her features QUOTES

1 " Watching Jace hug Isabelle, she tried to school her features into a happy and loving expression." Are you all right?" Simon asked, with some concern. " Your eyes are crossing. "

2 " Her eyes were of different colors, the left as brown as autumn, the right as gray as Atlantic wind. Both seemed alive with questions that would never be voiced, as if no words yet existed with which to frame them. She was nineteen years old, or thereabouts; her exact age was unknown. Her face was as fresh as an apple and as delicate as blossom, but a marked depression in the bones beneath her left eye gave her features a disturbing asymmetry. Her mouth never curved into a smile. God, it seemed, had withheld that possibility, as surely as from a blind man the power of sight. He had withheld much else. Amparo was touched—by genius, by madness, by the Devil, or by a conspiracy of all these and more. She took no sacraments and appeared incapable of prayer. She had a horror of clocks and mirrors. By her own account she spoke with Angels and could hear the thoughts of animals and trees. She was passionately kind to all living things. She was a beam of starlight trapped in flesh and awaiting only the moment when it would continue on its journey into forever.” (p.33) "

― , The Religion (Tannhauser, #1)

3 " I don’t want to marry you. I don’t want to want you,” he added fiercely, taking one measured step toward her, then another. “And I sure as hell don’t want to love you. But, God help me, I just can’t stop myself.” Closing the rest of the distance between them in a single stride, he snatched her up by the shoulders, his burning gaze searching her face as if to sear her features into his memory. “I don’t want to marry you because I love you too much to ask you to spend the rest of your life hiding in the shadows. "

― Teresa Medeiros , After Midnight (Cabot, #1)

4 " For years afterward, I had dreams in which my mother appeared in strange forms, her features sewn onto other beings in combinations that seemed both grotesque and profound: as a slippery white fish at the end of my hook, with a trout’s gaping, sorrowful mouth and her dark, shuttered eyes; as the elm tree at the edge of our property, its ragged clumps of tarnished gold leaves replaced by knotted skeins of her black hair; as the lame gray dog that lived on the Mueller’s property, whose mouth, her mouth, opened and closed in yearning and who never made a sound. As I grew older, I came to realize that death had been easy for my mother; to fear death, you must first have something to tether you to life. But she had not. It was as if she had been preparing for her death the entire time I knew her. One day she was alive; the next, not.

And as Sybil said, she was lucky. For what more could we presume to ask from death — but kindness? "

― Hanya Yanagihara , The People in the Trees

5 " I still remember the moment when my gaze fell upon the mutilated face of a young woman, her features slashed through with a bayonet. Soundlessly, and without fuss, some tender thing deep inside me broke. Something that, until then, I hadn't realised was there. "

― Han Kang , Human Acts

6 " Between the wrinkles of age and her features which indicated a number of years resided a beauty that was touching and awakened trust. Since by now I had observed many faces quite closely in order to sketch them, I fully realized that it was more than mere beauty, it was the soul which shone through so kindly and self-contained, which had such a striking effect on whoever came into contact with her. "

― Adalbert Stifter , Indian Summer

7 " I've attended seven schools in ten years," I explain. " So you can rest assured I know you. You're the girl who thinks being cruel is the same thing as being witty. You think being loud is the same thing as being right. And, most of all, you're the girl who is very, very pretty. And also very, very...common. trust me. There's at least one of you in every school." I watch her features shift. " Oh. Wait. Did you think you were unique? "

8 " The woman was not what would be termed an exquisite, or what his grandfather’s generation would have styled ‘a diamond of the first water.’ There was something too primal in her features and her bearing, and her aura shimmered with power. She was a sunset on a mountain peak, or the eerie colors in the sky in the far north of Scotland. She was a vein of gold still glittering inside the rock, her treasure clear but held close, in her own keeping.She would never belong to anyone but herself, and that made him long for her to share that self with him—in every conceivable way. "

9 " David started up the wheeled stairs to the upper floors with his sword at the ready. He expected to encounter Blackadder warriors, protecting the lady of the castle. But there were none on the stairs and none guarding the door on the first floor.

Damn it. She must have escaped. He gritted his teeth as he envisioned the lady’s guards leading her through the tunnel.

He was about to open the chamber door to make sure it was empty when Brian, one of his best men, came down the stairs.

“Laird, I checked all the chambers while ye were in the hall,” he said.

David’s jaw ached from clenching it.

“There’s one door on the floor just above us that wouldn’t open with the latch,” Brian said. “Shall I break it down?”

David waved him aside and pulled the ax from his belt as he raced up the stairs.

“Open it!” he shouted and pounded on the door.

He did not wait. She could be escaping through a secret door this very moment. Three hard whacks with his ax, and the door split. He kicked it until it swung open, then stepped through.

At his first sight of the woman, his feet became fixed to the floor. He felt strange, and his vision was distorted, as if as if he had swallowed a magical potion that narrowed his sight. He could see nothing in the room but her.

She was extraordinarily lovely, with violet eyes, pale skin, and shining black hair. But there was something about her, something beyond her beauty, that held him captive. She was young, much younger than he expected, and her features and form were delicate, in marked contrast to the violent emotion in her eyes.

