3
" Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.”The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life. "
7
" You see, because [Norfolk is] stuck out here on the east, on this hump jutting into the sea, it's not on the way to anywhere. People going north and south, they bypass it altogether. For that reason, it's a peaceful corner of England, rather nice. But it's also something of a lost corner.'
Someone claimed after the lesson that Miss Emily had said Norfolk was England's 'lost corner' because that was were all the lost property found in the country ended up.
Ruth said one evening, looking out at the sunset, that 'when we lost something precious, and we'd looked and looked and still couldn't find it, then we didn't have to be completely heartbroken. We still had that last bit of comfort, thinking one day, when we were grown up, and we were free to travel the country, we could always go and find it again in Norfolk. "
― Kazuo Ishiguro , Never Let Me Go
8
" I remember one teacher there -- I can't recall her name now. She was short and spare, and I remember her eager jutting chin. Quite unexpectedly one day (in the middle, I think, of an arithmetic lesson) she suddenly launched forth on a speech on life and religion. " All of you," she said, " every one of you -- will pass through a time when you will face despair. If you never face despair, you will never have faced, or become, a Christian, or known a Christian life. To be a Christian you must face and accept the life that Christ faced and lived; you must enjoy things as he enjoyed things; be as happy as he was at the marriage at Canaan, know the peace and happiness that it means to be in harmony with God and with God's will. But you must also know, as he did, what it means to be alone in the Garden of Gethsemane, to feel that all your friends have forsaken you, that those you love and trust have turned away from you, and that God Himself has forsaken you. Hold on then to the belief that that is not the end. If you love, you will suffer, and if you do not love, you do not know the meaning of a Christian life." She then returned to the problems of compound interest ... "
10
" ...my father, [was] a mid-level phonecompany manager who treated my mother at best like an incompetent employee. At worst? He never beat her, but his pure, inarticulate fury would fill the house for days, weeks, at a time, making the air humid, hard to breathe, my father stalking around with his lower jaw jutting out, giving him the look of a wounded, vengeful boxer, grinding his teeth so loud you could hear it across the room ... I'm sure he told himself: 'I never hit her'. I'm sure because of this technicality he never saw himself as an abuser. But he turned our family life into an endless road trip with bad directions and a rage-clenched driver, a vacation that never got a chance to be fun. "
― Gillian Flynn , Gone Girl
12
" Drake's whip hand spun Diana like a top.
She cried out. That sound, her cry, pierced Caine like an arrow.
Diana staggered and almost righted herself, but Drake was too quick, too ready.
His second strike yanked her through the air. She flew and then fell.
“Catch her!” Caine was yelling to himself. Seeing her arc as she fell. Seeing where she would hit. His hands came up, he could use his power, he could catch her, save her. But too slow.
Diana fell. Her head smashed against a jutting point of rock. She made a sound like a dropped pumpkin.
Caine froze.
The fuel rod, forgotten, fell from the air with a shattering crash.
It fell within ten feet of the mine shaft opening. It landed atop a boulder shaped like the prow of a ship.
It bent, cracked, rolled off the boulder, and crashed heavily in the dirt.
Drake ran straight at Caine, his whip snapping. But Jack stumbled in between them, yelling, “The uranium! The uranium!”
The radiation meter in his pocket was counting clicks so fast, it became a scream.
Drake piled into Jack, and the two of them went tumbling.
Caine stood, staring in horror at Diana. Diana did not move. Did not move. No snarky remark. No smart-ass joke.
“No!” Caine cried.
“No!”
Drake was up, disentangling himself with an angry curse from Jack.
“Diana,” Caine sobbed.
Drake didn’t rely on his whip hand now, too far away to use it before Caine could take him down. He raised his gun. The barrel shot flame and slugs, BAM BAM BAM BAM BAM.
Inaccurate, but on full automatic, Drake had time. He swung the gun to his right and the bullets swooped toward where Caine stood like he was made of stone.
Then the muzzle flash disappeared in an explosion of green-white light that turned night into day. The shaft of light missed its target. But it was close enough that the muzzle of Drake’s gun wilted and drooped and the rocks behind Drake cracked from the blast of heat.
Drake dropped the gun. And now it was Drake’s turn to stare in stark amazement. “You!”
Sam wobbled atop the rise. Quinn caught him as he staggered.
Now Caine snapped back to the present, seeing his brother, seeing the killing light.
“No,” Caine said. “No, Sam: He’s mine.”
