1
" And eventually in that house where everyone, even the fugitive hiding in the cellar from his faceless enemies, finds his tongue cleaving dryly to the roof of his mouth, where even the sons of the house have to go into the cornfield with the rickshaw boy to joke about whores and compare the length of their members and whisper furtively about dreams of being film directors (Hanif's dream, which horrifies his dream-invading mother, who believes the cinema to be an extension of the brothel business), where life has been transmuted into grotesquery by the irruption into it of history, eventually in the murkiness of the underworld he cannot help himself, he finds his eyes straying upwards, up along delicate sandals and baggy pajamas and past loose kurta and above the dupatta, the cloth of modesty, until eyes meet eyes, and then "
― Salman Rushdie , Midnight's Children
2
" And now that we exercise so comprehensive a medical and technological mastery over whole regions or nature at whose mercy our ancestors lived out their lives, we enjoy the unprecedented luxury of being able to render the 'natural' at once remote and benign. It is we who summon it, rather than the reverse, and we do so at our pleasure; it dwells with us, not we with it. We are free to sentimentalize or romanticize it, or even weave a veil of empty and unthreatening sanctity around it - until the moment when disease, age, infirmity, or random violence suddenly defeats us, or fire, flood, tempest, volcanic eruption, or earthquake surprise us by vaulting past our defenses. Then nature astonishes and horrifies us with its power, immensity, and sublime indifference. Even at such times, though, it is unlikely that we truly hate it; ours is a disenchanted world because it is one from which our love, reverence, dread, and hatred have all been irrevocably alienated. Nature for us is a single, internally consistent thing, an event, lovely and enticing, then terrible and pitiless, abundant and destructive at once, but moved neither by will nor by intelligence; it is sheer fact. "
― David Bentley Hart , The Doors of the Sea: Where Was God in the Tsunami?
