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1 " A lover finds his mistress asleep on a mossy bank; he wishes to catch a glimpse of her fair face without waking her. He steals softly over the grass, careful to make no sound; he pauses -- fancying she has stirred: he withdraws: not for worlds would he be seen. All is still: he again advances: he bends above her; a light veil rests on her features: he lifts it, bends lower; now his eyes anticipate the vision of beauty -- warm, and blooming, and lovely, in rest. How hurried was their first glance! But how they fix! How he starts! How he suddenly and vehemently clasps in both arms the form he dared not, a moment since, touch with his finger! How he calls aloud a name, and drops his burden, and gazes on it wildly! He thus grasps and cries, and gazes, because he no longer fears to waken by any sound he can utter -- by any movement he can make. He thought his love slept sweetly: he finds she is stone dead.I looked with timorous joy towards a stately house: I saw a blackened ruin. "
2 " But when his mistress for the time being was a woman in society, or at least one whose birth was not so lowly, nor her position is so irregular that he was unable to arrange for her reception in 'society,' then for her sake he would return to it, but only to the particular orbit in which she moved or into which he had drawn her. "
― Marcel Proust , Swann's Way
3 " They destroy lives with work. What for? They rob men of their lives. What for, I ask? My master—I lost my life in the textile mill of Nefidov—my master presented one prima donna with a golden wash basin. Every one of her toilet articles was gold. That basin holds my life-blood, my very life. That's for what my life went! A man killed me with work in order to comfort his mistress with my blood. He bought her a gold wash basin with my blood. "
― Maxim Gorky , Mother
4 " David strode through the battle raging between his men and the castle defenders in the courtyard and headed straight for the keep, intent on his goal.The castle would fall quickly. The defenders lacked leadership and were in disarray. His only concern was whether the castle had a secret tunnel for escape. During the siege, he had spread his men out through the fields surrounding the fortress to keep watch. But he had concentrated his forces for the attack and most were now inside the castle. If there was a tunnel, he must secure the widow and her daughters before they had a chance to escape. He did not relish the idea of having to chase them down through the fields with dogs.The defenders had foolishly waited too long to withdraw to the keep, and most were caught in the courtyard when David’s men burst through the gate. He barely spared them a glance as he ran up the steps of the keep.With several of his warriors at his back, he burst through the doors brandishing his sword. He paused inside the entrance to hall. Women and children were screaming, and the few Blackadder warriors who had made it inside were overturning tables in a useless attempt to set up a defense.“If ye hope for mercy, drop your weapons,” David shouted, making his voice heard above the chaos.He locked gazes with the men who hesitated to obey his order until every weapon clanked to the floor, then he swept his gaze over the women. Their clothing confirmed what he’d known the moment he entered the hall. Blackadder’s widow was not in the room.“Where is she?” he demanded of the closest Blackadder man.“Who, m’lord?” the man said, shifting his gaze to the side.“Your mistress!” David picked him up by the front of his tunic and leaned in close. “Tell me now.”“In her bedchamber,” the man squeaked, pointing to an arched doorway. “’Tis up the stairs.”David caught a sudden whiff of urine and dropped the man to the floor in disgust. The wretch had wet himself.“Take him to the dungeon,” he ordered. The coward had given up his mistress far too easily. "
― Margaret Mallory , Captured by a Laird (The Douglas Legacy, #1)
5 " I came there again another time. And I looked many times again. I was filled with consolation, with my consolation.The thirty-three abominations were truthful. They were the truth. They were life. The sharp fragments of life, sharp, complete moments. Such are women. They have lovers.Each of these thirty-three (or how many of them were there?) had painted his mistress. Excellent! I grew used to myself being in their presence.Thirty-three mistresses! Thirty-three mistresses!And I was all of them and yet all were not me.I studied the abomination for a long while: before I modeled for them, as well as afterwards.I modelled in order to study. This I felt so keenly. It seemed to me that I was learning about life by pieces, by separate pieces, fragments, but every fragment possessed all its own complexity and power.The abominations began to divide in half. With every day this became clearer. One half became mistresses and the other half queens.Each of the thirty-three created his mistress or his queen.(" Thirty Three Abominations" ) "
6 " No lover, if he be of good faith, and sincere, will deny he would prefer to see his mistress dead than unfaithful. "