5
" Do you dislike Children? I ask, entertained at the little one’s cleverness in dodging capture attempts.
“I don’t dislike them, nor do I like them. I’ve never understood why one must love children simply because they are children. I don’t love people because they are people; in fact, I rarely like any people at all. If a child is somehow deserving of admiration, I certainly won’t deny it, but why hand it out like candy on Queen’s Day?”
I laugh, surprising him.
“Do you think me terribly cruel, then?”
“Actually, I agree. It is another great fault of mine my mother endeavored to correct. Children in general I’ve never cared for, though individual children I love very much. "
― Kiersten White , Illusions of Fate
6
" The woman glares at him and, after taking a breath, forges on. " One other issue I'd like to raise is how you have authors here separated by sex." " Yes, that's right. The person who was in charge before us cataloged these and for whatever reason divided them into male and female. We were thinking of recataloging all of them, but haven't been able to as of yet." " We're not criticizing you for this," she says.Oshima tilts his head slightly." The problem, though, is that in all categories male authors are listed before female authors," she says. " To our way of thinking this violates the principle of sexual equality and is totally unfair." Oshima picks up her business card again, runs his eyes over it, then lays it back down on the counter. " Ms. Soga," he begins, " when they called the role in school your name would have come before Ms. Tanaka, and after Ms. Sekine. Did you file a complaint about that? Did you object, asking them to reverse the order? Does G get angry because it follows F in the alphabet? Does page 68 in a book start a revolution just because it follows 67?" " That's not the point," she says angrily. " You're intentionally trying to confuse the issue." Hearing this, the shorter woman, who'd been standing in front of a stack taking notes, races over." Intentionally trying to confuse the issue," Oshima repeats, like he's underlining the woman's words." Are you denying it?" " That's a red herring," Oshima replies.The woman named Soga stands there, mouth slightly ajar, not saying a word." In English there's this expression red herring. Something that's very interesting but leads you astray from the main topic. I'm afraid I haven't looked into why they use that kind of expression, though." " Herrings or mackerel or whatever, you're dodging the issue." " Actually what I'm doing is shifting the analogy," Oshima says. " One of the most effective methods of argument, according to Aristotle. The citizens of ancient Athens enjoyed using this kind of intellectual trick very much. It's a shame, though, that at the time women weren't included in the definition of 'citizen.'" " Are you making fun of us?" Oshima shakes his head. " Look, what I'm trying to get across is this: I'm sure there are many more effective ways of making sure that Japanese women's rights are guaranteed than sniffing around a small library in a little town and complaining about the restrooms and the card catalog. We're doing our level best to see that this modest library of ours helps the community. We've assembled an outstanding collection for people who love books. And we do our utmost to put a human face on all our dealings with the public. You might not be aware of it, but this library's collection of poetry-related material from the 1910s to the mid-Showa period is nationally recognized. Of course there are things we could do better, and limits to what we can accomplish. But rest assured we're doing our very best. I think it'd be a whole lot better if you focus on what we do well than what we're unable to do. Isn't that what you call fair? "
14
" I slay dragons at night while you sleep.
I see by the way your face contorts how they exist in your dreams.
Willing a magic sword, I plunge into your deepest nightmares and swing at the beasts with all my might, dodging flames exhaled by monsters that would eat me alive to go on torturing the fair one I love. I see your face relax, eyes still drowsily closed, when the mighty dragon is slain.
It may be that my fingers rub soft circles on your forehead as I imagine my brave fight as a knight reclaiming your dreams. You smile under the spell of my touch, and I am rewarded. And so, my love, as I await the dawn, I stand ready to slay dragons while you sleep. "
― Richelle E. Goodrich , Slaying Dragons: Quotes, Poetry, & a few Short Stories for Every Day of the Year
15
" Just stop and think a bit. All such things as bulk, or width, you know by comparison only; comparison with familiar things. So, just for fun, go up in an imaginary balloon, about half way to that old Moon, which has hung aloft from your birth—(and possibly a day or two in addition)— and look down upon your “gigantic” city. How will it look? It is a small patch of various colors; but you know that, within that tiny patch, many thousands of your kind hurry back and forth; railway trains crawl out to far-away districts; and, if you can pick out a grain of dust that stands out dimly in a glow of sunlight, you may know that it is your mansion, your cabin or your hut, according to your financial status. Now, if that hardly shows up, how about you? What kind of a dot would you form in comparison? You must admit that your past thoughts as to your own pomposity will shrink just a bit! All this shows us that could this big World think, it wouldn't know that such a thing as Man was on it. And Man thinks that his part in all this unthinkably vast Cosmos is important! Why, you poor shrimp! if this old World wants to twitch just a bit and knock down a city or two, or split up a group of mountains, Man, with all his brain capacity, can only clash wildly about, dodging falling bricks. "
― Ernest Vincent Wright , Gadsby
16
" I never heard enough damnation from your pulpit. Many mornings I had to strain to take hold of what you were saying, Reverend. I couldn't figure it out, and got dizzy listening, the way you were dodging here and there. A lot of talk about compassion for the less fortunate, I remember that. Never a healthy sign, to my way of thinking, too much fuss and feathers about the poor. They're with us always, the Lord Himself said. Wait till the next go-around, if the poor feel so sorry for themselves on this. The first shall be last. Take away damnation, in my opinion, a man might as well be an atheist. A God that can't damn a body to an eternal Hell can't lift a body up out of the grave either. "
― John Updike , In the Beauty of the Lilies
19
" In my younger days dodging the draft, I somehow wound up in the Marine Corps. There's a myth that Marine training turns baby-faced recruits into bloodthirsty killers. Trust me, the Marine Corps is not that efficient. What it does teach, however, is a lot more useful.The Marine Corps teaches you how to be miserable.This is invaluable for an artist.Marines love to be miserable. Marines derive a perverse satisfaction in having colder chow, crappier equipment, and higher casualty rates than any outfit of dogfaces, swab jockeys, or flyboys, all of whom they despise. Why? Because these candy-asses don't know how to be miserable.The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation.The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell." Page 68 "