1
" What is so often said about the solders of the 20th century is that they fought to make us free. Which is a wonderful sentiment and one witch should evoke tremendous gratitude if in fact there was a shred of truth in that statement but, it's not true. It's not even close to true in fact it's the opposite of truth. There's this myth around that people believe that the way to honor deaths of so many of millions of people; that the way to honor is to say that we achieved some tangible, positive, good, out of their death's. That's how we are supposed to honor their deaths. We can try and rescue some positive and forward momentum of human progress, of human virtue from these hundreds of millions of death's but we don't do it by pretending that they'd died to set us free because we are less free; far less free now then we were before these slaughters began. These people did not die to set us free. They did not die fighting any enemy other than the ones that the previous deaths created. The beginning of wisdom is to call things by their proper names. Solders are paid killers, and I say this with a great degree of sympathy to young men and women who are suckered into a life of evil through propaganda and the labeling of heroic to a man in costume who kills for money and the life of honor is accepting ordered killings for money, prestige, and pensions. We create the possibility of moral choice by communicating truth about ethics to people. That to me is where real heroism and real respect for the dead lies. Real respect for the dead lies in exhuming the corpses and hearing what they would say if they could speak out; and they would say: If any ask us why we died tell it's because our fathers lied, tell them it's because we were told that charging up a hill and slaughtering our fellow man was heroic, noble, and honorable. But these hundreds of millions of ghosts encircled the world in agony, remorse will not be released from our collective unconscious until we lay the truth of their murders on the table and look at the horror that is the lie; that murder for money can be moral, that murder for prestige can be moral. These poor young men and woman propagandized into an undead ethical status lied to about what is noble, virtuous, courageous, honorable, decent, and good to the point that they're rolling hand grenades into children's rooms and the illusion that, that is going to make the world a better place. We have to stare this in the face if we want to remember why these people died. They did not die to set us free. They did not die to make the world a better place. They died because we are ruled by sociopaths. The only thing that can create a better world is the truth is the virtue is the honor and courage of standing up to the genocidal lies of mankind and calling them lies and ultimate corruptions. The trauma and horrors of this century of staggering bloodshed of the brief respite of the 19th century. This addiction to blood and the idea that if we pour more bodies into the hole of the mass graves of the 20th century, if we pour more bodies and more blood we can build some sort of cathedral to a better place but it doesn't happen. We can throw as many young men and woman as we want into this pit of slaughter and it will never be full. It will never do anything other than sink and recede further into the depths of hell. We can’t build a better world on bodies. We can’t build peace on blood. If we don't look back and see the army of the dead of the 20th century calling out for us to see that they died to enslave us. That whenever there was a war the government grew and grew. We are so addicted to this lie. What we need to do is remember that these bodies bury us. This ocean of blood that we create through the fantasy that violence brings virtue. It drowns us, drowns our children, our future, and the world. When we pour these endless young bodies into this pit of death; we follow it. "
3
" I grew up watching my father make plates that featured penises as centerpieces. Pink, proud, and stiff, encircled by cerulean Greek key, Dad’s creations made me feel scared and small. I saw a private part of the man I could not measure up to. At six years old, I lived in a world shaded by his ceramic glazes. There was love and color, but anger, too, in the way he kneaded his clay, palms pounding the rich, wet earth into shapes of his choosing. "
4
" Weeping WillowWeeping willow, how your elongated leaves dangle in the mist of the air, you bring such true comfort into the needful eye.How your leaves sway from left to right, providing your own intricate dance so divine.Weeping willow, you provide the most comforting shade upon your layer of leaves making me feel encircled with love and safety.Weeping willow, as I lay under your silvery leaves, I look up for a helping hand, I see strength within your structure, can you help me?Weeping willow, as I climb upon you will you make sure I won't fall, will you catch me if I do?Weeping willow, as I sit upon you looking to the sky through your rustling leaves, will you hear my pain? Can I overcome such things? The weeping willows long leafed branches sway back and forth providing the gentlest of winds across one's face. The eyes close so slowly, a sigh escapes one's mouth.As one sits on the branch they feel if there is someone watching over them, comfort arises as the branches nestle one's sorrows. A tear slowly slides down their cheek as if all emotion was escaping them. The wind starts to slowly blow, once again the elongated leaved branches sway back and forth against the song of the wind, creating one's smile to appear slowly but surely. The long silvery leaves brush against ones cheek, as if it was the hand of comfort, wiping the sadness away. Weeping willow, I will climb down now, I have heard what you have had to say... The one steps down and walks around to the back of the willow tree as it faces such gleaming waters. They look at the carving at the back of the tree, something that has been carved there for years upon the dark bark. Their body slumps to the ground as their back presses against the bark, fingers reaching up to trace the well known loved one. The carved initials of a beloved memory. The one whispers, " Thank you for hearing me, Dad. "
5
" He felt lightheaded, almost dizzy, as he deepened the kiss, his fingers curling lightly around the tendrils of her hair. His other arm encircled her waist, pressing her closer, and for a moment he went for broke, kissing her with everything he had.
