1
" We wait and think and doubt and hate. How does it make you feel? The overwhelming feeling is rage. We hate ourself for being unable to be other than what we are. Unable to be better. We feel rage. The feelings must be followed. It doesn't matter whether you're an ideologue or a sensualist, you follow the stimuli thinking that they're your signposts to the promised land. But they are nothing of the kind. What they are is rocks to navigate the past, each on your brush against, ripping you a little more open and they are always more on the horizon. But you can't face up to the that, so you force yourself to believe the bullshit of those you instinctively know are liars and you repeat those lies to yourself and to others, hoping that by repeating them often and fervently enough you'll attain the godlike status we accord those who tell the lies most frequently and most passionately. But you never do, and even if you could, you wouldn't value it, you'd realise that nobody believes in heroes any more. We know that they only want to sell us something we don't really want and keep from us what we really do need. Maybe that's a good thing. Maybe we're getting in touch with our condition at last. It's horrible how we always die alone, but no worse than living alone. "
― Irvine Welsh , Filth
5
" I had another reason for seeking Him, for trying to espy His face, a professional one. God and literature are conflated in my mind. Why this is, I’m not sure. Perhaps because great books seem heavensent. Perhaps because I know that each nove is a puny but very valiant attempt at godlike behavior. Perhaps because there is no difference between the finest poetry and most transcendent mysticism. Perhaps because writers like Thomas Merton, who are able to enter the realm of the spirit and come away with fine, lucid prose. Perhaps because of more secular writers, like John Steinbeck, whose every passage, it seems to me, peals with religiousity and faith. It once occured to me that literature — all art really — is either talking to people about God, or talking to God about people. "
― Paul Quarrington , The Boy on the Back of the Turtle: Seeking God, Quince Marmalade, and the Fabled Albatross on Darwin's Islands
6
" Novelists when they write novels tend to take an almost godlike attitude toward their subject, pretending to a total comprehension of the story, a man's life, which they can therefore recount as God Himself might, nothing standing between them and the naked truth, the entire story meaningful in every detail. I am as little able to do this as the novelist is, even though my story is more important to me than any novelist's is to him - for this is my story; it is the story of a man, not of an invented, or possible, or idealized, or otherwise absent figure, but of a unique being of flesh and blood, Yet, what a real living human being is made of seems to be less understood today than at any time before, and men - each one of whom represents a unique and valuable experiment on the part of nature - are therefore shot wholesale nowadays. If we were not something more than unique human beings, if each one of us could really be done away with once and for all by a single bullet, storytelling would lose all purpose. But every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of every consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross. "
― Hermann Hesse , Demian: Die Geschichte von Emil Sinclairs Jugend
9
" If it happens that the human race doesn't make it, then the fact that we were here once will not be altered, that once upon a time we peopled this astonishing blue planet, and wondered intelligently at everything about it and the other things who lived here with us on it, and that we celebrated the beauty of it in music and art, architecture, literature, and dance, and that there were times when we approached something godlike in our abilities and aspirations. We emerged out of depthless mystery, and back into mystery we returned,and in the end the mystery is all there is. "
― James Howard Kunstler , The Long Emergency: Surviving the Converging Catastrophes of the Twenty-First Century
10
" Did I Not Say To You
Did I not say to you, “Go not there, for I am your friend; in this
mirage of annihilation I am the fountain of life?”
Even though in anger you depart a hundred thousand years
from me, in the end you will come to me, for I am your goal.
Did I not say to you, “Be not content with worldly forms, for I
am the fashioner of the tabernacle of your contentment?”
Did I not say to you, “I am the sea and you are a single fish;
go not to dry land, for I am your crystal sea?”
Did I not say to you, “ Go not like birds to the snare; come, for
I am the power of flight and your wings and feet?”
Did I not say to you, “ They will waylay you and make you
cold, for I am the fire and warmth and heat of your desire?”
Did I not say to you, “ They will implant in you ugly qualities
so that you will forget that I am the source of purity to you?”
Did I not say to you, “Do not say from what direction the ser-
vant’s affairs come into order?” I am the Creator without
directions.
If you are the lamp of the heart, know where the road is to the
house; and if you are godlike of attribute, know that I am your
Maser. "
― Rumi
16
" She suddenly saw Wimsey in a new light. She knew him to be intelligent, clean, courteous, wealthy, well-read, amusing and enamored, but he had not so far produced in her that crushing sense of inferiority which leads to prostration and hero-worship. But she now realized that there was, after all, something godlike about him. He could control a horse. "
― Dorothy L. Sayers , Have His Carcase (Lord Peter Wimsey, #7)
20
" This is, indeed, an insightful observation. The Archbishop [Joseph L. Berardin] insists that the natural resemblance between Christ and his priests must not stop merely with the fact that they share a common masculinity. Our question is, 'Why must it BEGIN there?' If the faithful cannot see Christ in a male who exemplifies no godlike virtues - humility, gentleness, and self-effacing service - can they not see him in a female who does? Indeed, if the priest acts 'in persona Christi,' not 'in masculinitate Christi,' then 'NATURAL resemblance' between Christ and the priest, it would seem, does not entail PHYSICAL, that is SEXUAL resemblance, but a resemblance which is natural to the SPIRITUAL order with which the worshiping congregation has to do. And in this order there is neither male nor female, even as there is neither Jew nor Greek. We would, therefore, conclude that since the Word was made flesh, as the apostle John has declared him (John 1:14), we rightly heed those who, in the flesh, symbolize his presence as they speak and act in his name. But we see no reason to add to what the apostle said by insisting that the Word was made MALE flesh, for both male and female are equally bearers of the divine image. And since God created humankind in his image, male AND female, we can only conclude that women as well as men should be ordained to the priesthood, because femaleness, like maleness, is a fitting symbol (sacramental sign) of Deity. "
― , The Ordination of Women: An Essay on the Office of Christian Ministry
