1
" That dog is a wolf, is he not?''Aye, well, mostly.'A small flash of hazel told him not to quibble.'And yet he is thy boon companion, a creature of rare courage and affection, and altogether a worthy being?;'Oh, aye,' he said with more confidence. 'He is." She gave him an even look.'Thee is a wolf, too, and I know it. But thee is my wolf, and best thee know that.'He'd started to burn when she spoke, an ignition swift and fierce as the lighting of one of his cousin's matches. He put out his hand, palm forward, to her, still cautious lest she too, burst into flame.'What I said to ye, before . . . that I kent ye loved me-'She stepped forward and pressed her palm to his, her small, cool fingers linking tight.'What I say to thee now is that I do love thee. And if thee hunts at night, thee will come home.'Under the sycamore, the dog yawned and laid his muzzle on his paws.'And sleep at they feet,' Ian whispered, and gathered her in with his one good arm, both of them blazing bright as day. "
2
" Steadily, the room shrank, till the book thief could touch the shelves within a few small steps. She ran the back of her hand along the first shelf, listening to the shuffle of her fingernails gliding across the spinal cord of each book. It sounded like an instrument, or the notes of running feet. She used both hands. She raced them. One shelf against the other. And she laughed. Her voice was sprawled out, high in her throat, and when she eventually stopped and stood in the middle of the room, she spent many minutes looking from the shelves to her fingers and back again.
How many books had she touched?
How many had she felt?
She walked over and did it again, this time much slower, with her hand facing forward, allowing the dough of her palm to feel the small hurdle of each book. It felt like magic, like beauty, as bright lines of light shone down from a chandelier. Several times, she almost pulled a title from its place but didn't dare disturb them. They were too perfect. "
― Markus Zusak , The Book Thief
8
" He and Anna lay facing each other, Staines lying on his left hip, and Anna, on her right, both of them with their knees drawn up to their chests, Staines with one hand tucked beneath his bandaged shoulder, Anna with one hand tucked beneath her cheek. She must have turned toward him, some time in the night: her left arm was flung outward, her fingers reaching, her palm turned down...Devlin came closer...He looked down at Anna and Emery, their mirrored bodies, facing in. They were breathing in t "
11
" Drake’s dead,” Astrid said. “Dead people don’t come back. Let’s not be ridiculous.”
Howard made a derisive snort. “Okay. That’s as far as I go with you on this, Sammy boy.” He made a hand-washing gesture.
Astrid slammed her palm on the table, surprising even herself. “Somebody better tell me what all these back-and-forth looks are about.”
“Brittney,” Howard said, spitting the name out like it was poison. “She came back. Sam had her and stuck her with Brianna, and told me not to talk about it.”
“Brittney?” Astrid said, confused.
Howard said, “Yeah. You know, like dead-girl Brittney? Way dead? Dead a long time and buried a long time and suddenly she’s sitting in my house chatting? That Brittney.”
“I’m still not…”
“Well, Astrid,” Howard said, “I guess we just found the limits of your big old genius brain. Point is that someone who was very seriously dead is suddenly not so dead anymore.”
“But…,” Astrid started. “But Drake…”
“As dead as Brittney,” Howard said. “Which might be a slight problem, since Brittney isn’t exactly dead herself. "
― Michael Grant , Lies (Gone, #3)
12
" You’re angry at me,” she says.
I stop crying at once. My whole body goes cold and still. She squats down beside me, and even though I’m careful not to look up, not to look at her at all, I can feel her, can smell the sweat from her skin and hear the ragged pattern of her breathing.
“You’re angry at me,” she repeats, and her voice hitches a little. “You think I don’t care.”
Her voice is the same. For years I used to imagine that voice lilting over those forbidden words: I love you. Remember. They cannot take it. Her last words to me before she went away.
She shuffles forward and squats next to me. She hesitates, then reaches out and places her palm against my cheek, and turns my head toward hers so I’m forced to look at her. I can feel the calluses on her fingers.
In her eyes, I see myself reflected in miniature, and I tunnel back to a time before she left, before I believed she was gone forever, when her eyes welcomed me into every day and shepherded me, every night, into sleep.
“You turned out even more beautiful than I’d imagined,” she whispers. She, too, is crying.
The hard casement inside me breaks.
“Why?” is the only word that comes. Without intending to or even thinking about it, I allow her to draw me against her chest, let her wrap her arms around me. I cry into the space between her collarbones, inhaling the still-familiar smell of her skin.