And now that he knew he wasn’t going to get his face slapped, he slowed down to take his time and do it right. The outside world simply ceased to exist. There was only Chloe, warm in his embrace, as her lips responded to his. "
― Sierra Donovan , Do Not Open 'til Christmas
6
" And,” I continued, “I’m probably going to be a bitch most of the time. I guarantee I’ll find a reason to yell at you almost every day, and don’t be surprised if a few drinks get dumped on you from time to time. That’s just me, and you’re going to have to deal with it. Because I’m not changing for you or anyone else. And I-”
Wesley slid off his bar stool and pressed his lips against mine before the words could get out. My heart pounded as every thought vacated my mind. One of his arms encircled my waist, pulling me as close to him as possible, and his free hand cupped my face, his thumb tracing my cheekbone. He kissed me so passionately I thought we would catch on fire.
It wasn’t until after he pulled away, both of us in need of some air, that I could think straight again.
“You jerk!” I yelled, pushing him away from me. “Kissing me to make me shut up? God, you’re so obnoxious. I could just throw something at you right now.”
Wesley hopped onto his bar stool with a big grin, and I suddenly remembered him telling me that I was sexy when I was mad at him. Go figure. “Excuse me, Joe,” he called to the bartender. “I think Bianca wants a Cherry Coke.”
Despite my best efforts, I smiled. He wasn’t perfect, or even remotely close, for that matter, but, hey, neither was I. We were both pretty fucked up. Somehow, though, that made everything more exciting. Yeah, it was sick and twisted, but that’s reality, right? Escape is impossible, so why not embrace it?
Wesley took my hand and laced his fingers with mine. “You look beautiful tonight, Bianca. "
― Kody Keplinger , The DUFF: Designated Ugly Fat Friend (Hamilton High, #1)
7
" From the dim regions beyond the mountains at the upper end of our encircled domain, there crept out a narrow and deep river, brighter than all save the eyes of Eleonora; and, winding stealthily about in mazy courses, it passed away, at length, through a shadowy gorge, among hills still dimmer than those whence it had issued. We called it the " River of Silence" ; for there seemed to be a hushing influence in its flow. No murmur arose from its bed, and so gently it wandered along, that the pearly pebbles upon which we loved to gaze, far down within its bosom, stirred not at all, but lay in a motionless content, each in its own old station, shining on gloriously forever. "
8
" Dantes had entered the Chateau d’If with the round, open, smiling face of a young and happy man, with whom the early
paths of life have been smooth. and who anticipates a future corresponding with his past. This was now all changed. The oval face was lengthened, his smiling mouth had assumed the firm and marked
lines which betoken resolution; his eyebrows were arched beneath a brow furrowed with thought; his eyes were full of melancholy, and from their depths occasionally sparkled gloomy fires of misanthropy and hatred; his complexion, so long kept from the sun, had now that pale color which produces, when the features are encircled with black hair, the aristocratic beauty of the man of the north; the profound learning he had acquired had besides diffused over his features a refined intellectual expression; and he had also acquired, being naturally of a goodly stature, that vigor which a frame possesses which has so long concentrated all its force within itself. "
― Alexandre Dumas , The Count of Monte Cristo
13
