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1 " My life will be the best illustration of all my work. "
― Hans Christian Andersen , The Fairy Tale of My Life: An Autobiography
2 " I saw exactly one picture of Marx and one of Lenin in my whole stay, but it's been a long time since ideology had anything to do with it. Not without cunning, Fat Man and Little Boy gradually mutated the whole state belief system into a debased form of Confucianism, in which traditional ancestor worship and respect for order become blended with extreme nationalism and xenophobia. Near the southernmost city of Kaesong, captured by the North in 1951, I was taken to see the beautifully preserved tombs of King and Queen Kongmin. Their significance in F.M.-L.B. cosmology is that they reigned over a then unified Korea in the 14th century, and that they were Confucian and dynastic and left many lavish memorials to themselves. The tombs are built on one hillside, and legend has it that the king sent one of his courtiers to pick the site. Second-guessing his underling, he then climbed the opposite hill. He gave instructions that if the chosen site did not please him he would wave his white handkerchief. On this signal, the courtier was to be slain. The king actually found that the site was ideal. But it was a warm day and he forgetfully mopped his brow with the white handkerchief. On coming downhill he was confronted with the courtier's fresh cadaver and exclaimed, 'Oh dear.' And ever since, my escorts told me, the opposite peak has been known as 'Oh Dear Hill.'I thought this was a perfect illustration of the caprice and cruelty of absolute leadership, and began to phrase a little pun about Kim Jong Il being the 'Oh Dear Leader,' but it died on my lips. "
― Christopher Hitchens , Love, Poverty, and War: Journeys and Essays
3 " What I remember most clearly is how it felt. I’d just finished painting a red fire engine-like the one I often walked past near my grandparents’ house. Suddenly the teachers, whose names I've long forgotten, closed in on my desk. They seemed unusually impressed, and my still dripping fire engine was immediately and ceremoniously pinned up. I don’t know what they might have said, but their unexpected attention and having something I’d made given a place of honor on the wall created an overwhelming and totally unfamiliar sense of pride inside me. I loved that feeling, and I wanted to feel it again and again. That desire, I suppose, was the beginning of my career. I have no idea where my fire engine painting ended up, but I never forgot the basic layout. Several decades later, it served as the inspiration for this sketch for an illustration in a book called Why the chicken crossed the Road. "
4 " From an illustration in her " Animals of a Bygone Era" : a Leptictidium, an extinct rabbit-like animal who left no descendants, says: " Too bad, because we were really cute. "
5 " When a work of painting, music or other form attains two-way communication, it is truly art. One occasionally hears an artist being criticized on the basis that his work is too 'literal' or too 'common.' But one has rarely if ever heard any definition of 'literal' or 'common.' And there are many artists simply hung up on this, protesting it. Also, some avant-garde schools go completely over the cliff in avoiding anything 'literal' or 'common'—and indeed go completely out of communication! The return flow from the person viewing a work would be contribution. True art always elicits a contribution from those who view or hear or experience it. By contribution is meant 'adding to it.’ An illustration is 'literal' in that it tells everything there is to know. Let us say the illustration is a picture of a tiger approaching a chained girl. It does not really matter how well the painting is executed, it remains an illustration and it is literal. But now let us take a small portion out of the scene and enlarge it. Let us take, say, the head of the tiger with its baleful eye and snarl. Suddenly we no longer have an illustration. It is no longer 'literal.' And the reason lies in the fact that the viewer can fit this expression into his own concepts, ideas or experience: he can supply the why of the snarl, he can compare the head to someone he knows. In short, he can CONTRIBUTE to the head. The skill with which the head is executed determines the degree of response. Because the viewer can contribute to the picture, it is art. In music, the hearer can contribute his own emotion or motion. And even if the music is only a single drum, if it elicits a contribution of emotion or motion, it is truly art. "
― L. Ron Hubbard
6 " I recognized the great monument from the illustration in the copy of /The Jungle Book/ that my mother kept in the top drawer of my bedside table. When I went with Sophia to the Taj Mahal for the first time, I was not as enchanted by the real mausoleum as I had been by its plaster, paint, and paper replica in the studio; the original posed a dreadfully seductive promise in cool marble of a strangely painful loveliness, a lover's lie that death itself might in some mysterious way, because of love, be lovely. "
7 " ...his favorite books, those he'd read over and over so he knew just the lurch his heart would make when he turned the page and encountered the illustration of the despondent dragon under a half-moon or the fervor with which he flipped the final pages of another, the story so vivid he felt his relationship with that book was less an act of reading than a visit, a place he went to. "
― Keith Miller , The Book of Flying
