1
" I notice that you use plain, simple language, short words and brief sentences. That is the way to write English―it is the modern way and the best way. Stick to it; don't let fluff and flowers and verbosity creep in. When you catch an adjective, kill it. No, I don't mean utterly, but kill most of them―then the rest will be valuable. They weaken when they are close together. They give strength when they are wide apart. An adjective habit, or a wordy, diffuse, flowery habit, once fastened upon a person, is as hard to get rid of as any other vice. "
― Mark Twain
3
" Being established in my life, buttressed by my thinking nature, fastened down in this transcendental field which was opened for me by my first perception, and in which all absence is merely the obverse of a presence, all silence a modality of the being of sound, I enjoy a sort of ubiquity and theoretical eternity, I feel destined to move in a flow of endless life, neither the beginning nor the end of which I can experience in thought, since it is my living self who think of them, and since thus my life always precedes and survives itself. "
― Maurice Merleau-Ponty , Phenomenology of Perception
4
" Featherweight by Suzy Kassem
One evening,
I sat by the ocean and questioned the moon about my destiny.
I revealed to it that I was beginning to feel smaller compared to others,
Because the more secrets of the universe I would unlock,
The smaller in size I became.
I didn't understand why I wasn't feeling larger instead of smaller.
I thought that seeking Truth was what was required of us all –
To show us the way, not to make us feel lost,
Up against the odds,
In a devilish game partitioned by
An invisible wall.
Then the next morning,
A bird appeared at my window, just as the sun began
Spreading its yolk over the horizon.
It remained perched for a long time,
Gazing at me intently, to make sure I knew I wasn’t dreaming.
Then its words gently echoed throughout my mind,
Telling me:
'The world you are in –
Is the true hell.
The journey to Truth itself
Is what quickens the heart to become lighter.
The lighter the heart, the purer it is.
The purer the heart, the closer to light it becomes.
And the heavier the heart,
The more chained to this hell
It will remain.'
And just like that, it flew off towards the sun,
Leaving behind a tiny feather.
So I picked it up,
And fastened it to a toothpick,
To dip into ink
And write my name. "
― , Rise Up and Salute the Sun: The Writings of Suzy Kassem
9
" They flew to avoid the horrors of land and sea, Daedalus and Icarus were for few moments free. Though the sun was Icarus' ultimate bane, we came to always remember his name. For he felt the sun's burn, a lesson Daedalus would never learn. When he found his son's corpse and looked upon his face, he saw a smile there fastened in place. He continued his life wondering what his son had seen, hoping it was worth it since his dead smile was so serene. The sun always seemed to mock him after, shining, brilliant, blinding laughter. Daedalus grew withered and haunted by light, preferring the sea's air in the depths of night. He watched lunar birds soar through the stars and away, forever regretting his decision to take flight during the day. He had lost his son to the sun in a twist of anomaly, he wondered which of them truly escaped that day, in all honesty. "
14
" The house cleared, I shut myself in, fastened the bolt that none might intrude, and proceeded—not to weep, not to mourn, I was yet too calm for that, but—mechanically to take off the wedding dress, and replace it by the stuff gown I had worn yesterday, as I thought, for the last time. I then sat down: I felt weak and tired. I leaned my arms on a table, and my head dropped on them. And now I thought: till now I had only heard, seen, moved—followed up and down where I was led or dragged—watched event rush on event, disclosure open beyond disclosure: but now, I thought. "
― Charlotte Brontë , Jane Eyre
16
" She clambered to the shoreline. Numb and shaken, she began to dress. It wasn’t easy as she fumbled with slick fingers to put dry clothes over wet skin. She instantly regretted her naked swim. She pulled on her long-sleeved white chemise first.
She faced the forest, away from her rescuer. He quietly splashed to shore. His lifeblood burned into her back. He wasn’t far behind, but he stopped. She refused to look at him until she was fully clothed, not out of embarrassment of her nudity, but for what had just happened. He released a groan and mumbled under his breath about wet boots. His voice was not one of her father’s soldiers.
When she put the last garment on, her brown wool work kirtle, she squeezed out her sopping hair and swept her hands through the knotty mess. She fastened her belt and tied the lacings up the front of the kirtle. Blood returned to her fingertips, and she regained her composure. Belated awareness struck her, and she leaned down and searched through her bag for her dagger. She spun around.
She gasped as she saw the man sitting on the stone-covered shoreline, his wet boots off. Confusion and the hint of a scowl filled his strong-featured face. She staggered back, caught her heel on a stone, and fell, dropping the dagger. Dirt and pebbles stuck to her wet hands and feet, and she instinctively scrambled away from him.
His glower, iridescent dark blue eyes, and disheveled black hair were not unfamiliar. Staring at her was the man she had seen in her dream – it was the man from the wood. "
― Jean M. Grant , A Hundred Kisses
19
" What?' He cried, darting at him a look of fury: 'Dare you still implore the Eternal's mercy? Would you feign penitence, and again act an Hypocrite's part? Villain, resign your hopes of pardon. Thus I secure my prey!'
As He said this, darting his talons into the Monk's shaven crown, He sprang with him from the rock. The Caves and mountains rang with Ambrosio's shrieks. The Daemon continued to soar aloft, till reaching a dreadful height, He released the sufferer. Headlong fell the Monk through the airy waste; The sharp point of a rock received him; and He rolled from precipice to precipice, till bruised and mangled He rested on the river's banks. Life still existed in his miserable frame: He attempted in vain to raise himself; His broken and dislocated limbs refused to perform their office, nor was He able to quit the spot where He had first fallen. The Sun now rose above the horizon; Its scorching beams darted full upon the head of the expiring Sinner. Myriads of insects were called forth by the warmth; They drank the blood which trickled from Ambrosio's wounds; He had no power to drive them from him, and they fastened upon his sores, darted their stings into his body, covered him with their multitudes, and inflicted on him tortures the most exquisite and insupportable. The Eagles of the rock tore his flesh piecemeal, and dug out his eyeballs with their crooked beaks. A burning thirst tormented him; He heard the river's murmur as it rolled beside him, but strove in vain to drag himself towards the sound. Blind, maimed, helpless, and despairing, venting his rage in blasphemy and curses, execrating his existence, yet dreading the arrival of death destined to yield him up to greater torments, six miserable days did the Villain languish. On the Seventh a violent storm arose: The winds in fury rent up rocks and forests: The sky was now black with clouds, now sheeted with fire: The rain fell in torrents; It swelled the stream; The waves overflowed their banks; They reached the spot where Ambrosio lay, and when they abated carried with them into the river the Corse of the despairing Monk. "
― Matthew Gregory Lewis
20
" Nature has placed mankind under the governance of two sovereign masters, pain and pleasure. It is for them alone to point out what we ought to do, as well as to determine what we shall do. On the one hand the standard of right and wrong, on the other the chain of causes and effects, are fastened to their throne. They govern us in all we do, in all we say, in all we think: every effort we can make to throw off our subjection, will serve but to demonstrate and confirm it. In words a man may pretend to abjure their empire: but in reality he will remain subject to it all the while. The principle of utility recognizes this subjection, and assumes it for the foundation of that system, the object of which is to rear the fabric of felicity by the hands of reason and of law. Systems which attempt to question it, deal in sounds instead of sense, in caprice instead of reason, in darkness instead of light. "
― Jeremy Bentham , The Principles of Morals and Legislation
