4
" Fuck You Poem #45Fuck you in slang and conventional English.Fuck you in lost and neglected lingoes.Fuck you hungry and sated; faded, pock marked, and defaced.Fuck you with orange rind, fennel and anchovy paste.Fuck you with rosemary and thyme, and fried green olives on the side.Fuck you humidly and icily.Fuck you farsightedly and blindly.Fuck you nude and draped in stolen finery.Fuck you while cells divide wildly and birds trill.Thank you for barring me from his bedside while he was ill.Fuck you puce and chartreuse.Fuck you postmodern and prehistoric.Fuck you under the influence of opiun, codeine, laudanum, and paregoric.Fuck every real and imagined country you fancied yourself princess of.Fuck you on feast days and fast days, below and above.Fuck you sleepless and shaking for nineteen nights running.Fuck you ugly and fuck you stunning.Fuck you shipwrecked on the barren island of your bed.Fuck you marching in lockstep in the ranks of the dead.Fuck you at low and high tide.And fuck you astride anyone who has the bad luck to fuck you, in dank hallways, bathrooms, or kitchens.Fuck you in gasps and whispered benedictions.And fuck these curses, however heartfelt and true,that bind me, till I forgive you, to you. "
5
" They had never previously been obliged to engage in such mental effort, and it gave them headaches. However, although the aim of their quest forever eluded them, they ended up finding its outline. If not the thing itself, then at least its shadow.They debated at length on all that referred to it and, to their great surprise, realised that they were already perfectly aware of what they had been looking for. They had always been privy to the main point, the first principle, of the pyramid's raison-d'être, except that it had lain in their minds in a pre-verbal, indeed in an unthinking state. The papyri of the archives had only draped it in words and in meaning. Insofar as a shadow can be draped. "
8
" She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the pensive, as though it had been looking at the image of its own tenebrous and passionate soul. "
― Joseph Conrad , Heart of Darkness
9
" The old oak, utterly transformed, draped in a tent of sappy dark green, basked faintly, undulating in the rays of the evening sun. Of the knotted fingers, the gnarled excrecenses, the aged grief and mistrust- nothing was to be seen. Through the rough, century-old bark, where there were no twigs, leaves had burst out so sappy, so young, that is was hard to believe that the aged creature had borne them. " Yes, that is the same tree," thought Prince Andrey, and all at once there came upon him an irrational, spring feeling of joy and renewal. All the best moments of his life rose to his memory at once. Austerlitz, with that lofty sky, and the dead, reproachful face of his wife, and Pierre on the ferry, and the girl, thrilled by the beauty of the night, and that night and that moon- it all rushed at once into his mind. "
11
" Every young sculptor seems to think that he must give the world some specimen of indecorous womanhood, and call it Eve, Venus, a Nymph, or any name that may apologize for a lack of decent clothing. I am weary, even more than I am ashamed, of seeing such things. Nowadays people are as good as born in their clothes, and there is practically not a nude human being in existence. An artist, therefore, as you must candidly confess, cannot sculpture nudity with a pure heart, if only because he is compelled to steal guilty glimpses at hired models. The marble inevitably loses its chastity under such circumstances. An old Greek sculptor, no doubt, found his models in the open sunshine, and among pure and princely maidens, and thus the nude statues of antiquity are as modest as violets, and sufficiently draped in their own beauty. But as for Mr. Gibson's colored Venuses (stained, I believe, with tobacco juice), and all other nudities of to-day, I really do not understand what they have to say to this generation, and would be glad to see as many heaps of quicklime in their stead. "
― Nathaniel Hawthorne , The Marble Faun
14
" Song of myself
Now I will do nothing but listen,
To accrue what I hear into this song, to let sounds contribute toward it.
I hear bravuras of birds, bustle of growing wheat, gossip of flames,
clack of sticks cooking my meals,
I hear the sound I love, the sound of the human voice,
I hear all sounds running together, combined, fused or following,
Sounds of the city and sounds out of the city, sounds of the day and night,
Talkative young ones to those that like them, the loud laugh of
work-people at their meals,
The angry base of disjointed friendship, the faint tones of the sick,
The judge with hands tight to the desk, his pallid lips pronouncing
a death-sentence,
The heave'e'yo of stevedores unlading ships by the wharves, the
refrain of the anchor-lifters,
The ring of alarm-bells, the cry of fire, the whirr of swift-streaking
engines and hose-carts with premonitory tinkles and color'd lights,
The steam-whistle, the solid roll of the train of approaching cars,
The slow march play'd at the head of the association marching two and two,
(They go to guard some corpse, the flag-tops are draped with black muslin.)
I hear the violoncello, ('tis the young man's heart's complaint,)
I hear the key'd cornet, it glides quickly in through my ears,
It shakes mad-sweet pangs through my belly and breast.
I hear the chorus, it is a grand opera,
Ah this indeed is music--this suits me. "
― Walt Whitman
15
" He lived then before me, he lived as much as he had ever lived---a shadow insatiable of splendid appearances, of frightful realities, a shadow darker than the shadow of the night, and draped nobly in the folds of a gorgeous eloquence. The vision seemed to enter the house with me---the stretcher, the phantom-bearers, the wild crowd of obedient worshipers, the gloom of the forests, the glitter of the reach between the murky bends, the beat of the drum regular and muffled like the beating of a heart, the heart of a conquering darkness. "
― Joseph Conrad
16
" I saw a banner hanging next to city hall in downtown Philadelphia that read, " Kill them all, and let God sort them out." A bumper sticker read, " God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, " US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, " God bless our troops." " God Bless America" became a marketing strategy. One store hung an ad in their window that said, " God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles. This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear. But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God. ...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week. "
20
" Odysseus draped the towel over his shoulders and stretched his back. " You remember practicing with wooden swords? All the moves, the blocks, the counters, getting your footwork right, learning how to be in balance always?" " Of course you were a hard master." " And you recall the first time you went into a real fight, with blood being shed and the fear of death in the air?" " I do" " The moves are the same, but the difference is wider than the Great Green. Love is like that, Helikaon. You can spend time with a whore and laugh and know great pleasure. But when love strikes--- ah, the difference is awesome. You will find more joy in the touch of a hand or the sight of a smile than you could ever experience in a hundred nights of passion with anyone else. The sky will be more blue, the sun more bright. Ah, I am missing my Penelope tonight "