2
" Down through this verdant land Carter walked at evening, and saw twilight float up from the river to the marvelous golden spires of Thran. And just at the hour of dusk he came to the southern gate, and was stopped by a red-robed sentry till he had told three dreams beyond belief, and proved himself a dreamer worthy to walk up Thran's steep mysterious streets and linger in the bazaars where the wares of the ornate galleons were sold. Then into that incredible city he walked; through a wall so thick that the gate was a tunnel, and thereafter amidst curved and undulant ways winding deep and narrow between the heavenward towers. Lights shone through grated and balconied windows, and, the sound of lutes and pipes stole timid from inner courts where marble fountains bubbled. Carter knew his way, and edged down through darker streets to the river, where at an old sea tavern he found the captains and seamen he had known in myriad other dreams. There he bought his passage to Celephais on a great green galleon, and there he stopped for the night after speaking gravely to the venerable cat of that inn, who blinked dozing before an enormous hearth and dreamed of old wars and forgotten gods. "
― H.P. Lovecraft , The Dream-Quest of Unknown Kadath
4
" I mean …” Dennis was saying, looking pointedly at Mave, but Mave was watching the waitress approach. Oh, life, oh, sweet, forgiven for the ice … He grabbed Mave’s wrist. There was always an emergency. And then there was love. And then there was another emergency. That was the sandwiching of it. Emergency. Love. Emergency. “I mean, it’s not as if you’ve been dozing off,” Dennis was saying, his voice reaching her now, high and watery. “I mean, correct me if I’m wrong,” he said, “but I don’t think I’ve been having this conversation alone.” He tightened his grip. “I mean, have I? "
― Lorrie Moore , Like Life
5
" You make me thirsty, Promethea, my river, you make me eternally thirsty, my water. As if I had spent my life in an old house of dried mud, so dry myself that I could not even thirst, until yesterday. And suddenly yesterday, the dusty floor of my old house burst open and while I was still dozing away my parched existence, drop by drop I heard the music of coolness awaken the thirst under my dry soul. And leaning over the dark shaft of my life, I saw my childhood springs unearthed. Is that always how (by accident) we rediscover Magdalenian riches? "
― Hélène Cixous , The Book of Promethea
6
" And sometimes when I tilt my head,
in that deep sleep, I realize I forgot to tell you
what happened at work, in the thick of,
all other rubbish daily stuff.
And then I hate to believe, it’s more than
5 hours to hit the snooze, and now suddenly
the night seems longer- than any lazy afternoon.
I want to talk to you now, before I forget
How I have imagined you will react, word by word,
And act by act.
But I kind of manage dozing off in a few minutes,
And I clearly forget it morning,
This entire instance.
But tonight- when you are asleep, and I am
Wide awake like a snake, I don’t say I forgot any
Buzz to discuss, but I have this insane gush
Of words of tell you I how much I have loved you through.
Precisely none of this should be forgotten,
So I decide to write this poem and tell you,
I am so much in my moment of truth. "
― Jasleen Kaur Gumber
7
" So they went out for a walk. They went through narrow, lightless lanes, where houses that were silent but gave out smells of fish and boiled rice stood on either side of the road. There was not a single tree in sight; no breeze and no sound but the vaguely musical humming of mosquitoes. Once, an ancient taxi wheezed past, taking a short-cut through the lane into the main road, like a comic vintage car passing through a film-set showing the Twenties into the film-set of the present, passing from black and white into colour. But why did these houses – for instance, that one with the tall, ornate iron gates and a watchman dozing on a stool, which gave the impression that the family had valuables locked away inside, or that other one with the small porch and the painted door, which gave the impression that whenever there was a feast or a wedding all the relatives would be invited, and there would be so many relatives that some of them, probably the young men and women, would be sitting bunched together on the cramped porch because there would be no more space inside, talking eloquently about something that didn’t really require eloquence, laughing uproariously at a joke that wasn’t really very funny, or this next house with an old man relaxing in his easy-chair on the verandah, fanning himself with a local Sunday newspaper, or this small, shabby house with the girl Sandeep glimpsed through a window, sitting in a bare, ill-furnished room, memorising a text by candlelight, repeating suffixes and prefixes from a Bengali grammar over and over to herself – why did these houses seem to suggest that an infinitely interesting story might be woven around them? And yet the story would never be a satisfying one, because the writer, like Sandeep, would be too caught up in jotting down the irrelevances and digressions that make up lives, and the life of a city, rather than a good story – till the reader would shout " Come to the point!" – and there would be no point, except the girl memorising the rules of grammar, the old man in the easy-chair fanning himself, and the house with the small, empty porch which was crowded, paradoxically, with many memories and possibilities. The " real" story, with its beginning, middle and conclusion, would never be told, because it did not exist. "