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1 " She loved old things. The brown-brick place was a survivor of the 1907 earthquake and fire, and proudly bore a plaque from the historical society. The building had a haunted history- it was the site of a crime of passion- but Tess didn't mind. She'd never been superstitious.The apartment was filled with items she'd collected through the years, simply because she liked them or was intrigued by them. There was a balance between heirloom and kitsch. The common thread seemed to be that each object had a story, like a pottery jug with a bas-relief love story told in pictures, in which she'd found a note reading, " Long may we run. -Gilbert." Or the antique clock on the living room wall, each of its carved figures modeled after one of the clockmaker's twelve children. She favored the unusual, so long as it appeared to have been treasured by someone, once upon a time. Her mail spilled from an antique box containing a pigeon-racing counter with a brass plate engraved from a father to a son. She hung her huge handbag on a wrought iron finial from a town library that had burned and been rebuilt in a matter of weeks by an entire community.Other people's treasures captivated her. They always had, steeped in hidden history, bearing the nicks and gouges and fingerprints of previous owners. She'd probably developed the affinity from spending so much of her childhood in her grandmother's antique shop. "
2 " I who am blind can give one hint to those who see: Use your eyes as if tomorrow you would be stricken blind. And the same method can be applied to the other senses. Hear the music of voices, the song of a bird, the mighty strains of an orchestra, as if you would be stricken deaf tomorrow. Touch each object as if tomorrow your tactile sense would fail. Smell the perfume of flowers, taste with relish each morsel, as if tomorrow you could never smell and taste again. make the most of every sense; glory in the beauty which the world in all the facets of pleasure reveals to you through the several means of contact which Nature provides. But of all the senses, I am sure that sight is the most delightful. "
― Helen Keller
3 " God created a universe where each object is dependent on the other. Nobody is independent. At least, human beings are not. "
― Girdhar Joshi , Some Mistakes Have No Pardon
4 " There is no single thing... that is so cut and dried that one cannot attend to its secret whisper which says 'I am more than just my appearance'. If each object quivers with readiness to imply something other than itself, if each perception is a word in a poem dense with connotations, then the poet's selection of any given subject of speculation will become... a means of attuning himself to the rhythms and harmonies of reality at large. ... The notion of a network of correspondence is not an outmoded Romantic illusion: it represents a crucial intuition... "
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5 " From a philosophical point of view, Leibniz's most interesting argument was that absolute space conflicted with what he called the principle of the identity of indiscernibles (PII). PII says that if two objects are indiscernible, then they are identical, i.e. they are really one and the same object. What does it mean to call two objects indiscernible? It means that no difference at all can be found between them--they have exactly the same attributes. So if PII is true, then any two genuinely distinct objects must differ in at least one of their attributes--otherwise they would be one, not two. PII is intuitively quite compelling. It certainly is not easy to find an example of two distinct objects that share all their attributes. Even two mass-produced factory goods will normally differ in innumerable ways, even if the differences cannot be detected with the naked eye.Leibniz asks us to imagine two different universes, both containing exactly the same objects. In Universe One, each object occupies a particular location in absolute space.In Universe Two, each object has been shifted to a different location in absolute space, two miles to the east (for example). There would be no way of telling these two universes apart. For we cannot observe the position of an object in absolute space, as Newton himself admitted. All we can observe are the positions of objects relative to each other, and these would remain unchanged--for all objects are shifted by the same amount. No observations or experiments could ever reveal whether we lived in universe One or Two. "
― Samir Okasha , Philosophy of Science: A Very Short Introduction
6 " Try to notice-in all your thoughts, sensations, and direct encounters-the objects and 'outside-standers' that make appearance meaningful. For each object encountered or referred to, note it and embrace it in its immediate givenness as being part of 'you'. You can do this both by saying to yourself, " That too is 'I'," and by extending your sense of located awareness to embrace the apparently separate and distant object.This exercise helps to counteract the tendency to polarize experience, which creates a self that is cut off from the rest of reality. It might at first seem to set up a monomaniacal selfishness, but actually, if practiced carefully, it will undermine the idea of a solid and continuous 'self'. The exercise might also seem to cultivate confusion between things themselves and thoughts about these things and about the world. But this is not the case. By initially forcing the subject and object together in this way, we can soon progress to the perception of a 'time' which naturally gives the subject and object as together. This process also shows the felt difference between the thought about a thing and the 'thing itself'-between the reference and its referent-in a new light. We can progress from an artificial intimacy to an uncontrived one, and further, to an intimacy which simply is and which involves neither a self nor an object. This intimacy does not reach out to things elsewhere, nor does it assimilate them all in an ordinary location 'here'. "