8 " If you play " I Don't Want To Know" by Fleetwood Mac loud enough -- you can hear Lindsey Buckingham's fingers sliding down the strings of his acoustic guitar. ...And we were convinced that this was the definitive illustration of what we both loved about music; we loved hearing the INSIDE of a song. "
9 " From the beginning, Europe assumed the power to make decisions within the international trading system. An excellent illustration of that is the fact that the so-called international law which governed the conduct of nations on the high seas was nothing else but European law. Africans did not participate in its making, and in many instances, African people were simply the victims, for the law recognized them only as transportable merchandise. If the African slave was thrown overboard at sea, the only legal problem that arose was whether or not the slave ship could claim compensation from the insurers! Above all, European decision-making power was exercised in selecting what Africa should export – in accordance with European needs. Pg. 77 "
10 " As mandatory reporting laws and community awareness drove an increase its child protection investigations throughout the 1980s, some children began to disclose premeditated, sadistic and organised abuse by their parents, relatives and other caregivers such as priests and teachers (Hechler 1988). Adults in psychotherapy described similar experiences. The dichotomies that had previously associated organised abuse with the dangerous, external ‘Other’ had been breached, and the incendiary debate that followed is an illustration of the depth of the collective desire to see them restored. Campbell (1988) noted the paradox that, whilst journalists and politicians often demand that the authorities respond more decisively in response to a ‘crisis’ of sexual abuse, the action that is taken is then subsequently construed as a ‘crisis’. There has been a particularly pronounced tendency of the public reception to allegations of organised abuse. The removal of children from their parents due to disclosures of organised abuse, the provision of mental health care to survivors of organised abuse, police investigations of allegations of organised abuse and the prosecution of alleged perpetrators of organised abuse have all generated their own controversies. These were disagreements that were cloaked in the vocabulary of science and objectivity but nonetheless were played out in sensationalised fashion on primetime television, glossy news magazines and populist books, drawing textual analysis. The role of therapy and social work in the construction of testimony of abuse and trauma. in particular, has come under sustained postmodern attack. Frosh (2002) has suggested that therapeutic spaces provide children and adults with the rare opportunity to articulate experiences that are otherwise excluded from the dominant symbolic order. However, since the 1990s, post-modern and post-structural theory has often been deployed in ways that attempt to ‘manage’ from; afar the perturbing disclosures of abuse and trauma that arise in therapeutic spaces (Frosh 2002). Nowhere is this clearer than in relation to organised abuse, where the testimony of girls and women has been deconstructed as symptoms of cultural hysteria (Showalter 1997) and the colonisation of women’s minds by therapeutic discourse (Hacking 1995). However, behind words and discourse, ‘a real world and real lives do exist, howsoever we interpret, construct and recycle accounts of these by a variety of symbolic means’ (Stanley 1993: 214). Summit (1994: 5) once described organised abuse as a ‘subject of smoke and mirrors’, observing the ways in which it has persistently defied conceptualisation or explanation. "
― , Organised Sexual Abuse
11 " Just because Eve does not speak does not mean she does not think. Or want. Or wonder. Just because Eve says very little in this story does not mean she is passive and dumb. Isn't it just as likely that she was a curious, growing being full of ideas and questions with no one to talk to? I imagine her left alone, bursting with curiosity and imagination, exploring the peripheries of the garden, delving into the mystery of the forbidden and the secret, far from center stage. How else could she have run into a character like the serpent?[......]It seems obvious that the serpent would choose Eve to talk to and not Adam, because the serpent could sense that Eve was craving dialogue. The serpent, with its sharp intellect, its curiosity and knowledge, becomes a psuedo-G-d, opening Eve's eyes to possibilities that exist only in her dormant imagination. The serpent is referred to as male, but perhaps it is more interesting to imagine it as Lilith in disguise. Though it was probably meant to show Lilith's satanic nature, an illustration in a sixteenth-century text does show Lilith with the body of a snake tempting Eve. The serpent seems to have some Lilith-like qualities: a powerful gift of speech, an intimate knowledge of G-d, a quality of defiance and a strength of will- surprising in an ideal garden. I like the picture this makes- While G-d teaches Adam about planting and sowing, Lilith teaches Eve about power and freedom. "
12 " The deeper the illustration the strengthened the value "
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13 " He lifted his shirt, and on his back was the White Rabbit, wearing his waistcoat and looking at his watch. It was just like the illustration from the book. Only standing next to him, back-to-back, was another White Rabbit wearing a leather motercycle jacket and boots and smoking a cigar. "