" About his madmen Mr. Lecky was no more certain. He knew less than the little to be learned of the causes or even of the results of madness. Yet for practical purposes one can imagine all that is necessary. As long as maniacs walk like men, you must come close to them to penetrate so excellent a disguise. Once close, you have joined the true werewolf.Pick for your companion a manic-depressive, afflicted by any of the various degrees of mania - chronic, acute, delirious. Usually more man than wolf, he will be instructive. His disorder lies in the very process of his thinking, rather than in the content of his thought. He cannot wait a minute for the satisfaction of his fleeting desires or the fulfillment of his innumerable schemes. Nor can he, for two minutes, be certain of his intention or constant in any plan or agreement. Presently you may hear his failing made manifest in the crazy concatenation of his thinking aloud, which psychiatrists call " flight of ideas." Exhausted suddenly by this riotous expense of speech and spirit, he may subside in an apathy dangerous and morose, which you will be well advised not to disturb.Let the man you meet be, instead, a paretic. He has taken a secret departure from your world. He dwells amidst choicest, most dispendious superlatives. In his arm he has the strength to lift ten elephants. He is already two hundred years old. He is more than nine feet high; his chest is of iron, his right leg is silver, his incomparable head is one whole ruby. Husband of a thousand wives, he has begotten on them ten thousand children. Nothing is mean about him; his urine is white wine; his faeces are always soft gold. However, despite his splendor and his extraordinary attainments, he cannot successfully pronounce the words: electricity, Methodist Episcopal, organization, third cavalry brigade. Avoid them. Infuriated by your demonstration of any accomplishment not his, he may suddenly kill you.Now choose for your friend a paranoiac, and beware of the wolf! His back is to the wall, his implacable enemies are crowding on him. He gets no rest. He finds no starting hole to hide him. Ten times oftener than the Apostle, he has been, through the violence of the unswerving malice which pursues him, in perils of waters, in perils of robbers, in perils of his own countrymen, in perils by the heathen, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren, in weariness and painfulness, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness. Now that, face to face with him, you simulate innocence and come within his reach, what pity can you expect? You showed him none; he will certainly not show you any.Lighten our darkness, we beseech thee, 0 Lord; and by thy great mercy defend us from all the perils and dangers of this night; for the love of thy only Son, our Saviour, Jesus Christ. Amen.Mr. Lecky's maniacs lay in wait to slash a man's head half off, to perform some erotic atrocity of disembowelment on a woman. Here, they fed thoughtlessly on human flesh; there, wishing to play with him, they plucked the mangled Tybalt from his shroud. The beastly cunning of their approach, the fantastic capriciousness of their intention could not be very well met or provided for. In his makeshift fort everywhere encircled by darkness, Mr. Lecky did not care to meditate further on the subject. "
14
" The scene unfolded before him as though he were a ghost.
His mother stood on the raised stump, her body tied to the tall stake behind her. A pile of wood encircled her feet. Only a small crowd had gathered in the courtyard, despite his father’s commands that all should attend. Alasdair sobbed at her feet, calling out to her. The young Alasdair climbed on the pile and clutched her flowing gown. She had been dressed in her finest, not stripped down to her chemise like the handmaid who stood tied to a post beside her. His father had always liked a display. Alasdair’s hands reached and passed over his mother’s large pregnant belly. With that, she sobbed, too. “Oh, Ali, be good for Momma. I’ll see you in the pearly white heaven that God has promised us. Be steadfast, son. Trust your heart.”
“Light it,” his father ordered. "
― Jean M. Grant , A Hundred Kisses
15
" She led them to their pallets, again encircled by other pallets. She sat down, sighing at her aching muscles, and caught his gaze. “You may, er, wrap your arms around me if that will make you feel I am safer.”
He chuckled--a hoarse chuckle, rusty, but a chuckle nonetheless. She’d take it.
“May I indeed?” He lay beside her and pulled her back against him, settling her head on his arm, bunching the other hide up to use as a pillow. “If I must.” His warm sigh tickled across her neck. “After all, I must ensure that pinkie does not wander.”
