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1 " Now, Woolf calls her fictional bastion of male privilege Oxbridge, so I'll call mine Yarvard. Even though she cannot attend Yarvard because she is a woman, Judith cheerfully applies for admission at, let's call it, Smithcliff, a prestigious women's college. She is denied admission on the grounds thatthe dorms and classrooms can'taccommodate wheelchairs, that her speech pattern would interfere with her elocution lessons, and that her presence would upset the other students. There is also the suggestion that she is not good marriage material for the men at the elite college to which Smithcliff is a bride-supplying " sister school." The letter inquires as to why she hasn't been institutionalized.When she goes to the administration building to protest the decision, she can't get up the flight of marble steps on the Greek Revival building. This edifice was designed to evoke a connection to the Classical world, which practiced infanticide of disabled newborns. "
2 " She is her own definition of beauty. She is pure. She is majestic; mystical even. Her smile is always rejuvenating. Her presence is always illuminating. She is magic in thought, and magic in sight. She takes away your free will, and forces you smile. She takes away your fatigue, and only gives you strength. She always rouses my soul and makes me stretch for more. I lose no words for her. I lose no heartbeats for her. I love her. I adore her. And I won’t dance around her – I’ll embrace her. You are a magnificent friend, and the long awaited dream come true. "
― Lionel Suggs
3 " She is her own definition of beauty. She is pure. She is majestic; mystical even. Her smile is always rejuvenating. Her presence is always illuminating. She is magic in thought, and magic in sight. She takes away your free will, and forces you smile. She takes away your fatigue, and only gives you strength. She always rouses my soul and makes me stretch for more. I lose no words for her. I lose no heartbeats for her. I love her. I adore her. And I won’t dance around her – I’ll embrace her. Aceria, you are a magnificent friend, and the long awaited dream come true. "
4 " She was beauty and intelligence stitched together with no seams She lived in a world with no difference between reality and dreams Excellence as habit, she was much more than simple flesh and bone She walked in the way that forced her presence to be known If I viewed the world in melody, she is the only one I would see She could conquer that world in a day and still have time for tea Soft lips curved in confidence spilling sweetness with every breath Ideas remaining and growing even after the revolving dance of death Fingers curled with the power of creation and the ease with which it came She sat upon a throne as a queen playing the world like a simple game She was fire, and laughter, and the warmth both of them brought She made the idea of perfection appear as a simple afterthought Her body danced with the tidal currents of marvelous desire She could reach the sky in a day and then push on even higher She was the best getting better, the absolute antonym of threshold The words she wrote were gilded, laid heavy with amber glow gold She was one of very many, and yet, she was the only one of them all Her taste made my mouth water, her effect hit me harder than alcohol She was quality, and substance, an actual angel in every way real Her word was solid, it was a better guarantee than a devil with a deal She was better than just human, more like power that has taken shape and form And I the lucky one who holds her close, feels her heartbeat quicken like a storm "
5 " The nuisance of her presence outweighs the gratification to be derived from tormenting her "
― Emily Brontë
6 " He didn’t ask himself if she was beautiful, because the physical effect of her presence made the question insignificant. "
― Sebastian Faulks , Birdsong: A Novel of Love and War
7 " I remember our priceless moments when we were close together. But now i have felt it is painful to my soul if i have seen her presence of aura. "
8 " Like the dark clouds above that promised rain but withheld it, her presence there was a lie. For in truth, this horrific slaughter had already damned the small race; their fate had already come and gone. "
9 " The museums in children’s minds, I think, automatically empty themselves in times of utmost horror—to protect the children from eternal grief.For my own part, though: It would have been catastrophe if I had forgotten my sister at once. I had never told her so, but she was the person I had always written for. She was the secret of whatever artistic unity I had ever achieved. She was the secret of my technique. Any creation which has any wholeness and harmoniousness, I suspect, was made by an artist or inventor with an audience of one in mind.Yes, and she was nice enough, or Nature was nice enough, to allow me to feel her presence for a number of years after she died—to let me go on writing for her. But then she began to fade away, perhaps because she had more important business elsewhere. "
― Kurt Vonnegut Jr. , Slapstick, or Lonesome No More!
