2
" Oh, monsters are scared', said Lettie. 'And as for grown-ups...' She stopped talking, rubbed her freckled nose with a finger. Then, 'I'm going to tell you something important. Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they look just like they always have. Like they did when they were your age. The truth is, there aren't any grown-ups. Not one, in the whole wide world.'
...
We sat there, side by side, on the old wooden bench, not saying anything. I thought about adults. I wondered if that was true: if they were all really children wrapped in adult bodies, like children's books hidden in the middle of dull, long books. The kind with no pictures or conversations. "
― Neil Gaiman , The Ocean at the End of the Lane
4
" Ma was heavy, but not fat; thick with child-bearing and work. She wore a loose Mother Hubbard of gray cloth in which there had once been colored flowers, but the color was washed out now, so that the small flowered pattern was only a little lighter gray than the background. The dress came down to her ankles, and he strong, broad, bare feet moved quickly and deftly over the floor. Her thin, steel-gray hair was gathered in a sparse wispy knot at the back of her head. Strong, freckled arms were bare to the elbow, and her hands were chubby and delicate, like those of a plump little girl. She looked out into the sunshine. Her full face was not soft; it was controlled, kindly. Her hazel eyes seemed to have experienced all possible tragedy and to have mounted pain and suffering like steps into a high calm and a superhuman understanding. She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials. But better than joy was calm. Imperturbability could be depended upon. And from her great and humble position in the family she had taken dignity and a clean calm beauty. From her position as healer, her hands had grown sure and cool and quiet; from her position as arbiter she had become as remote and faultless in judgment as a goddess. She seemed to know that if she swayed the family shook, and if she ever really deeply wavered or despaired the family would fall, the family will to function would be gone. "
― John Steinbeck , The Grapes of Wrath
9
" Nobody looks like what they really are on the inside. You don’t. I don’t. People are much more complicated than that. It’s true of everybody.'I said, 'Are you a monster? Like Ursula Monkton?'Lettie threw a pebble into the pond. 'I don't think so,' she said. 'Monsters come in all shapes and sizes, Some of them are things people are scared of. Some of them are things that look like things people used to be scared of a long time ago. Sometimes monsters are things people should be scared of, but they aren't.'I said, 'People should be scared of Ursula Monkton.''P'raps. What do you think Ursula Monkton is scared of?''Dunno. Why do you think she's scared of anything? She's a grown-up, isn't she? Grown-ups and monsters aren't scared of things.'Oh, monsters are scared," said Lettie. " That's why they're monsters. And as for grown-ups...' She stopped talking, rubbed her freckled nose with a finger. Then, 'I'm going to tell you something important. Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they look just like they always have. Like they did when they were your age. Truth is, there aren't any grown-ups. Not one, in the whole wide world. "
10
" Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain.
Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence.
A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop.
Then the screen door squeaked open and she took flight.
Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive.
He knew her path by now. He was ready for the hunt.
The clanging unbuckled belt boomed in her ears as he gained on her.
The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go.
Young trees teased her in this direction, so she moved east towards the evergreens.
Hunger and hurt left her no choice, she had to stop running soon.
She grabbed the first tree with a branch low enough to reach, and up she went.
The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree.
His footsteps pounded close by.
She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his.
She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up.
Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down.
She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension.
Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest.
He called her name once, twice. The third time’s tone not quite as friendly.
The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her.
His feet crunched in circles around the tree, eventually heading back home.
Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense.
“Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch. "
― Kim Bongiorno , Part of My World
12
" The first stanza of Eyes In Moonlight Drown, a poem from DeadVerse.
With your face framed in a halo of stars,
your hair melts into trailing clouds,
and your eyes in moonlight drown.
A man could lose himself
in those freckled irises,
reflecting the galaxies above;
surely he could fall into their promise
of eternity, of Heaven, of love.
Your lips glisten, part, and beckon,
a smile of warm invitation,
a suggestion of sweet intensity,
a loss of self in addictive agony.
