Home > Topic > five hundred years
1 " You know what the fellow said – in Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace – and what did that produce? The cuckoo clock. "
― Graham Greene , The Third Man
2 " The Swiss have an interesting army. Five hundred years without a war. Pretty impressive. Also pretty lucky for them. Ever seen that little Swiss Army knife they have to fight with? Not much of a weapon there. Corkscrews. Bottle openers. ‘Come on, buddy, let’s go. You get past me, the guy in the back of me, he’s got a spoon. Back off, I’ve got the toe clippers right here. "
― Jerry Seinfeld
3 " (...)Through the ship's telescopes, he had watched the death of the solar system. With his own eyes, he had seen the volcanoes of Mars erupt for the first time in a billion years; Venus briefly naked as her atmosphere was blasted into space before she herself was consumed; the gas giants exploding into incandescent fireballs. But these were empty, meaningless spectacles compared with the tragedy of Earth.That, too, he had watched through the lenses of cameras that had survived a few minutes longer than the devoted men who had sacrificed the last moments of their lives to set them up. He had seen ...... the Great Pyramid, glowing dully red before it slumped into a puddle of molten stone ...... the floor of the Atlantic, baked rock-hard in seconds, before it was submerged again, by the lava gushing from the volcanoes of the Mid-ocean Rift...... the Moon rising above the flaming forests of Brazil and now itself shining almost as brilliantly as had the Sun, on its last setting, only minutes before ...... the continent of Antarctica emerging briefly after its long burial, as the kilometres of ancient ice were burned away ...... the mighty central span of the Gibraltar Bridge, melting even as it slumped downward through the burning air ...In that last century the Earth was haunted with ghosts - not of the dead, but of those who now could never be born. For five hundred years the birthrate had been held at a level that would reduce the human population to a few millions when the end finally came. Whole cities - even countries - had been deserted as mankind huddled together for History's closing act. "
― Arthur C. Clarke
4 " Hazed by pleasure, Nix still had to know. This could be his last chance. “Nikolai,” he said thickly. “Tell me about Nikolai.”Roark’s hand drifted down over Nix’s pale torso. He eyed Nix wryly. “You have his persistence,” he allowed wryly. His eyes flickered on Nix’s hot face. Everything hidden behind them even as he spoke. “Very well. He was a genius. He was a … thug. He was night and day. He could be kindness itself to a stranger, and yet the next day would bathe in that stranger’s blood. And if you tear the shirt from Henley’s back, you will doubtless find Nikolai’s name carved there. Nikolai became mine, and I his, for five hundred years.” Roark’s striking face was smooth, expressionless. Enigmatic. “They were five hundred years of heaven. Five hundred years of hell. I can tell you no more. Not right now. Is that enough? "
― Jae T. Jaggart , His (The Hellfire Vampires Bloodline, #1)
5 " Devil-boy Jack: " A higher power than ours directs us against the wych-kin. There is no turning back." Thaniel Fox: " There is no higher power, Devil-boy! And I am no-one's pawn, neither man nor wych nor whatever entity you speak of." Devil-boy Jack: " I do not speak of entities. I speak of the force that created the physics of the universe, the force that makes time flow forward and not allow everything to happen at once, the force that sets the patterns to which the planets turn. Its weapons are coincidence, unlikelihood, happenstance. It is there when a man stops suddenly to pick up a coin dropped by another man ten days before, and the woman who is to be his wife bumps into him, and five hundred years hence their offspring rules half the world. It is there when a chance comment causes a scientist to think, What if...? and ten years later a great plague is cured. It is so vast that what we call chaos is simply another part of its order, with a shape too big to see. It has no name, nor will it ever have, though man may hint darkly at fate and destiny. It is what it is... the pattern. We may choose our own paths, but the pattern is always ahead of us. It is a way. It is the way. "
6 " A fellowship of secret scholars spent five hundred years on this task. Now we're penciling it in for a Friday morning. "
― Robin Sloan , Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1)
7 " For five hundred years my sisterhood has passed down a sacred vow,” says Caspida coldly, “to destroy the one who destroyed our queen. You know this, and you speak these words only to deceive me as you deceived her. You would have me believe that you are capable of love.”“Believe me when I say I wish that I were not!” Angrily I round on her. “I do not tell you this for myself! Aladdin will die any moment, and the only way to save him is if you make a wish! Please, Caspida—they will kill him at dawn!” I point at the horizon, where the sun is minutes away from rising. “Let me save him, I beg you!”I drop to my knees before her, doing what I never thought I could: grovel before a human. My pride unravels into smoke, carried away on the wind. Always I have thought myself above these mortals—I, immortal, powerful, able to shift from this form to that. But I let all of that go now, and I beg as I have never begged before. “Do what you like with me after that, but just let me save him!” I dig my fingers into the earth, my eyes damp with tears. My voice falls to a cracked whisper. “Please.”“Why?”I raise my face, finding her gaze unyielding. “Because it was my idea. Him wishing to be made a prince. Courting you. Lying all these weeks. I manipulated him and used him, and now they will kill him for it.”“Why would you lead him into the palace knowing that eventually the truth would come out and he would have to pay the price?”“Because . . .” I grind my teeth together, wishing the earth would swallow me up. “Because I was trying to win my freedom. Your people had captured the prince of the jinn—Nardukha’s own son. The Shaitan sent me to free him, and in turn, he would free me from my lamp. If I failed, he planned to sink your city into the sea. I had to get into the palace. Aladdin was my only way in.”“So you don’t deny that you’re a monster. You used him for your own ends.”I drop my head. “I know what I am. I know nothing can excuse what I did to Roshana, or to Aladdin, or to you. I’ve wronged so many, and there is so much I wish I could take back. I can’t save Roshana. But please—I beg of you—let me save him.”Caspida lowers to her knees and studies me. I meet her gaze, humbled utterly.“You want me to believe that you love him,” she whispers.“Yes.” The word is but a breath, a stir of air in my treacherous lungs. “We’re running out of time. I cannot reverse death or the hours. Time is the strongest magic, and no jinni—not even the Shaitan—can rewrite the past. Once Aladdin is gone, he is gone. Let me save him, and I can help you win your city. "
― Jessica Khoury , The Forbidden Wish
8 " Three years in London had not changed Richard, although it had changed the way he perceived the city. Richard had originally imagined London as a gray city, even a black city, from pictures he had seen, and he was surprised to find it filled with color. It was a city of red brick and white stone, red buses and large black taxis, bright red mailboxes and green grassy parks and cemeteries.It was a city in which the very old and the awkwardly new jostled each other, not uncomfortably, but without respect; a city of shops and offices and restaurants and homes, of parks and churches, of ignored monuments and remarkably unpalatial palaces; a city of hundreds of districts with strange names - Crouch End, Chalk Farm, Earl's Court, Marble Arch - and oddly distinct identities; a noisy, dirty, cheerful, troubled city, which fed on tourists, needed them as it despised them, in which the average speed of transportation through the city had not increased in three hundred years, following five hundred years of fitful road-widening and unskillful compromises between the needs of traffic, whether horse-drawn, or, more recently, motorized, and the need of pedestrians; a city inhabited by and teeming with people of every color and manner and kind. "
― Neil Gaiman , Neverwhere (London Below, #1)