10 " The woman is not just a pleasure, nor even a problem. She is a meniscus that allows the absolute to have a shape, that lets him skate however briefly on the mystery, her presence luminous on the ordinary and the grand. Like the odor at night in Pittsburgh’s empty streets after summer rain on maples and sycamore. "
― Jack Gilbert , Collected Poems
11 " He had been violently confused by her real presence in the opposite inaccessible corner. For months he had been possessed by the imagination of her. She had been distant and closed away, a princess in a tower, and his imagination’s work had been all to make her present, all of her, to his mind and senses, the quickness of her and the mystery, the whiteness of her, which was part of her extreme magnetism, and the green look of those piercing or occluded eyes. Her presence had been unimaginable, or more strictly, only to be imagined. Yet here she was, and he was engaged in observing the ways in which she resembled, or differed from, the woman he dreamed, or reached for in sleep, or would fight for. "
― A.S. Byatt
12 " For some reason I think of the first time I saw her, kicking the shit out of the vending machine that refused to release her candy. Before that day, every hour of my life had been exactly like the one before it. Relentlessly boring. Painfully monotonous. But then she walked out of my waking nightmare and into my life, a complete mystery from Second One. Her presence was a problem I needed to solve, a problem that finally interested me. And then, somehow, she made me interested in myself. Mara began as a question I needed to answer, but the longer I'd known her, the less I felt I actually knew. She was constantly surprising, infinitely complex. Unknowable. Unpredictable. I have never met anyone more fascinating in my life, and all the time in the world wouldn't be enough to ever know her. "
― Michelle Hodkin , The Retribution of Mara Dyer (Mara Dyer, #3)
13 " It was as if she was a dream, like London, which he could not entirely grasp and of which he was not worthy. He wanted to be part of it but had forgotten how. It seemed extraordinary and strange that this paragon among women had condescended to travel on his ship. In fact, she’d insisted upon it. Her presence was at once otherworldly and familiar, none of which explained why his brain ceased to function when he was in her company. "
― Sara Sheridan , On Starlit Seas
14 " A true lover never demands a naked girl with him,rather he feels her presence all the time with him "
― Nitin Yaduvanshi , Absolute Love Letter
15 " Billy sipped the last of his coffee from the mug and shut down his laptop. 1,000 words wasn’t great but it also wasn’t as bad as no words at all. It hadn’t exactly been a great couple of years and the royalties from his first few books were only going to hold out so much longer. Even if he didn’t have anything else to worry about there was always Sara to consider. Sara with her big blue eyes so like her mother’s. He sat for a moment longer thinking about his daughter and all they’d been through since Wendy had passed. Then he picked up his mug with a long sigh and carried it to the kitchen to rinse it in the sink. When he came back into his little living room and the quiet of 1 AM he wasn’t surprised to find her there over to the side of the bookshelf hovering close to the floor just beyond the couch. Wendy. Her eyes were cold and intense in death, angry and spiteful in a way he’d never seen them when she was alive. What once had been beautiful was now a horror and a threat, one that he’d known far too well in the years since she’d died. He and Sara both. He stood where he was looking at her as she glared up at him. Part of her smaller vantage point was caused by kneeling next to the shelf but he knew from the many times she’d walked or run through a room that death had also reduced her, made her no higher than 4 or 4 and half feet when she’d been 6 in life. She was like a child trapped there on the cusp between youth and coming adulthood. Crushed and broken down into a husk, an entity with no more love for them than a snake. Familiar tears stung his eyes but he blinked them away letting his anger and frustration rise in place of his grief.“Fuck you! What right do you have to be here? Why won’t you let Sara and I be? We loved you! We still love you!”She doesn’t respond, she never does. It’s as if she used up all of her words before she died and now all that’s left is the pain and the anger of her death. The empty lack of true life in her eyes leaves him cold. He doesn’t say anything else to her. It’s all a waste and he knows it. She frightens him as much as she makes him angry. Spite lives in every corner of her body and he’s reached his limit on how long he can see this perversion, this nightmare of what once meant so much to him.He walks past the bookshelf and through the doorway there. He and Sara’s rooms are up above. With an effort he resists the urge to look back down the hall to see if she’s followed. He refuses to treat his wife like a boogeyman no matter how much she has come to fit that mold. He can feel her eyes burning into him from somewhere back at the edge of the living room. The sensation leaves a cold trail of fear up his back as he walks the last four feet to the stairs and then up. He can hear her feet rush across the floor behind him and the rustle of fabric as she darts up the stairs after him. His pulse and his feet speed up as she grows closer but he’s never as fast as she is. Soon she slips up the steps under his foot shoving him aside as she crawls on her hands and feet through his legs and up the last few stairs above. As she passes through his legs, her presence never more clear than when it’s shoving right against him, he smells the clean and medicinal smells of the operating room and the cloying stench of blood. For a moment he’s back in that room with her, listening to her grunt and keen as she works so hard at pushing Sara into the world and then he’s back looking up at her as she slowly considers the landing and where to go from there. His voice is a whisper, one that pleads. “Wendy? "
― Amanda M. Lyons , Wendy Won't Go
16 " When a woman enters a room, her presence should make them feel some type of way; when she exits the room, she should leave some type of look on their face. "
― Shakena Morgan
17 " Sexuality is general, and although only one man may be receiving the favors of a woman, all men in her presence are warm. That's the great generosity of women and the great generosity of the creator who worked it out that way, that there are no unilateral agreements of sexuality. "
― Leonard Cohen
18 " A wedding is allegedly one of the most wondrous experiences in a woman’s life. All attending her presence are to make the occasion completely about her. Her beauty in that sliver of time is to be suspended in eternity so that ten years, thirty pounds and two kids later, she may sigh at the princess she once was. "
― Kenn Bivins , the Wedding Disaster of Felona Mabel
19 " The insistent drums were an unwelcome reminder of the existence of another world, wholly autonomous, with its own necessities and patterns. The message they were beating out, over and over, was for her; it was saying, not precisely that she did not exist but rather that it did not matter whether she existed or not, that her presence was of no consequence to the rest of the cosmos. It was a sensation that suddenly paralyzed her with dread. There had never been any question of her “mattering”; it went without saying that she mattered, because she was important to herself. But what was the part of her to which she mattered? "
― Paul Bowles , The Spider's House
20 " We designate the spirit of the well as 'she' because in most of her personifications she takes a female form, though not invariably. She appears in many guises - ghost, witch, saint, mermaid, fairy, and sometimes in animal form, often as a sacred fish - and her presence permeates well lore, and indeed water lore generally. "
― Colin Bord