2
" Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of disappointed shells that dropped behind.
GAS! Gas! Quick, boys!-- An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And floundering like a man in fire or lime.--
Dim, through the misty panes and thick green light
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,--
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori. "
― Wilfred Owen , The Collected Poems of Wilfred Owen
6
" Riding high and above the waves on extemporaneous notions of an afterlife, Michael brought one foot forward and let it dangle over the roof’s edge. He knew that he did not have much time before the other would follow. Some patients below could see the figure atop the building from
the courtyard. They started to rile with anticipation, their irate murmurings incomprehensible. A
groundskeeper looked up to see what justified the commotion. Michael could hear the shouts
from below. He almost toppled when the wind picked up again, but recovered and kept one foot
dangling with the other anchored to the roof. The hoots came louder now, almost calling him
toward them like sirens guiding ships in the night. From below it was impossible to make out the
face of the balancing figurine now poised in suspended descent. Another gust came. He closed
his eyes, felt the levity manifesting, and felt the complete freedom inside. He could feel himself
gliding down like the sail of a weightless craft, forever plunging into the great beyond, below
where mermaids sing and summon their lovers home, further down into the depths of some
complacent serenity, further down where thoughts float away and never return and the lightness
is so grand that there is no other worldly place imaginable, for there is no world left to be
considered. There is only the soul, free from the prison of the body, and it is released to travel
another millennium through time, carrying with it the progress and industry gathered from the
mind previously occupied. The time it spans inconceivable. He let his other foot go from the roof
and felt himself completely let go. "
― Matthew Chase Stroud , Paths of Young Men
7
" I love the night passionately. I love it as I love my country, or my mistress, with an instinctive, deep, and unshakeable love. I love it with all my senses: I love to see it, I love to breathe it in, I love to open my ears to its silence, I love my whole body to be caressed by its blackness. Skylarks sing in the sunshine, the blue sky, the warm air, in the fresh morning light. The owl flies by night, a dark shadow passing through the darkness; he hoots his sinister, quivering hoot, as though he delights in the intoxicating black immensity of space. "
― Guy de Maupassant