He raised a hand, and Sam went flying backward along with Quinn.
“The fuel rod!” Jack was yelling, over and over. “It’s going to kill us all. Oh, God, we may already be dead!”
Drake rushed at Caine. His eyes were wide with fear. Knowing he wouldn’t make it. Knowing he was not fast enough.
Caine raised his hand, and the fuel rod seemed to jump off the ground.
A javelin.
A spear. He held it poised. Pointed straight at Drake.
Caine reached with his other hand, extending the telekinetic power to hold Drake immobilized.
Drake held up his human hand, a placating gesture. “Caine…you don’t want to…not over some girl. She was a witch, she was…”
Drake, unable to run, a human target. The fuel rod aimed at him like a Spartan’s spear.
Caine threw the fuel rod. Tons of steel and lead and uranium.
Straight at Drake. "
― Michael Grant , Hunger (Gone, #2)
13
" Oh I could be out, rollicking in the ripeness of my flesh and others’, could be drinking things and eating things and rubbing mine against theirs, speculating about this person or that, waving, indicating hello with a sudden upward jutting of my chin, sitting in the backseat of someone else’s car, bumping up and down the San Francisco hills, south of Market, seeing people attacking their instruments, afterward stopping at a bodega, parking, carrying the bottles in a paper bag, the glass clinking, all our faces bright, glowing under streetlamps, down the sidewalk to this or that apartment party, hi, hi, putting the bottles in the fridge, removing one for now, hating the apartment, checking the view, sitting on the arm of a couch and being told not to, and then waiting for the bathroom, staring idly at that ubiquitous Ansel Adams print, Yosemite, talking to a short-haired girl while waiting in the hallway, talking about teeth, no reason really, the train of thought unclear, asking to see her fillings, no, really, I’ll show you mine first, ha ha, then no, you go ahead, I’ll go after you, then, after using the bathroom she is still there, still in the hallway, she was waiting not just for the bathroom but for me, and so eventually we’ll go home together, her apartment, where she lives alone, in a wide, immaculate railroad type place, newly painted, decorated with her mother, then sleeping in her oversized, oversoft white bed, eating breakfast in her light-filled nook, then maybe to the beach for a few hours with the Sunday paper, then wandering home whenever, never-
Fuck. We don't even have a baby-sitter. "
― , A Heartbreaking Work of Staggering Genius
14
" Pride is not your friend.
He would have you think he is, that he affords you strength and courage, but in truth he robs you of your health and by slow, diluted degrees steals your might. He is a crafty and cunning liar who would have you think that stubborn, unapologetic, superior, boastful, and popular are admirable traits. Pride would convince you that being right is more crucial than being kind. He would have you sever relationships, even turn your back on family and friends rather than utter a humble apology. To do so is beneath you, pride would say. He would have you fight like a raptor and gnash your teeth while jutting out an inflexible jaw to defend and protect him, regardless of who is hurt in the process. He would use and demean you in order to puff up and fortify himself. He would destroy your life and every meaningful association before casting you aside without a hint of remorse.
Again, Pride is not your friend. "
― Richelle E. Goodrich , Slaying Dragons: Quotes, Poetry, & a few Short Stories for Every Day of the Year
16
" The smoke stung at the corners of Uri’s eyes as he struggled to open them. He could hear the battle sounds all around him and smell the iron from the blood drenched warfare in the air. Much to his surprise, death had not yet claimed him. He could feel Raimie’s body under his own, no warmth came from him, however, and Uri feared the worse. Over his shoulder, he heard a large blast and the earth shook under him.The trackers had obviously followed someone through. There were hundreds of designated transportation locations as part of the evacuation drill. Absolutely nobody was allowed to transport directly to a primary facility for this exact reason. If a tracker were to follow your transportation signature to the next facility, the Guardians could be nearly wiped out in one night. The secrecy of the facilities and cloaking spells were key in their safety.Uri knew if he or Raimie had any chance of surviving, he needed to get clear of the fighting and find a healer. Attempting to sit up, he braced his weight on the earth just beside Raimie’s head. He quickly reconsidered as the unbearable pain shot through his side. Running his hand down to the source, he could feel the shaft of an arrow jutting out from his side; a warm wetness covered his fingertips.In the distance, Uri could hear someone crying out in agony, not a voice he recognized, yet the pain in it seemed all too familiar. Another blast rang out from behind him as Uri slumped to the ground, groaning in pain. "
