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" I don’t know [why we're here]. People sometimes say to me, ‘Why don’t you admit that the humming bird, the butterfly, the Bird of Paradise are proof of the wonderful things produced by Creation?’ And I always say, well, when you say that, you’ve also got to think of a little boy sitting on a river bank, like here, in West Africa, that’s got a little worm, a living organism, in his eye and boring through the eyeball and is slowly turning him blind. The Creator God that you believe in, presumably, also made that little worm. Now I personally find that difficult to accommodate… "
― David Attenborough
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" The Everlasting Staircase" Jeffrey McDanielWhen the call came, saying twenty-four hours to live,my first thought was: can't she postpone her exitfrom this planet for a week? I've got places to do,people to be. Then grief hit between the ribs,said disappear or reappear more fully. so I boardeda red eyeball and shot across America,hoping the nurses had enough quarters to keepthe jukebox of Grandma's heart playing. She grew uppoor in Appalachia. And while world war IIfunctioned like Prozac for the Great Depression,she believed poverty was a double feature,that the comfort of her adult years was merelyan intermission, that hunger would hobble back,hurl its prosthetic leg through her window,so she clipped, clipped, clipped -- became the JacquesCousteau of the bargain bin, her wetsuitstuffed with coupons. And now --pupils fixed, chindangling like the boots of a hanged man --I press my ear to her lampshade-thin chestand listen to that little soldier march toward whateverplateau, or simply exhaust his arsenal of beats.I hate when people ask if she even knew I was there.The point is I knew, holding the one-sidedconversation of her hand. Once I believed the heartwas like a bar of soap -- the more you use it,the smaller it gets; care too much and it'll snap offin your grasp. But when Grandma's last breathwaltzed from that room, my heart openedwide like a parachute, and I realized she didn't die.She simply found a silence she could call her own. "
12
" Right from the start he is dressed in his best - his blacks and his whitesLittle Fauntleroy - quiffed and glossy,A Sunday suit, a wedding natty get-up,Standing in dunged strawUnder cobwebby beams, near the mud wall,Half of him legs, Shining-eyed, requiring nothing moreBut that mother's milk come back often.Everything else is in order, just as it is.Let the summer skies hold off, for the moment.This is just as he wants it.A little at a time, of each new thing, is best.Too much and too sudden is too frightening -When I block the light, a bulk from space,To let him in to his mother for a suck,He bolts a yard or two, then freezes,Staring from every hair in all directions,Ready for the worst, shut up in his hopeful religion,A little syllogismWith a wet blue-reddish muzzle, for God's thumb.You see all his hopes bustlingAs he reaches between the worn rails towardsThe topheavy oven of his mother.He trembles to grow, stretching his curl-tip tongue -What did cattle ever find hereTo make this dear little fellowSo eager to prepare himself?He is already in the race, and quivering to win -His new purpled eyeball swivel-jerksIn the elbowing push of his plans.Hungry people are getting hungrier,Butchers developing expertise and markets,But he just wobbles his tail - and glistensWithin his dapper profileUnaware of how his whole lineage Has been tied up.He shivers for feel of the world licking his side.He is like an ember - one glowOf lighting himself upWith the fuel of himself, breathing and brightening.Soon he'll plunge out, to scatter his seething joy,To be present at the grass,To be free on the surface of such a wideness,To find himself. To stand. T "
15
" This twinned twinkle was delightful but not completely satisfying; or rather it only sharpened my appetite for other tidbits of light and shade, and I walked on in a state of raw awareness that seemed to transform the whole of my being into one big eyeball rolling in the world's socket.Through peacocked lashes I saw the dazzling diamond reflection of the low sun on the round back of a parked automobile. To all kinds of things a vivid pictorial sense had been restored by the sponge of the thaw. Water in overlapping festoons flowed down one sloping street and turned gracefully into another. With ever so slight a note of meretricious appeal, narrow passages between buildings revealed treasures of brick and purple. I remarked for the first time the humble fluting - last echoes of grooves on the shafts of columns - ornamenting a garbage can, and I also saw the rippling upon its lid - circles diverging from a fantastically ancient center. Erect, dark-headed shapes of dead snow (left by the blades of a bulldozer last Friday) were lined up like rudimentary penguins along the curbs, above the brilliant vibration of live gutters. I walked up, and I walked down, and I walked straight into a delicately dying sky, and finally the sequence of observed and observant things brought me, at my usual eating time, to a street so distant from my usual eating place that I decided to try a restaurant which stood on the fringe of the town. Night had fallen without sound or ceremony when I came out again. (" The Vane Sisters" ) "