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1 " The 1970s-80s social movement called U.S. third world feminism functioned as a central locus of possibility, an insurgent social movement that shattered the construction of any one ideology as the single most correct site where truth can be represented. Indeed, without making this kind of metamove, any 'liberation' or social movement eventually becomes destined to repeat the oppressive authoritarianism from which it is attempting to free itself, and become trapped inside a drive for truth that ends only in producing its own brand of dominations. What U.S. third world feminism thus demanded was a new subjectivity, a political revision that denied any one ideology as the final answer, while instead positing a tactical subjectivity with the capactiy to de- and recenter, given the forms of power to be moved. These dynamics are what were required in the shift from enacting a hegemonic oppositional theory and practice to engaging in the differential form of social movement, as performed by U.S. feminists of color during the post-World War II period of great social transformation. p. 58-59. "
― , Methodology of the Oppressed
2 " Bear it in mind that tomorrow must also have its own brand of assignments. Shifting today’s work to tomorrow is an inevitable step towards massing up difficult tasks for yourself, whose risk of leading into failure is high. "
― Israelmore Ayivor , Dream Big!: See Your Bigger Picture!
3 " My stepmother is not only powerful because the people fear her, she is powerful because she can make them love her when she needs them to. We think that if we choose to do only good, then we are only good. We can make people happy. We can offer tranquility or contentment or love, and that must be good. We do not see the falsehood becoming its own brand of cruelty.”The ship trembled and their speed increased. Luna blurred beneath them.“Once,” Winter continued, pushing the words out of her lungs. “Once I believed with all my heart that I was doing good. But I was wrong. "
― Marissa Meyer , Winter (The Lunar Chronicles, #4)