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1 " Maria didn’t fear the sea but, as taught by her father, she respected its power. In her experience the ocean had no intent to drown travellers. "
― Sara Sheridan , On Starlit Seas
2 " Inferiority is not banal or incidental even when it happens to women. It is not a petty affliction like bad skin orcircles under the eyes. It is not a superficial flaw in an otherwiseperfect picture. It is not a minor irritation, nor is it a trivialinconvenience, an occasional aggravation, or a regrettable but(frankly) harmless lapse in manners. It is not a “point of view”that some people with soft skins find “ offensive. ” It is the deepand destructive devaluing of a person in life, a shredding of dignity and self-respect, an imposed exile from human worthand human recognition, the forced alienation of a person fromeven the possibility of wholeness or internal integrity. Inferiorityputs rightful self-love beyond reach, a dream fragmented byinsult into a perpetually recurring nightmare; inferiority createsa person broken and humiliated inside. The fragments—scattered pieces and sharp slivers of someone who can neverbe made whole—are then taken to be the standard of what isnormal in her kind: women are like that. The insult that hurther—inferiority as an assault, ongoing since birth—is seen as aconsequence, not a cause, of her so-called nature, an inferior nature. In English, a graceful language, she is even called apiece. It is likely to be her personal experience that she is insufficientlyloved. Her subjectivity itself is second-class, her experiencesand perceptions inferior in the world as she is inferiorin the world. Her experience is recast into a psychologicallypejorative judgment: she is never loved enough because she isneedy, neurotic, the insufficiency of love she feels being in andof itself evidence of a deep-seated and natural dependency. Herpersonal experiences or perceptions are never credited as havinga hard core of reality to them. She is, however, never lovedenough. In truth; in point of fact; objectively: she is never lovedenough. As Konrad Lorenz wrote: “ I doubt if it is possible tofeel real affection for anybody who is in every respect one’s inferior.” 1 There are so many dirty names for her that one rarelylearns them all, even in one’s native language. "
― Andrea Dworkin , Intercourse
3 " A bulimic person may be so disconnected from her experience that she does not even know what she needs or wants. If she does not know, needing something or someone only confirms her sense that she is weak and inadequate. She believes her needs are not legitimate, and therefore finds it difficult to seek care or engage with any care she does manage to seek. In fact, she is likely to greet others' expressions of concern with contempt, the very contempt with which she views herself" . "
4 " Zeena Schreck is a Berlin-based interdisciplinary artist, author, musician/composer, tantric teacher, mystic, animal rights activist, and counter-culture icon known by her mononymous artist name, ZEENA. Her work stems from her experience within the esoteric, shamanistic and magical traditions of which she's practiced, taught and been initiated. She is a practicing Tibetan Buddhist yogini, teaches at the Buddhistische Gesellschaft Berlin and is the spiritual leader of the Sethian Liberation Movement (SLM). "
― Zeena Schreck
5 " Yet her experience had consisted less in a series of pure disappointments than in a series of substitutions. Continually it had happened that what she had desired had not been granted her, and that what had been granted her she had not desired. So she viewed with an approach to equanimity the now cancelled days when Donald had been her undeclared lover, and wondered what unwished-for thing Heaven might send her in place of him. "
― Thomas Hardy , The Mayor of Casterbridge
6 " I was increasingly both horrified and sceptical about these memories - I had no recall of these things at all, though I couldn't imagine why I'd want to make it all up either. It felt as though it had all happened to somebody else, I was not there - it wasn't me - when those people did nasty things.But then, of course, it didn't feel like me, that's the whole point of dissociation - to create distance between the victim and her experience of the abuse. The alters were created for just that purpose: so that I'd not be aware that it happened to me, but rather to " others" . The trouble is, in reality it was my body that took the abuse. It was only my mind that was divided, and sooner or later the amnesic barriers were bound to come down.And that's exactly what had begun to happen as I heard their stories. They triggered a vague and growing sense in me that this really is my story. "
7 " My experience of my body was her experience once removed, which meant my body was dissolved, and that’s all I’d ever really wanted from my body, such as it was. "
― Ben Lerner , Leaving the Atocha Station
8 " The author's differing experience of school geography as a faculty member going from parking lot to parking lot and to locations centered around HER office and her experience of the more scattered life of a student speaks to a larger truth. As adults, we are used to following the same routine and look romantically on anything different. "
― , My Freshman Year: What a Professor Learned by Becoming a Student
9 " If she was suggesting she was too wise with the weight of her experience to fall prey to infatuation - well, the disproof was sitting before her in the form of a gray-eyed prince with a thoughtful set to his mouth that she found quite distracting.”Fire, Kristin Cashore“If she was suggesting she was too wise with the weight of her experience to fall prey to infatuation - well, the disproof was sitting before her in the form of a gray-eyed prince with a thoughtful set to his mouth that she found quite distracting. "
― Kristen Cashore
10 " [Lena Lees describes from trance her experience of Kuan Yin]:“I see Kuan Yin. She is like Venus, statuesque and standing in front of a beautiful pink half-shell. Quickly, she walks in front of me, pointing the way. We are entering the mouth of a cave. It’s so interesting. I see stairs carved out of rock in the cave. We walk up the stairs to a door. I know somehow this is just another entrance, a doorway to another time, place. Perhaps at another historical time monks lived there. Now, I’m seeing a huge image, a beautiful statue of Kuan Yin right at the top of the mountain. There are stairs leading up to her and it is as if I’m right on location, standing alongside a group of worshipers. I feel the potency of her energy. In these places, perhaps China or Vietnam, there is a palpable sense of being immersed in and supported by her presence. There is a need by the people to know more, to pick up and accumulate wisdom. I’m suddenly feeling a need to be in that kind of energy. Suddenly it is Kuan Yin who is speaking: “Some believe I am in servitude to Buddha. However, Buddha doesn’t see it like that. We’re more like brother and sister. I’m showing, Lena, my abode, a place on earth where humans can visit me and be in my potency. Lena is looking at my statue and then at my form. There’s a difference. I come to people in many forms, forms constructed from people’s own perceptions of how I should come to them. And it is individual spiritual needs that create these unique perceptions. In the end, it does not matter what form I take.”“Kuan Yin wants me to know that I can have the most divine life imaginable,” whispers Lena, still very deep in trance. “She’ll be here until the last soul passes off the earth. She remains in deity form to assist people in transcending their materialistic nature, to help them attain their highest spiritual level. "
― Hope Bradford , Oracle of Compassion: The Living Word of Kuan Yin
11 " In an essay titled A View From the Front Line, Jencks described her experience with cancer as like being woken up midflight on a jumbo jet and then thrown out with a parachute into a foreign landscape without a map:" There you are, the future patient, quietly progressing with other passengers toward a distant destination when, astonishingly (Why me?) a large hole opens in the floor next to you. People in white coats appear, help you into a parachute and — no time to think — out you go." You descend. You hit the ground....But where is the enemy? What is the enemy? What is it up to?...No road. No compass. No map. No training. Is there something you should know and don't?" The white coats are far, far away, strapping others into their parachutes. Occasionally they wave but, even if you ask them, they don't know the answers. They are up there in the Jumbo, involved with parachutes, not map-making. "