1
" He was just a small church parson when the war broke out, and heLooked and dressed and acted like all parsons that we see.He wore the cleric's broadcloth and he hooked his vest behind.But he had a man's religion and he had a stong man's mind.And he heard the call to duty, and he quit his church and went.And he bravely tramped right with 'em every- where the boys were sent.He put aside his broadcloth and he put the khaki on;Said he'd come to be a soldier and was going to live like one.Then he'd refereed the prize fights that the boys pulled off at night,And if no one else was handy he'd put on the gloves and fight.He wasn't there a fortnight ere he saw the sol- diers' needs,And he said: " I'm done with preaching; this is now the time for deeds." He learned the sound of shrapnel, he could tell the size of shellFrom the shriek it make above him, and he knew just where it fell.In the front line trench he laboured, and he knew the feel of mud,And he didn't run from danger and he wasn't scared of blood.He wrote letters for the wounded, and he cheered them with his jokes,And he never made a visit without passing round the smokes.Then one day a bullet got him, as he knelt be- side a ladWho was " going west" right speedy, and they both seemed mighty glad,'Cause he held the boy's hand tighter, and he smiled and whispered low," Now you needn't fear the journey; over there with you I'll go." And they both passed out together, arm in arm I think they went.He had kept his vow to follow everywhere the boys were sent. "
4
" Spent the fortnight gone in the music room reworking my year's fragments into a 'sextet for overlapping soloists': piano, clarinet, 'cello, flute, oboe, and violin, each in its own language of key, scale, and color. In the first set, each solo is interrupted by its successor; in the second, each interruption is recontinued, in order. Revolutionary or gimmicky? Shan't know until it's finished, and by then it'll be too late. "
― David Mitchell , Cloud Atlas
5
" I've decided to call him Norbert,' said Hagrid, looking at the dragon with misty eyes. 'He really knows me now, watch. Norbert! Norbert! Where's Mummy?'
'He's lost his marbles,' Ron muttered in Harry's ear.
'Hagrid,' said Harry loudly, 'give it a fortnight and Norbert's going to be as big as your house. Malfoy could go to Dumbledore at any moment.
Hagrid bit his lip.
'I- I know I can't jus' dump him, I can't.'
Harry suddenly turned to Ron.
'Charlie,' he said.
'You're losing it too,' said Ron. 'I'm Ron, remember? "
― J.K. Rowling , Harry Potter and the Sorcerer's Stone (Harry Potter, #1)
6
" Dave and Serge...played the Fiddler's Elbow as if it were Giants Stadium, and even though it was acoustic, they just about blew the place up. They were standing on chairs adn lying on the floor, they were funny, they charmed everyone in the pub apart from an old drunk ditting next to the drum kit...who put his fingers firmly in his ears during Serge's extended harmonica solo. It was utterly bizarre and very moving: most musicians wouldn't have bothered turning up, let alone almost killing themselves. And I was reminded...how rarely one feels included in a live show. Usually you watch, and listen, and drift off, and the band plays well or doesn't and it doesn't matter much either way. It can actually be a very lonely experience. But I felt a part of the music, and a part of the people I'd gone with, and, to cut this short before the encores, I didn't want to read for about a fortnight afterward. I wanted to write, but I didn't want to read no book. I was too itchy, too energized, and if young people feel like that every night of the week, then, yes, literature 's dead as a dodo.
(Nick's thoughts after seeing Marah at a little pub called Fiddler's Elbow.) "
― Nick Hornby , The Polysyllabic Spree
7
" My house completed, and tried and not found wanting by a first Cape Cod year, I went there to spend a fortnight in September. The fortnight ending, I lingered on, and as the year lengthened into autumn, the beauty and mystery of this earth and outer sea so possessed and held me that I could not go. The world to-day is sick to its thin blood for lack of elemental things, for fire before the hands, for water welling from the earth, for air, for the dear earth itself underfoot. In my world of beach and dunes these elemental presences lived and had their being, and under their arch there moved an incomparable pageant of nature and the year. "
― Henry Beston , The Outermost House: A Year of Life On The Great Beach of Cape Cod
10
" There were some children round him playing in the dust on the paths. They had long fair hair, and with very earnest faces and solemn attention were making little mountains of sand so as to stamp on them and squash them underfoot.
Pierre was going through one of those gloomy days when one looks into every corner of one's soul and shakes out every crease.
'Our occupations are like the work of those kids,' he thought. Then he wondered whether after all the wisest course in life was not to beget two or three of these little useless beings and watch them grow with complacent curiosity. And he was touched by the desire to marry. You aren't so lost when you're not alone any more. At any rate you can hear somebody moving near you in times of worry and uncertainty, and it is something anyway to be able to say words of love to a woman when you are feeling down.
He began thinking about women.
His knowledge of them was very limited, as all he had had in the Latin Quarter was affairs of a fortnight or so, dropped when the month's money ran out and picked up again or replaced the following month. Yet kind, gentle, consoling creatures must exist. Hadn't his own mother brought sweet reasonableness and charm to his father's home? How he would have loved to meet a woman, a real woman!
He leaped up, determined to go and pay a little visit to Mme Rosémilly.
But he quickly sat down again. No, he didn't like that one! "
― Guy de Maupassant , Pierre et Jean
11
" Two days after his twelfth birthday, a fortnight before his father was jailed for debt, Charles Dickens was sent to work in a blacking factory. There, in a rat-infested room by the docks, he sat for twelve hours a day, labelling boot polish and learning the pain of abandonment. While he never spoke publicly of this ordeal, it would always be with him: in his social conscience and burning ambition, in the hordes of innocent children who languished and died in his fiction.
Pete thinks we all have a blacking factory: some awful moment, early on, when we surrender our childish hearts as surely as we lose our baby teeth. And the outcome can't be called. Some of us end up like Dickens, others like Jeffrey Dahmer. It's not a question of good or evil, Pete believes. Just the random brutality of the universe and our native ability to withstand it. "
― Armistead Maupin , The Night Listener
15
" Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow.The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real.Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us. "
