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1 " Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance. "
― Joyce Cary , The Horse's Mouth
2 " …”The Emersons who were at Florence, do you mean? No, I don’t suppose it will prove to be them. It is probably a long cry from them to friends of Mr. Vyse’s. Oh, Mrs. Honeychurch, the oddest people! The queerest people! For our part we liked them, didn’t we?” He appealed to Lucy. “There was a great scene over some violets. They picked violets and filled all the vases in the room of these very Miss Alans who have failed to come to Cissie Villa. Poor little ladies! So shocked and so pleased. It used to be one of Miss Catharine’s great stories. ‘My dear sister loves flowers,’ it began. They found the whole room a mass of blue — vases and jugs — and the story ends with ‘So ungentlemanly and yet so beautiful.’ It is all very difficult. Yes, I always connect those Florentine Emersons with violets.”… "
― E.M. Forster , A Room with a View
3 " Star-watching: at night the stars of Alastor Cluster blaze in profusion. The atmosphere refracts their light; the sky quivers with beams, glitters, and errant flashes. The Trills go out into their gardens with jugs of wine; they name the stars and discusses localities. For the Trills, for almost anyone of Alastor, the night sky was no abstract empyrean, but rather a view across prodigious distances to known places: a vast luminous map. "
― Jack Vance , Trullion: Alastor 2262
4 " The woman spoke with a heavy western North Carolina accent, which I used to discredit her authority. Here was a person for whom the word 'pen' had two syllables. He people undoubtedly drank from clay jugs and hollered for Paw when the vittles were ready-- so who was she to advise me on anything? "
― David Sedaris , Me Talk Pretty One Day
5 " The rows of empty jugs had multiplied with the speed of caged rabbits. "
― Daniel Polansky , The Builders
6 " Men are like stone jugs - you may lug them where you like by the ears. "