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inconspicuous  QUOTES

2 " Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude. "

Nikolai Gogol , Dead Souls

5 " What’s Albert going to do?” a boy named Jim demanded. “Where’s Albert?”
Albert stepped from an inconspicuous position off to one side. He mounted the steps, moving carefully still, not entirely well even now.
He carefully chose a position equidistant between Caine and Sam.
“What should we do, Albert?” a voice asked plaintively.
Albert didn’t look out at the crowd except for a quick glance up, like he was just making sure he was pointed in the right direction. He spoke in a quiet, reasonable monotone. Kids edged closer to hear.
“I’m a businessman.”
“True.” Toto.
“My job is organizing kids to work, taking the things they harvest or catch, and redistributing them through a market.”
“And getting the best stuff for yourself,” someone yelled to general laughter.
“Yes,” Albert acknowledged. “I reward myself for the work I do.”
This blunt admission left the crowd nonplussed.
“Caine has promised that if I stay here he won’t interfere. But I don’t trust Caine.”
“No, he doesn’t,” Toto agreed.
“I do trust Sam. But . . .”
And now you could hear a pin drop.
“But . . . Sam is a weak leader.” He kept his eyes down. “Sam is the best fighter ever. He’s defended us many times. And he’s the best at figuring out how to survive. But Sam”— Albert now turned to him—“You are too humble. Too willing to step aside. When Astrid and the council sidelined you, you put up with it. I was part of that myself. But you let us push you aside and the council turned out to be useless.”
Sam stood stock-still, stone-faced.
“Let’s face it, you’re not really the reason things are better here, I am,” Albert said. “You’re way, way braver than me, Sam. And if it’s a battle, you rule. But you can’t organize or plan ahead and you won’t just put your foot down and make things happen.”
Sam nodded slightly. It was hard to hear. But far harder was seeing the way the crowd was nodding, agreeing. It was the truth. The fact was he’d let the council run things, stepped aside, and then sat around feeling sorry for himself. He’d jumped at the chance to go off on an adventure and he hadn’t been here to save the town when they needed it.
“So,” Albert concluded, “I’m keeping my things here, in Perdido Beach. But there will be free trading of stuff between Perdido Beach and the lake. And Lana has to be allowed to move freely.”
Caine bristled at that. He didn’t like Albert laying down conditions.
Albert wasn’t intimidated. “I feed these kids,” he said to Caine. “I do it my way.”
Caine hesitated, then made a tight little bow of the head.
“I want you to say it,” Albert said with a nod toward Toto.
Sam saw panic in Caine’s eyes. If he lied now the jig would be up for him. Toto would call him out, Albert would support Sam, and the kids would follow Albert’s lead.
Sam wondered if Caine was just starting to realize what Sam had known for some time: if anyone was king, it was neither Sam nor Caine, it was Albert. "

Michael Grant , Plague (Gone, #4)