her work QUOTES

1 " Neither black/red/yellow nor woman but poet or writer. For many of us, the question of priorities remains a crucial issue. Being merely " a writer" without a doubt ensures one a status of far greater weight than being " a woman of color who writes" ever does. Imputing race or sex to the creative act has long been a means by which the literary establishment cheapens and discredits the achievements of non-mainstream women writers. She who " happens to be" a (non-white) Third World member, a woman, and a writer is bound to go through the ordeal of exposing her work to the abuse and praises and criticisms that either ignore, dispense with, or overemphasize her racial and sexual attributes. Yet the time has passed when she can confidently identify herself with a profession or artistic vocation without questioning and relating it to her color-woman condition. "

2 " A master in the art of living draws no sharp distinction between her work and her play; her labor and her leisure; her mind and her body; her education and her recreation. She hardly knows which is which. She simply pursues her vision of excellence through whatever she is doing, and leaves others to determine if she is working or playing. To herself, she always appears to be doing both. "

― François-René de Chateaubriand

3 " Quick dinner with ... Ang [Lee] and his wife Jane who's visiting with the children for a while. We talked about her work as a microbiologist and the behaviour of the epithingalingie under the influence of cholesterol. She's fascinated by cholesterol. Says it's very beautiful: bright yellow. She says Ang is wholly uninterested. He has no idea what she does.
I check this out for myself. 'What does Jane do?' I ask.
'Science,' he says vaguely. "

― Emma Thompson , The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film

4 " Personally I do not agree with sex being brought into science at all. The idea of 'women and science' is entirely irrelevant. Either a woman is a good scientist, or she is not; in any case she should be given opportunities, and her work should be studied from the scientific, not the sex, point of view "

5 " I was reminded of a painter friend who had started her career by depicting scenes from life, mainly deserted rooms, abandoned houses and discarded photographs of women. Gradually, her work became more abstract, and in her last exhibition, her paintings were splashes of rebellious color, like the two in my living room, dark patches with little droplets of blue. I asked about her progress from modern realism to abstraction. Reality has become so intolerable, she said, so bleak, that all I can paint now are the colors of my dreams. "

― Azar Nafisi , Reading Lolita in Tehran: A Memoir in Books

6 " A man's face is his autobiography. A woman's face is her work of fiction. "

― Oscar Wilde

7 " That is the injustice of a woman's lot. A woman has to bring up her children; and that means to restrain them, to deny them things they want, to set them tasks, to punish them when they do wrong, to do all the unpleasant things. And then the father, who has nothing to do but pet them and spoil them, comes in when all her work is done and steals
their affection from her. "

― George Bernard Shaw

8 " I suspect he's sweet on Sophie and doesn't like to see her work too hard.'
Tessa was glad to hear it. She'd felt awful about her reaction to Sophie's scar, and the thought that Sophie had a male admirer - and a handsome one like that- eased her conscience slightly. 'Perhaps he's in love with Agatha', she said.
'I hope not. I intend to marry Agatha myself. She may be a thousand years old, but she makes an incomparable jam tart. Beauty fades, but cooking is eternal. "

― Cassandra Clare , Clockwork Angel (The Infernal Devices, #1)

9 " The assertion that only sex is power and the arrogation of creativity to the masculine sex and the rendering of all creativity as sexual—this is patriarchal aesthetics. Patriarchal passion sees violent sex as the essential creative act, even aesthetically, through a sort of metaphysical transubstantiation. This is their romantic belief that sex with the Master can produce the artistic spirit in the student. Male creativity is thus born in another, her work is given depth through the violent transgression of her boundaries. "

10 " So I watch her work and put all her energy, all her force, all herself, all is inside her work. Does she think that this is what life means? She goes to work in the dark and comes home when it’s dark. Does she know what the world looks like when the sun is shining? "