For we translate these aesthetics
into something mystical;
ideas of fantasy, of fiction,
obscuring the clinical truth
of chemical reactions,
electric sparks, responses
as sure as gravity,
measurable yet beyond cold,
above philosophy and below truth. "
― Scott Kaelen , DeadVerse, Poetry Volume One
13
" Wisteria hangs over the eaves like clumps of ghostly grapes. Euphorbia's pale blooms billow like sea froth. Blood grass twists upward, knifing the air, while underground its roots go berserk, goosing everything in their path. A magnolia, impatient with vulvic flesh, erupts in front of the living room window. The recovering terrorist--holding a watering can filled with equal parts fish fertilizer and water, paisley gloves right up over her freckled forearms, a straw hat with its big brim shading her eyes, old tennis shoes speckled with dew--moves through her front garden. Her face, she tells herself, like a Zen koan. The look of one lip smiling. "
― Zsuzsi Gartner , Better Living Through Plastic Explosives
14
" Still, we permit the appearance of our meats, sauces, fruits, and vdgetables to dominate our tongues until it is difficult to divide a twist of lemon or squeeze of lime from the colors of their rinds or separate yellow from its yolk or chocolate from the quenchless brown which seems to be the root, shoot, stalk, and bloom of it. Yet I hardly think the eggplant's taste is as purple as its skin. In fact, there are few flavors at the violet end, odors either, for the acrid smell of blue smoke is deceiving, as is the tooth of the plum, though there may be just a hint of blue in the higher sauces. Perceptions are always profound, associations deceiving. No watermelon tastes red. Apropos: while waiting for a bus once, I saw open down the arm of a midfat, midlife, freckled woman, suitcase tugging at her hand like a small boy needing to pee, a deep blue crack as wide as any in a Roquefort. Split like paper tearing. She said nothing. Stood. Blue bubbled up in the opening like tar. One thing is certain: a cool flute blue tastes like deep well water drunk from a cup. "
― William H. Gass , On Being Blue
17
" The rain spun in the yellow arc lights over the café parking lot. It was empty inside, except for a fat Negro woman whom I could see through the service window in the kitchen, and a pretty, redheaded waitress in her early twenties, dressed in a pink uniform with her hair tied up on her freckled neck. She was obviously tired, but she was polite and smiled at me when she took my order, and I felt a sense of guilt, almost shame, at my susceptibility and easy fondness for a young woman's smile. Because if you're forty-nine and unmarried or a widower or if you've simply chosen to live alone, you're easily flattered by a young woman's seeming attention to you, and you forget that it is often simply a deference to your age. "
― James Lee Burke , Black Cherry Blues (Dave Robicheaux, #3)
18
" He was a self-righteous know-it-all who had the breath of a dung beetle, a gray ponytail he barely pulled together from the bozo ring of hair clinging to his balding, freckled dome, and loved to drink, of all things, tea. Usually it was some sickly sweet-smelling herbal crap that was made in the hippie wasteland of Boulder, Colorado. The box was festooned with the image of a happy, dancing bear in a field of multicolored flowers and the tea had some idiotic name like Tai Chai. After work one evening, I snatched the box of tea bags from the break room and changed the recipe. I wasn't really worried that any other employees would use one of the tea bags because NO ONE DRINKS FUCKING TEA AT WORK, especially not the totally useless, noncaffeinated fairy tears reserved for old maids to sip while they watch Murder, She Wrote in bed with their legion of cats. "
― Shane Kuhn , Hostile Takeover (John Lago Thriller, #2)
19
" You can't let him get away with this!" Penny shrieked. Caine wasn’t having it. “You stupid witch,” he yelled back. “No one told you to let it go that far!”“He was mine for the day,” Penny hissed. She pressed a rag to her nose, which had started bleeding again.“He tore his own eyes out. What did you think Quinn would do? What do you think Albert will do now?” He bit savagely at his thumb, a nervous habit.“I thought you were the king!”Caine reacted without thinking. He swung a hard backhand at her face. The blow did not connect, but the thought did. Penny flew backward like she’d been hit by a bus. She smacked hard against the wall of the office.The blow stunned her, and Caine was in her face before she could clear her thoughts.Turk came bursting in, his gun leveled. “What’s happening?”“Penny tripped,” Caine said.Penny’s freckled face was white with fury.“Don’t,” Caine warned. He tightened an invisible grip around her head and twisted it back at an impossible angle.Then Caine released her.Penny panted and glared. But no nightmare seized Caine’s mind. “You’d better hope Lana can fix that boy, Penny.”“You’re getting soft.” Penny choked out the words.“Being king isn’t about being a sick creep,” Caine said. “People need someone in charge. People are sheep and they need a big sheepdog telling them what to do and where to go. But it doesn’t work if you start killing the sheep.”“You’re scared of Albert.” Penny followed it with a mocking laugh.“I’m scared of no one,” Caine said. “Least of all you, Penny. You live because I let you live. Remember that. The kids out there?” He waved his hand toward the window, vaguely indicating the population of Perdido Beach. “Those kids out there hate you. You don’t have a single friend. Now get out of here. I don’t want to see you back here in my presence until you’re ready to crawl to me and beg my forgiveness. "
