Home > Topic > every movement
1 " The truth of the matter was something much more subtle and tremendous than any plain physical miracle could ever be. But never mind that. The important thing was that, when I did see the stars (riotously darting in all directions according to the caprice of their own wild natures, yet in every movement confirming the law), the whole tangled horror that had tormented me finally presented itself to me in its truth and beautiful shape. And I knew that the first, blind stage of my childhood had ended. "
― Olaf Stapledon , Odd John
2 " You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to love any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold. You are far from the edge, now. Oh yes! How far from the edge you are! You long believed in the existence of another shore; such is no longer the case. You go on swimming, though, and every movement you make brings you closer to drowning. You are suffocating, your lungs are on fire. The water seems colder and colder to you, more and more galling. You aren't that young anymore. Now you are going to die. Don't worry. I am here. I won't let you sink. Go on with your reading. "
― Michel Houellebecq , Whatever
3 " Be a person that radiates happiness with her every movement and enlightens every place she goes with her smile. "
― Debasish Mridha
4 " He was a musician of the best nature, with guitar string fingertips and soft flute lips that could tighten in a trumpet's purse. Every movement was perfect, every breath filled with purpose. Whether close or open, his eyes seeped ambition and his body burned with chaotic passion. I was his instrument and he played me so well. His fingers fashioned a tune of ecstasy while his lips felt the reed shudders of my skin. He stole my breath and made it his own, using my lips to create his climactic song. A symphony of electricity and orgasmic bliss, he played me so well his fingers never did miss. Half-circles and hooks with my parted lips as his speaker, I never knew another musician so ruthlessly eager. To finish his song, to hit every note, elongating the melody of every sound from the depths of my throat. He was ambitious, pushing my limits, tearing my reservations and destroying my thresholds, all I could do was phase in and out, my ears ringing from the ballad I was made to produce. "
5 " The story of the Fall tells us in mythical language that " original sin" is not simply a stigma arbitrarily making good pleasures seem guilty, but a basic inauthenticity, a kind of predisposition to bad faith in our understanding of ourselves and of the world. It implies a determined willfulness in trying to make things be other than they are in order that we may be able to make them subserve, at any moment, to our individual desire for pleasure or for power. But since things do not obey our arbitrary impulsions, and since we cannot make the world correspond to and confirm the image of it dictated by our needs and illusions, our willfulness is inseparable from error and from suffering. Hence, Buddhism says, deluded life itself is in a state of Dukkha, and every movement of desire tends to bear ultimate fruit in pain rather than lasting joy, in hate rather than love, in destruction rather than creation. (Let us note in passing that when technological skill seems in fact to give man almost absolute power in manipulating the world, this fact is no way reverses his original condition of brokenness and error but only makes it all the more obvious. We who live in the age of the H-bomb and the extermination camp have reason to reflect on this, though such reflection is a bit unpopular.) "
6 " Sam groaned. A warmth on her face alerted her to the new morning. She opened one eye and peered at the fuzzy daylight streaming in through the window. Her head throbbed like a bitch. Her mouth felt like a carpet. She pushed herself off the couch and stood up shakily, kicking bottles as she stumbled to her small kitchen. Every movement was painful and slow. She was a sloth tight-roping through time. She held onto the basin for a moment to steady herself. She grabbed a plastic cup and opened the tap, letting it flow as she filled and refilled it, gulping down as much water as she could. She splashed her face, neck and chest with water, then refilled the cup and dumped the contents over her head. She stood there, unaware of the moments passing by, as the water dripped down her body. Willing herself to wake up and feel better. Willing the nausea into oblivion. "
― , Consequence
7 " We must stand so firmly for the truth so that we do not back down because every movement away from righteousness and God’s truth is similar to death "
―
8 " I felt so weak and unhappy that I buried my face in the ground: I could not bear the strain of seeing around me the things of the earth. I felt convinced that every movement and every thought was forced, and that one had to be on one's guard against them. "
― Franz Kafka , The Complete Stories
9 " On Hayao MiyazakiI told Miyazaki I love the " gratuitous motion" in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are." We have a word for that in Japanese," he said, " It's called ma. Emptiness. It's there intentionally." Is that like the " pillow words" that separate phrases in Japanese poetry? " I don't think it's like the " pillow word." He clapped his hands three or four times. " The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it's just busyness, but if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb. "
10 " To a man with an internet connection, every thought and every movement sounds like a tweet or status update. "
― Mokokoma Mokhonoana
11 " Mellas was transported outside himself, beyond himself. It was as if his mind watched eveything coolly while his body raced wildly with passion and fear. He was frightened beyond any fear he had ever known. But this brilliant and intense fear, this terrible here and now, combined with the crucial significance of every movement of his body, pushed him over a barrier whose existence he had not known about until this moment. He gave himself over completely to the god of war within him. "
― Karl Marlantes , Matterhorn
12 " I pushed passed him. He grabbed my hand and swung me back towards him. Then he pushed me against the wall and... he kissed me.He ran his thumb along my jawline and down my throat, hips pinning me to the wall. He kissed me slowly and with intensity, and once I got over the mind-numbing shock and comprehended what was actually happening, it was incredible. I had never been kissed like that before. We melted together. Every movement of mine was somehow perfectly mirrored by his. My heart was pounding so hard I knew he must be able to feel it and I was sure my legs were giving way, but he held me up, pushed me harder against the wall.I grabbed a handful of his hair, remembering all the times I'd dreamed of doing it. I let my hand drift down his back and pulled him even closer to me. It all happened so quickly. I heard him make a low kind of growl and lean into me. His hand slid down my leg behind my knee, drawing it to him. I moaned and felt him tense. "
― Jessica Shirvington , Embrace (The Violet Eden Chapters, #1)
13 " Maybe it’s something to do with the movements: the Cat and then the Cow, the twist to the left and then to the right, the reaching up, and then bending to the ground, the constant training of the body to move one way, and then to move in the opposite way. Hatha: sun, moon opposites, dark and light, yin and yang. This must be key in the way yoga shapes the mind and heart, in the way it helps one to understand that every movement has a counter movement, that every action has an opposing action, that the happy parts of life will be met by the sad, and the sad, in turn will be met by the happy. "
14 " Lucien kept rubbing at his temples as he ate, unusually silent, and I hid my smile as I asked him, “And where were you last night?”Lucien’s metal eye narrowed on me. “I’ll have you know that while you two were dancing with the spirits, I was stuck on border patrol.” Tamlin gave a pointed cough, and Lucien added, “With some company.” He gave me a sly grin. “Rumor has it you two didn’t come back until after dawn.”I glanced at Tamlin, biting my lip. I’d practically floated into my bedroom that morning. But Tamlin’s gaze now roved my face as if searching for any tinge of regret, of fear. Ridiculous.“You bit my neck on Fire Night,” I said under my breath. “If I can face you after that, a few kisses are nothing.”He braced his forearms on the table as he leaned closer to me. “Nothing?” His eyes flicked to my lips. Lucien shifted in his seat, muttering to the Cauldron to spare him, but I ignored him.“Nothing,” I repeated a bit distantly, watching Tamlin’s mouth move, so keenly aware of every movement he made, resenting the table between us. I could almost feel the warmth of his breath.“Are you sure?” he murmured, intent and hungry enough that I was glad I was sitting. He could have had me right there, on top of that table. I wanted his broad hands running over my bare skin, wanted his teeth scraping against my neck, wanted his mouth all over me.“I’m trying to eat,” Lucien said. "
― Sarah J. Maas , A Court of Thorns and Roses (A Court of Thorns and Roses, #1)