There are so many things I need to ask her: What happened to you in the Crypts? How could you let them take you away? Where did you go? But all I can say is: “Why didn’t you come for me? After all those years—all that time—why didn’t you come?” Then I can’t speak at all; my sobs become shudders.
“Shhh.” She presses her lips to my forehead, strokes my hair, just like she used to when I was a child. I am a baby once again in her arms—helpless and needy. “I’m here now.”
She rubs my back while I cry. Slowly, I feel the darkness drain out of me, as though pulled away by the motion of her hand. Finally I can breathe again. My eyes are burning, and my throat feels raw and sore. I draw away from her, wiping my eyes with the heel of my hand, not even caring that my nose is running. I’m suddenly exhausted—too tired to be hurt, too tired to be angry. I want to sleep, and sleep.
“I never stopped thinking about you,” my mother says. “I thought of you every day—you and Rachel. "
― Lauren Oliver , Requiem (Delirium, #3)
14
" Iain MacGregor,” she whispered longingly, looking up. The woods were quiet. Strips of moonlight shone through tree limbs that reached like surreal black fingertips across her vision. A single tear slid down her cheek. She touched her mouth, imagining his kiss.
Taking a small pocket knife out of her cargo pants, she looked about. A mystic had once told her that if she left pieces of herself around while she lived, it would expand her haunting territory when she died. Jane wasn’t sure she believed in sideshow magic tricks—or the Old Magick as the mystic had spelled it on her sign. She had no idea what had possessed her to talk to the palm reader and ask about ghosts. Still, just in case, she was leaving her stamp all over the woods.
She cut her palm and pressed it to a nearby tree under a branch. Holding the wound to the rough bark stung at first, but then it made her feel better. This forest wouldn’t be a bad eternity.
The sound of running feet erupted behind her and she stiffened. No one ever came out here at night. She’d walked the woods hundreds of times. Her mind instantly went to the creepy girl ghosts chanting by the stream.
“Whoohoo!”
Jane whipped around, startled as a streak of naked flesh sprinted past her. The Scottish voice was met with loud cheers from those who followed him. “Water’s this way, lads, or my name isn’t Raibeart MacGregor, King of the Highlands!”
Another naked man dashed through the forest after him. “It smells of freedom.”
Jane stayed hidden in the branches, undetected, with her hand pressed to the bark.
“Aye, freedom from your proper Cait,” Raibeart answered, his voice coming through the dark where he’d disappeared into the trees.
“Murdoch, stop him before he reaches town. Cait will not teleport ya out of jail again,” a third man yelled, not running quite so fast. “Raibeart, ya are goin’ the wrong way!”
“Och, Angus, my Cait canna live without me,” Murdoch, the second streaker, answered. “She’ll always come to my rescue.”
“I said stop him, Murdoch, we’re new to this place.” Angus skidded to a stop and lifted his jaw, as if sensing he was being watched. He looked in her direction and instantly covered his manhood as his eyes caught Jane’s shocked face in the tree limbs. “Oh, lassie.”
“Oh, naked man,” Jane teased before she could stop herself.
“That I am,” Angus answered, “but there is an explanation for it.”
“I don’t think some things need explained,” Jane said. "
― Michelle M. Pillow , Spellbound (Warlocks MacGregor, #2)
15
" Very gently Jacques lowered her feet to the ground, retaining possession of her waist to help her trembling legs hold her up. Shea raised a hand to push back her rain-slick hair. He caught her fingers and raised her palm to his mouth. “You are the most beautiful sight I have ever seen.”
She smiled, shook her head at him. “You’re crazy, you know that? This is one of the most magnificent lightning storms I’ve ever seen, and I didn’t even notice until now.”
He grinned at her suggestively, rubbed the bridge of his nose. “Says something.”
“Exactly,” she agreed. “You’re crazy, and I must be, too. "
― Christine Feehan , Dark Desire (Dark, #2)
18
" She yanked her hand away as if he had burned her, rubbing her palm along her thigh. The feeling didn’t go away, and neither did the butterflies he had sent winging in her stomach. “How do you know you’re not a vampire?” She needed to distract him, distract both of them. “Maybe you forgot. You’re certainly capable of acting like one.”
This time he laughed, startling both of them. The sound was husky, low, and foreign to his ears, as if he had forgotten what it was like. His black eyes leapt to her face almost in fear.
“Not bad, wild man. First a growl, and now a laugh. We’re making progress.” Her eyes danced at him, reassured him. "
― Christine Feehan , Dark Desire (Dark, #2)
