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1 " I like to be aware of a book as a piece of writing, and aware of its structure as a product of mind, and yet I want to be able to see the represented world through it. I admire artists who succeed in dividing my attention more or less evenly between the world of their books and the art of their books . . . so that a reader may study the work with pleasure as well as the world that it describes. "
― Annie Dillard
2 " A house is just a house for its structure and matter but when you add to this a warm caring family the house transforms into a home. "
3 " I have no doubt that your acceptance of Christ coincided with some very positive changes in your life. Perhaps you now love other people in a way that you never imagined possible. You may even experience feelings of bliss while praying. I don’t wish to denigrate any of these experiences. I would point out, however, that billions of other human beings, in every time and place, have had similar experiences - but they had them while thinking about Krishna, or Allah, or the Buddha, while making art or music, or while contemplating the beauty of Nature. There is no question that it is possible for people to have profoundly transformative experiences. And there is no question that it is possible for them to misinterpret these experiences, and to further delude themselves about the nature of reality. You are, of course, right to believe that there is more to life than simply understanding the structure and contents of the universe. But this does not make unjustified (and unjustifiable) claims about its structure and contents any more respectable. "
― Sam Harris
4 " Look at your hand. Its structure does not match the structure of assertions, the structure of facts. Your hand is continuous. Assertions and facts are discontinuous.... You lift your index finger half an inch; it passes through a million facts. Look at the way your hand goes on and on, while the clock ticks, and the sun moves a little further across the sky. "
― Michael Frayn , Constructions
5 " From time immemorial, some men supposed to deal in one-valued 'eternal verities'. We called such men 'philosophers' or 'meta-physicians'. But they seldom realized that all their 'eternal verities' consisted only of words, and words which, for the most part, belonged to a primitive language, refleting in its structure the assumed structure of the world of remote antiquity. Besides, they did not realize that these 'eternal verities' last only so long as the human nervous system is not altered. Under the influence of these 'philosophers', two-valued 'logic', and the confusion of orders of abstractions, nearly all of us contracted a firmly rooted predilection for 'general' statements - 'universals', as they were called - which in most cases inherently involved the semantic one-valued conviction of validity for all 'time' to come. "
― Alfred Korzybski , Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics
6 " If a sect does officially insist that its structure of belief demands that evolution be false, then no compromise is possible. An honest and competent biology teacher can only conclude that the sect's beliefs are wrong and that its religion is a false one. "
― George Gaylord Simpson
7 " I went on steadily trying to 'find out how to'; but I wrote two or three novels without feeling that I had made much progress. It was not until I wrote " Ethan Frome" that I suddenly felt the artisan's full control of his implements. When " Ethan Frome" first appeared I was severely criticized by the reviewers for what was considered the clumsy structure of the tale. I had pondered long on this structure, had felt its peculiar difficulties, and possible awkwardness, but could think of no alternative which would serve as well in the given case: and though I am far from thinking " Ethan Frome" my best novel, and am bored and even exasperated when I am told that it is, I am still sure that its structure is not its weak point. "
8 " This was a freedom essential to the health even of a character so little susceptible of morbid influences as that of Phoebe. The old house [with dry rot in its structure and perhaps also in its inhabitants] "