14 " For centuries, as pope and emperor tore each other apart in their quarrels over power, the excluded went on living on the fringe, like lepers, of whom true lepers are only the illustration ordained by God to make us understand this wondrous parable, so that in saying 'lepers' we would understand 'outcast, poor, simple, excluded, uprooted from the countryside, humiliated in the cities.' But we did not understand; the mystery of leprosy has continued to haunt us because we have not recognized the nature of the sign. "
― Umberto Eco , The Name of the Rose
15 " Your Kentuckian of the present day is a good illustration of the doctrine of transmitted instincts and peculiarities. His fathers were mighty hunters, - men who lived in the woods, and slept under the free, open heavens, with the stars to hold their candles; and their descendant to this day always acts as if the house were his camp, - wears his hat at all hours, tumbles himself about, and puts his heels on the tops of chairs or mantel-pieces, just as his father rolled on the green sward, and put his upon trees or logs, - keep all the windows and doors open, winter and summer, that he may get air enough for his great lungs, - calls everybody " stranger" , with nonchalant bonhommie, and is altogether the frankest, easiest, most jovial creature living. "
16 " But such is the nature of man that as soon as you begin to force him to do a thing, from that moment he begins to seek ways by which he can avoid doing the thing you are trying to force upon him. A man with malaria parasites in his blood is a danger to his companions. To kill all the parasites, he was then required to continue doses of quinine a week or ten days after his fever. When the convalescing men were given their daily dose of quinine they would manage to throw their tablets out of the dispensary window. The old turkey-gobbler pet of the hospital gobbled up all the tablets he could find. He became so dissipated he finally developed a species of blindness caused by too much quinine. I cannot vouch for this, but I was often twitted with this story as an illustration of how the men were treating prophylactic quinine. "
― , Sanitation in Panama (Classic Reprint)
17 " I did,” Henric said, with a triumphant look.“Oh,” Meena said, opening the book to the page 74, the one from her dream. “You mean thisprince?” She pointed at the illustration of Lucifer.Henric’s grin faltered slightly. “Precisely.”“He’s not a prince,” Meena said. “As you know perfectly well, he’s a fallen angel. And what wasLucien’s mother?”“A p-princess,” Henric stammered. But there was terror in his eyes.“No,” Lucien said, shaking his head. “She was an angel.”Meena swung around to look at him. Tears glittered in her eyes as she gazed up into his, whichhad gone back to their normal deep brown.“Yes, Lucien,” she said, holding the book open in front of him. “That’s why Henric was trying tokeep this from you. Because he realized it was the one thing that might help you remember what yourmother always taught you. You, of all people, really do have a choice. You can choose to be good . . .because you are part good. No matter how hard you try to be the devil’s son, you’ve still got an angel fora mother. "
18 " Perhaps the most impressive illustration of all is to suppose that you could label the molecules in a tumbler of water. ... threw it anywhere you please on the earth, and went away from the earth for a few million years while all the water on the earth, the oceans, rivers, lakes and clouds had had time to mix up perfectly. Now supposing that perfect mixing had taken place, you come back to earth and draw a similar tumbler of water from the nearest tap, how many of those marked molecules would you expect to find in it? Well, the answer is 2000. There are 2000 times more molecules in a tumbler of water than there are tumblers of water in the whole earth. "
19 " The “self-actualization” philosophy from which most of this new bureaucratic language emerged insists that we live in a timeless present, that history means nothing, that we simply create the world around us through the power of the will. This is a kind of individualistic fascism. Around the time the philosophy became popular in the seventies, some conservative Christian theologians were actually thinking along very similar lines: seeing electronic money as a kind of extension for God’s creative power, which is then transformed into material reality through the minds of inspired entrepreneurs. It’s easy to see how this could lead to the creation of a world where financial abstractions feel like the very bedrock of reality, and so many of our lived environments look like they were 3-D-printed from somebody’s computer screen. In fact, the sense of a digitally generated world I’ve been describing could be taken as a perfect illustration of another social law—at least, it seems to me that it should be recognized as a law—that, if one gives sufficient social power to a class of people holding even the most outlandish ideas, they will, consciously or not, eventually contrive to produce a world organized in such a way that living in it will, in a thousand subtle ways, reinforce the impression that those ideas are self-evidently true. "
20 " In truth, ideas and principles are independent of men; the application of them and their illustration is man's duty and merit. The time will come when the author of a view shall be set aside, and the view only taken cognizance of. This will be the millennium of Science. "