― Jinat Rehana Begum , First Fires

11 " I was once asked to pick a couple of records for an interview I was doing on Radio 2. I picked one by Will Oldham and one by Joanna Newsom. Someone on the production phoned me to say that I couldn't have either record because they were 'too alternative' and I could just pick two from their playlist. Now, personally, I think that Radio 2's listeners would dig both Joanna Newsom and Will Oldham if they heard their records, and that the fact they don't get to hear them contributes to the cultural wasteland we live in. I told them that I'd been to see Joanna Newsom in the Albert Hall a couple of weeks before and it had been sold out. How could she be 'too alternative'?
'Alternative' and 'mainstream' aren't strictly to do with whether things are popular or minority interest. They are ideological labels. Someone like Joe Pasquale would be called 'mainstream' and regularly pops up on TV, but would play the smaller end of the touring-theatre circuit. If Joanna Newsom can sell out Albert Hall, why can't she get played on Radio 2? I would agree that it's because her work is too layered, challenging and interesting. Think about that. What you get to hear about is filtered, and not filtered to get rid of useless cunts like Joe Pasquale, but of things that might enrich your life. "

― Frankie Boyle , Work! Consume! Die!

12 " I was once asked to pick a couple of records for an interview I was doing on Radio 2. I picked one by Will Oldham and one by Joanna Newsome. Someone on the production phoned me to say that I couldn't have either record because they were 'too alternative' and I could just pick two from their playlist. Now, personally, I think that Radio 2's listeners would dig both Joanna Newsome and Will Oldham if they heard their records, and that the fact they don't get to hear them contributes to the cultural wasteland we live in. I told them that I'd been to see Joanna Newsome in the Albert Hall a couple of weeks before and it had been sold out. How could she be 'too alternative'?
'Alternative' and 'mainstream' aren't strictly to do with whether things are popular or minority interest. They are ideological labels. Someone like Joe Pasquale would be called 'mainstream' and regularly pops up on TV, but would play the smaller end of the touring-theatre circuit. If Joanna Newsome can sell out Albert Hall, why can't she get played on Radio 2? I would agree that it's because her work is too layered, challenging and interesting. Think about that. What you get to hear about is filtered, and not filtered to get rid of useless cunts like Joe Pasquale, but of things that might enrich your life. "

― Frankie Boyle , Work! Consume! Die!

13 " A lover was affectionate and a husband was authoritative. His work was always way more important than his family. His work and his needs were to be accepted as uppermost in every way. She could take leave from her work for one day to take her child to the carnival but he could not. "

― Anuradha Bhattacharyya , The Road Taken

14 " Through the practice of compassion and forgiveness, I was able to sustain my appreciation for her work and cope with the grief and disappointment I felt about the loss of this relationship. Practicing compassion enabled me to understand why she might have acted as she did and to forgive her. Forgiving means that I am able to see her as a member of my community still, one who has a place in my heart should she wish to claim it. "

15 " Abbie would stop in her work and utter a prayer for him,—and, sent as it were from the bow of a mother's watchful care, bound by the cord of a mother's love, the little winged arrow on its flight must have reached Some one,—Somewhere. "

― Bess Streeter Aldrich , A Lantern in Her Hand

16 " Mother Teresa said that she couldn't imagine doing her work for more than thirty minutes without prayer. Do you and I have work that we can't imagine doing for thirty minutes without prayer? "

― Gary A. Haugen

17 " Zeena Schreck is a Berlin-based interdisciplinary artist, author, musician/composer, tantric teacher, mystic, animal rights activist, and counter-culture icon known by her mononymous artist name, ZEENA. Her work stems from her experience within the esoteric, shamanistic and magical traditions of which she's practiced, taught and been initiated. She is a practicing Tibetan Buddhist yogini, teaches at the Buddhistische Gesellschaft Berlin and is the spiritual leader of the Sethian Liberation Movement (SLM). "

― Zeena Schreck

18 " Let's just say that drama became something very real to me that day, she said. It ceased to be theoretical, was no longer an internal structure in which she could hide and look out on the wold. In a sense, her work had jumped out of a bush and attacked her.

I said it seemed to me that at a certain point a lot of people felt that, not about work but about life itself. "

― Rachel Cusk , Outline

19 " Peggy spent most of her time upstairs in the playroom, keeping him cleaned and fed. She was made to bring out the baby and accept praise for her work as if she were a being of a slightly lower social class – which she was. A woman. "

― Nell Zink , Mislaid

20 " [I]n spite of her work as a reference librarian, she discovered that life isn't about knowing all the answers. The best we can do is make peace with our questions, learn who we are, know our strengths, and do the best we can with the gifts we've been given while we're here. "

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