5
" Most people think that money and love aren’t related topics. But allow me explain this to you in a realistic way. When someone criticizes you but doesn’t see your value, this person is trying to bargain your happiness. When someone doesn’t invest in a relationship, but instead complains about her needs and wants, this person is overpricing herself. When a woman invests more in her outer beautify than inner beauty, she is focusing on her brand, and not quality. When the cost of a relationship exceeds the quality of what you get, you are being cheated. And there’s no such thing as cost for quality, because very often the nicest people you find are also the easiest to hang out with, and the kindest. They make you feel like your life is easy despite any challenges along the way, and that you haven’t lost anything but instead gained a lot. When someone adds value to your life, well then, that person proves to be a great investment. And great investments are worth a lifetime. They require little to be maintained but give you plenty in return. You should never let go a good opportunity, in love and wealth. And if you’re smart enough to understand this, you can be in a fantastic relationship and wealthy at the same time. If you can’t, you probably undervalued yourself. "
― Robin Sacredfire
12
" In his book Real Presences, George Steiner asks us to " imagine a society in which all talk about the arts, music and literature is prohibited." In such a society there would be no more essays on whether Hamlet was mad or only pretending to be, no reviews of the latest exhibitions or novels, no profiles of writers or artists. There would be no secondary, or parasitic, discussion - let alone tertiary: commentary on commentary. We would have, instead, a " republic for writers and readers" with no cushion of professional opinion-makers to come between creators and audience. While the Sunday papers presently serve as a substitute for the experiencing of the actual exhibition or book, in Steiner's imagined republic the review pages would be turned into listings:catalogues and guides to what is about to open, be published, or be released. What would this republic be like? Would the arts suffer from the obliteration of this ozone of comment? Certainly not, says Steiner, for each performance of a Mahler symphony is also a critique of that symphony. Unlike the reviewer, however, the performer " invests his own being in the process of interpretation." Such interpretation is automatically responsible because the performer is answerable to the work in a way that even the most scrupulous reviewer is not. Although, most obviously, it is not only the case for drama and music; all art is also criticism. This is most clearly so when a writer or composer quotes or reworks material from another writer or composer. All literature, music, and art " embody an expository reflection which they pertain" . In other words it is not only in their letters, essays, or conversation that writers like Henry James reveal themselves also to be the best critics; rather, The Portrait of a Lady is itself, among other things, a commentary on and a critique of Middlemarch. " The best readings of art are art." No sooner has Steiner summoned this imaginary republic into existence than he sighs, " The fantasy I have sketched is only that." Well, it is not. It is a real place and for much of the century it has provided a global home for millions of people. It is a republic with a simple name: jazz. "