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1 " LADY LAZARUSI have done it again.One year in every tenI manage it--A sort of walking miracle, my skinBright as a Nazi lampshade,My right footA paperweight,My face a featureless, fineJew linen.Peel off the napkinO my enemy.Do I terrify?--The nose, the eye pits, the full set of teeth?The sour breathWill vanish in a day.Soon, soon the fleshThe grave cave ate will beAt home on meAnd I a smiling woman.I am only thirty.And like the cat I have nine times to die.This is Number Three.What a trashTo annihilate each decade.What a million filaments.The peanut-crunching crowdShoves in to seeThem unwrap me hand and foot--The big strip tease.Gentlemen, ladiesThese are my handsMy knees.I may be skin and bone,Nevertheless, I am the same, identical woman.The first time it happened I was ten.It was an accident.The second time I meantTo last it out and not come back at all.I rocked shutAs a seashell.They had to call and callAnd pick the worms off me like sticky pearls.DyingIs an art, like everything else.I do it exceptionally well.I do it so it feels like hell.I do it so it feels real.I guess you could say I've a call.It's easy enough to do it in a cell.It's easy enough to do it and stay put.It's the theatricalComeback in broad dayTo the same place, the same face, the same bruteAmused shout:'A miracle!'That knocks me out.There is a chargeFor the eyeing of my scars, there is a chargeFor the hearing of my heart--It really goes.And there is a charge, a very large chargeFor a word or a touchOr a bit of bloodOr a piece of my hair or my clothes.So, so, Herr Doktor.So, Herr Enemy.I am your opus,I am your valuable,The pure gold babyThat melts to a shriek.I turn and burn.Do not think I underestimate your great concern.Ash, ash--You poke and stir.Flesh, bone, there is nothing there--A cake of soap, A wedding ring,A gold filling.Herr God, Herr LuciferBewareBeware.Out of the ashI rise with my red hairAnd I eat men like air. "
― Sylvia Plath , Ariel
2 " sometimes i don't know, which momentwhich cool gust of wind will come,and enchant metousling my hairand my heart, stirring...that familiar ache of poetry, which drop will kissthe old wrench in my soulreminding me, all over againi miss you better in the rain. "
― Sanober Khan , A Thousand Flamingos
3 " I Will Not Tease Rebecca GrimesI have to write one hundred times:" I will not tease Rebecca Grimes." Okay, that's one. I'm far from done.(This isn't gonna be much fun.) " I will not tease Rebecca Grimes." That's two. I'm paying for my crimes.It's all because I pulled her hairAnd put spaghetti on her chair.Because I gave her goofy looksAnd squirted mustard on her books,I have to write one hundred times:" I will not tease Rebecca Grimes." That's three. Whoopee. It's going slow.Just ninety-seven more to go." I will not tease" (I'm keeping score.)" Rebecca Grimes." (Now that makes four.)I'm soaked with sweat. My shirt is damp.I think I'm getting writer's cramp." I will not, will not, will not teaseRebecca Grimes!" Can I stop, please?The teacher frowns, and that means no.I still have sixty-six to go." I will-will-will not-not-not-notTease-tease-tease-tease..." It's getting hot." I will not tease Rebecca Grimes." That's ninety-nine. The school bell chimes.Just one more line and I'll be through.Rebecca Grimes, this one's for you!My final line will rhyme with " Grimes" :" I will not tease Rebecca...Slimes!" Rebecca Slimes! Ha ha! That's great!I'd better hide it. Oops! Too late!The teacher sees what I wrote down.She takes my paper with a frown.I now must write one thousand times:" I will not tease Rebecca Grimes. "
4 " Do the lovers know that when they whisper these poems they are commemorating our love?Do they ever think of you and meor only of themselves?Do they know that I once found a strand of your hairand wore it around my necklike a necklace?That I kiss your handsmore than I kiss your lips?Do they realise that our love and their love are drops in the universe’s ocean of loveand that without any of these drops, the ocean would be less? "
― Kamand Kojouri
5 " There comes a time for healingno matter how broken you are right now;no matter how heavy your heart is right now.There comes a time when you will go outsideand let the sun shine on your faceand let the wind touch your hairand you will not be tired by just simply being awake.There comes a time when you will be happy to be alive againand that day you will appreciate your own beingbecause now you know the other side.Now you know the opposite.Now you know what it’s like to not be sure if you really are; whoyou really are;if you simply are, anymore.And that daywill be the beginning of everything. "
― Charlotte Eriksson , Empty Roads & Broken Bottles: in search for The Great Perhaps
6 " Once on a yellow piece of paper with green lines he wrote a poemAnd he called it " Chops" because that was the name of his dogAnd that's what it was all aboutAnd his teacher gave him an A and a gold starAnd his mother hung it on the kitchen door and read it to his auntsThat was the year Father Tracy took all the kids to the zooAnd he let them sing on the busAnd his little sister was born with tiny toenails and no hairAnd his mother and father kissed a lotAnd the girl around the corner sent him aValentine signed with a row of X's and he had to ask his father what the X's meantAnd his father always tucked him in bed at nightAnd was always there to do itOnce on a piece of white paper with blue lines he wrote a poemAnd he called it " Autumn" because that was the name of the seasonAnd that's what it was all aboutAnd his teacher gave him an A and asked him to write more clearlyAnd his mother never hung it on the kitchen door because of its new paintAnd the kids told him that Father Tracy smoked cigarsAnd left butts on the pewsAnd sometimes they would burn holesThat was the year his sister got glasses with thick lenses and black framesAnd the girl around the corner laughed when he asked her to go see Santa ClausAnd the kids told him why his mother and father kissed a lotAnd his father never tucked him in bed at nightAnd his father got mad when he cried for him to do it.Once on a paper torn from his notebook he wrote a poemAnd he called it " Innocence: A Question" because that was the question about his girlAnd that's what it was all aboutAnd his professor gave him an A and a strange steady lookAnd his mother never hung it on the kitchen door because he never showed herThat was the year that Father Tracy diedAnd he forgot how the end of the Apostle's Creed wentAnd he caught his sister making out on the back porchAnd his mother and father never kissed or even talkedAnd the girl around the corner wore too much makeupThat made him cough when he kissed her but he kissed her anyway because that was the thing to doAnd at three a.m. he tucked himself into bed his father snoring soundlyThat's why on the back of a brown paper bag he tried another poemAnd he called it " Absolutely Nothing" Because that's what it was really all aboutAnd he gave himself an A and a slash on each damned wristAnd he hung it on the bathroom door because this time he didn't think he could reach the kitchen. "
