11
" In her eyes was the reflection of everything that mattered: old diners with neon signs, vinyl records, celluloid film, drive-in movies, Pears soap, department stores, her brother’s old blue Camaro car and the smell of coal dust in the rainy sky of a summer lightning storm.…And all the nice bright colors of the past that she thought were gone for good came flowing back into her life like a wave of nostalgia flooding over her, reds, yellows, blues and greens drenching her gray memories in psychedelic ribbons and glittering fireworks.…She hoped that the world would always hold those miniscule yet beautiful, deep and mysterious traces of memory. "
12
" And you can glance out the window for a moment, distracted by the sound of small kids playing a made-up game in a neighbor's yard, some kind of kickball maybe, and they speak in your voice, or piggyback races on the weedy lawn, and it's your voice you hear, essentially, under the glimmerglass sky, and you look at the things in the room, offscreen, unwebbed, the tissued grain of the deskwood alive in light, the thick lived tenor of things, the argument of things to be seen and eaten, the apple core going sepia in the lunch tray, and the dense measures of experience in a random glance, the monk's candle reflected in the slope of the phone, hours marked in Roman numerals, and the glaze of the wax, and the curl of the braided wick, and the chipped rim of the mug that holds your yellow pencils, skewed all crazy, and the plied lives of the simplest surface, the slabbed butter melting on the crumbled bun, and the yellow of the yellow of the pencils, and you try to imagine the word on the screen becoming a thing in the world, taking all its meanings, its sense of serenities and contentments out into the streets somehow, its whisper of reconciliation, a word extending itself ever outward, the tone of agreement or treaty, the tone of repose, the sense of mollifying silence, the tone of hail and farewell, a word that carries the sunlit ardor of an object deep in drenching noon, the argument of binding touch, but it's only a sequence of pulses on a dullish screen and all it can do is make you pensive--a word that spreads a longing through the raw sprawl of the city and out across the dreaming bournes and orchards to the solitary hills.
Peace. "
― Don DeLillo
14
" Aegean Islands 1940-41
Where white stares, smokes or breaks,
Thread white, white of plaster and of foam,
Where sea like a wall falls;
Ribbed, lionish coast,
The stony islands which blow into my mind
More often than I imagine my grassy home;
To sun one's bones beside the
Explosive, crushed-blue, nostril-opening sea
(The weaving sea, splintered with sails and foam,
Familiar of famous and deserted harbours,
Of coins with dolphins on and fallen pillars.)
To know the gear and skill of sailing,
The drenching race for home and the sail-white houses,
Stories of Turks and smoky ikons,
Cry of the bagpipe, treading
Of the peasant dancers;
The dark bread
The island wine and the sweet dishes;
All these were elements in a happiness
More distant now than any date like '40,
A. D. or B. C., ever can express. "
― Bernard Spencer