Would Robert never let her forget that? "
― Angela Quarles , Must Love Chainmail (Must Love, #2)
17
" Twas the night before Christmas, when all through the houseNot a creature was stirring, not even a mouse;The stockings were hung by the chimney with care,In hopes that St. Nicholas soon would be there;The children were nestled all snug in their beds;While visions of sugar-plums danced in their heads;And mamma in her 'kerchief, and I in my cap,Had just settled our brains for a long winter's nap,When out on the lawn there arose such a clatter,I sprang from my bed to see what was the matter.Away to the window I flew like a flash,Tore open the shutters and threw up the sash.The moon on the breast of the new-fallen snow,Gave a lustre of midday to objects below,When what to my wondering eyes did appear,But a miniature sleigh and eight tiny rein-deer,With a little old driver so lively and quick,I knew in a moment he must be St. Nick.More rapid than eagles his coursers they came,And he whistled, and shouted, and called them by name:" Now, Dasher! now, Dancer! now Prancer and Vixen!On, Comet! on, Cupid! on, Donder and Blixen!To the top of the porch! to the top of the wall!Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly,When they meet with an obstacle, mount to the sky;So up to the housetop the coursers they flewWith the sleigh full of toys, and St. Nicholas too—And then, in a twinkling, I heard on the roofThe prancing and pawing of each little hoof.As I drew in my head, and was turning around,Down the chimney St. Nicholas came with a bound.He was dressed all in fur, from his head to his foot,And his clothes were all tarnished with ashes and soot;A bundle of toys he had flung on his back,And he looked like a pedler just opening his pack.His eyes—how they twinkled! his dimples, how merry!His cheeks were like roses, his nose like a cherry!His droll little mouth was drawn up like a bow,And the beard on his chin was as white as the snow;The stump of a pipe he held tight in his teeth,And the smoke, it encircled his head like a wreath;He had a broad face and a little round bellyThat shook when he laughed, like a bowl full of jelly.He was chubby and plump, a right jolly old elf,And I laughed when I saw him, in spite of myself;A wink of his eye and a twist of his headSoon gave me to know I had nothing to dread;He spoke not a word, but went straight to his work,And filled all the stockings; then turned with a jerk,And laying his finger aside of his nose,And giving a nod, up the chimney he rose;He sprang to his sleigh, to his team gave a whistle,And away they all flew like the down of a thistle.But I heard him exclaim, ere he drove out of sight—“Happy Christmas to all, and to all a good night! "
18
" He was walking around in circles, the smell of the old furniture suddenly very distinct. There was a newspaper in his hand and he started reading it, paying particular attention to the headlines which seemed to be floating towards him so that now a band of black print encircled his forehead. He was curled upon the bed, hugging his knees, when the next horror came upon him: those who heard him last night would now have to report his theft, and his employer would call the police. He saw how the policeman took the telephone call at the station; how his name and address were spoken out loud; how he looked down at the floor as they led him away; how he was in the dock, forced to answer questions about himself, and now he was in a cell and had lost control of his own body. He was staring out of the window at the passing clouds when it occurred to him that he should write to his employer, explaining his drunkenness and confessing that he invented the story of theft; but who would believe him? It was always said that in drink there was truth, and perhaps it was true that he was a convicted thief. He began to sing,
One fine day in the middle of the night,
Two dead men got up to fight
and then he knew what was meant by madness. "
― Peter Ackroyd , Hawksmoor
19
" Jacin’s fingers curled around his knife. It was torture. Jacin looked more afraid than when he’s stood on trial. More afraid than when his torso had been stripped raw from the lashings. This was the last time she would ever see him. This was her last moment. Her last breath. Suddenly, all of the politics and all of the games stopped mattering. Suddenly, she felt daring.
“Jacin,” she said, with a shaky smile. “You must know. I cannot remember a time when I didn’t love you. I don’t think such a time ever existed.”
His eyes filled with a thousand emotions. But before he could say whatever he would say, before he could kill her, Winter grabbed the front of his shirt with both hands and kissed him. He thawed much quicker than shed expected. Almost instantly, like he’d been waiting for this moment, he grabbed her hips and pulled her against him with a possessiveness that overwhelmed her. His lips were desperate and starved as he leaned into the kiss, pressing her against the rail. She gasped, and he deepened the kiss, threading one hand into the hair at the nape of her neck. Her head swam, muddles with heat and a lifetime of desire.
Jacin’s other hand abandoned her hip. She heard the ring of steel as the knife was pulled from its scabbard. Winter shuddered and kissed him harder, filling it with every fantasy she’d ever had. Jacin’s hand slipped out of her hair. His arm encircled her. He held her against him like he couldn’t get close enough. Like he meant to absorb her body into his.
Releasing his shirt, Winter found his neck, his jaw. She felt the tips of his hair on her thumbs. He made a noise and she couldn’t tell if it was desire or pain or regret or a mix of everything. His arm tensed against her back. His weight shifted as he raised the knife. "
― Marissa Meyer , Winter (The Lunar Chronicles, #4)