David knew to the depths of his soul that a brute like him should not be the man to claim this fragile flower, even while the word mine beat in his head like a drum. He had no notion of how long he stood staring at her before he became aware that she held a sword. It was longer still before he noticed the two wee lasses peeking out from behind her like frightened kittens.

Anger boiled up in his chest. Every Blackadder man in the castle who could still draw breath should have been here, standing between him and their lady. Instead, she faced him alone with a sword she could barely lift with both hands.

It was a brave, but ridiculous gesture.

There was no defense against him. "

― Margaret Mallory , Captured by a Laird (The Douglas Legacy, #1)

10 " We stepped in, and, as we paid the cover charge, the music hit us. The double doors buzzed open and we walked in. A handsome man and his lover in an orange top snuggled as they walked to the exit. Veronica turned to me and smiled, taking my hand. I unbuttoned my shirt at the neck and exposed my collar. It was a thin metal collar with a padlock on the front. If the padlock wasn’t attached it would have looked like any other interesting necklace that was tight against my neck, but it got more interesting with the padlock.
On Veronica’s left hand there was a thick bracelet, and that had a key on it. Her right wrist had a glow bracelet. We walked past the tables of people as they drank and screamed over the music to talk. We decided to go right to the dance floor. She took me by the hand, led me.
We were on the dance floor and I couldn’t dance. I ended up just throwing myself around, getting lost in the people surrounding us. The bodies pressed against us, the industrial music loud and crisp. The bass shook your bones, and my ribcage felt like it was rattled to pieces. I closed my eyes and just moved. Veronica moved with a grace I hadn’t seen in awhile when I opened my eyes. She pressed herself against a couple that surrounded her. I felt my breath catch in my throat, my heart pounded from excitement. She squeezed past them and moved to me, her hands ran down my face, and then she gripped the padlock with her left hand.
She pulled me down to her, which wasn’t very far, but it was the intensity of the moment that made all the difference. What she did next made me jump, my body tensed and relaxed in milliseconds. She gave me a deep kiss, and, while she kissed me, distracted me, her other hand undid my padlock. I pulled back as I jumped in shock. Our eyes were locked on each others’ in the flashing neon stage lights. She had a twinkle in her eye as she pulled me close to her.
“Find a man, for you.”
I pulled back, looked at her in surprise. She smiled wickedly, an erotic edge to her features suddenly. She was hot when she was getting dressed and she was even hotter now. I didn’t know what the hell was going on, but I leaned into her ear.
“Are you looking for a woman? "

― Todd Misura , Divergence: Erotica from a Different Angle

11 " Annie clouded up. For a second, he thought she was going to erupt, and flinched. She saw that...and got control of herself with an visible effort. She took three deep breaths, each longer than the last, and her features became serene.All at once it seemed totally clear to Mike that she was right and he was nuts - that his ingenius theory was nonsense, childish, fantasty bullshit. His conviction evaporated, and he was ashamed. He felt his cheeks grow hot, groped for words with which to backtrack -" I have to admit I have no better explanation for the the facts," Annie said slowly.Again, Mike did an emotional instant 180. " Holy shit -" She held up a hand. " I am going to think now. Very hard, for a long time. You will be as quiet as possible while I do." She got up from the computer, went to the bed, and lay down. " Think yourself, or read, or play games with the headphones on, or go Topside if you like." She clasped her hands on her belly, closed her eyes and appeared to go to sleep "

12 " How do we stop them?” Edilio asked. He raised his head, and Sam saw the distress on his face. “How do you think we stop them? When your fifteenth birthday rolls around, the easy thing is to take the poof. You gotta fight to resist it. We know that. So how are we going to tell kids this isn’t real, this Orsay thing?”
“We just tell them,” Astrid said.
“But we don’t know if it’s real or not,” Edilio argued.
Astrid shrugged. She stared at nothing and kept her features very still. “We tell them it’s all fake. Kids hate this place, but they don’t want to die.”
“How do we tell them if we don’t know?” Edilio seemed genuinely puzzled.
Howard laughed. “Deely-O, Deely-O, you are such a doof sometimes.” He put his feet down and leaned toward Edilio as if sharing a secret with him. “She means: We lie. Astrid means that we lie to everyone and tell them we do know for sure.”
Edilio stared at Astrid like he was expecting her to deny it.
“It’s for people’s own good,” Astrid said in a low voice, still looking at nothing.
“You know what’s funny?” Howard said, grinning. “I was pretty sure we were coming to this meeting so Astrid could rank on Sam for not telling us the whole truth. And now, it turns out we’re really here so Astrid can talk us all into becoming liars. "

― Michael Grant , Lies (Gone, #3)

13 " In the first place, his startling likeness to Catherine, connected him fearfully with her. That, however, which you may suppose the most potent to arrest my imagination, is actually the least – for what is not connected with her to me? and what does not recall her? I cannot look down to this floor, but her features are shaped on the flags! In every cloud, in every tree – filling the air at night, and caught by glimpses in every object, by day I am surrounded with her image! The most ordinary faces of men, and women – my own features mock me with a resemblance. The entire world is a dreadful collection of memoranda that she did exist, and that I have lost her! "

― Emily Brontë , Wuthering Heights