designers QUOTES

1 " Sometimes I can't figure designers out. It's as if they flunked human anatomy. "

2 " To establish evolutionary interrelatedness invariably requires exhibiting similarities between organisms. Within Darwinism, there's only one way to connect such similarities, and that's through descent with modification driven by the Darwinian mechanism. But within a design-theoretic framework, this possibility, though not precluded, is also not the only game in town. It's possible for descent with modification instead to be driven by telic processes inherent in nature (and thus by a form of design). Alternatively, it's possible that the similarities are not due to descent at all but result from a similarity of conception, just as designed objects like your TV, radio, and computer share common components because designers frequently recycle ideas and parts. Teasing apart the effects of intelligent and natural causation is one of the key questions confronting a design-theoretic research program. Unlike Darwinism, therefore, intelligent design has no immediate and easy answer to the question of common descent.

Darwinists necessarily see this as a bad thing and as a regression to ignorance. From the design theorists' perspective, however, frank admissions of ignorance are much to be preferred to overconfident claims to knowledge that in the end cannot be adequately justified. Despite advertisements to the contrary, science is not a juggernaut that relentlessly pushes back the frontiers of knowledge. Rather, science is an interconnected web of theoretical and factual claims about the world that are constantly being revised and for which changes in one portion of the web can induce radical changes in another. In particular, science regularly confronts the problem of having to retract claims that it once confidently asserted. "

― William A. Dembski

3 " We tend to hear much more about the splendors returned than the ships that brought them or the shipwrights. It has always been that way. Even those history books enamored of the voyages of Christopher Columbus do not tell much about the builders of the Nina the Pinta and the Santa Maria or about the principle of the caravel. These spacecraft their designers builders navigators and controllers are examples of what science and engineering set free for well-defined peaceful purposes can accomplish. Those scientists and engineers should be role models for an America seeking excellence and international competitiveness. They should be on our stamps. "

― Carl Sagan , Pale Blue Dot: A Vision of the Human Future in Space

4 " Although the art world is frequently characterised as a classless scene where artists from lower-msddle-class backgrounds drink champagne with high-priced hedge-fund managers, scholarly curators, fashion designers and other " creatives," you'd be mistaken if you thought the world was egalitarian or democratic. Art is about experimenting with ideas, but it is also about excellence and exclusion. In a society where everyone is looking for a little distinction, it's an intoxicating combination. "

5 " Yet, some things do not change. Overall, designers have stayed with techniques that work—in different countries and historical periods. Flagg’s 'I Want You for U.S. Army' design in World War I, with 'Uncle Sam' looking directly at the viewer and pointing a finger at him, was derived from a British poster produced three years earlier; in the British poster, Secretary of State for War Lord Kitchener is pointing a finger at British males, with the words 'Wants You, Join Your Country’s Army! God Save The King.' Other countries—Italy, Hungary, Germany, Great Britain, Canada, France, the Irish Parliamentary Party, the Red Army in Russia, and later, the Republicans in the Spanish Civil War—designed similar posters. The British applied the same design idea in World War II, featuring Prime Minister Winston Churchill, instead of Kitchener, in the same pose; the U.S. Democratic Party resurrected Flagg’s Uncle Sam image, including it in an election poster for Franklin D. Roosevelt. In the decades that followed, however, anti-war protest groups issued satires of Flagg’s 'I Want You' poster, with 'Uncle Sam' in a variety of poses: pointing a gun at the audience; making the 'peace sign,' bandaged and accompanied by the slogan 'I Want Out'; as a skeleton, with a target superimposed on him; and with the 'bad breath' of airplanes dropping bombs on houses in his mouth. "

― Steven A. Seidman , Posters, Propaganda, and Persuasion in Election Campaigns Around the World and Through History

6 " In the same way that the picturesque designers were always careful to include some reminder of our mortality in their gardens -- a ruin, sometimes even a dead tree -- the act of leaving parts of the garden untended, and calling attention to its margins, seems to undermine any pretense to perfect power or wisdom on the part of the gardener. The margins of our gardens can be tropes too, but figures of irony rather than transcendence -- antidotes, in fact, to our hubris. It may be in the margins of our gardens that we can discover fresh ways to bring our aesthetics and our ethics about the land into some meaningful alignment. "

― Michael Pollan , Second Nature: A Gardener's Education

7 " Play on lively, diversified sidewalks differs from virtually all other daily incidental play offered American children today: It is play not conducted in a matriarchy.

Most city architectural designers and planners are men. Curiously, they design and plan to exclude men as part of normal, daytime life wherever people live. In planning residential life, they aim at filling the presumed daily needs of impossibly vacuous housewives and preschool tots. They plan, in short, strictly for matriarchal societies. "

― Jane Jacobs , The Death and Life of Great American Cities

8 " The tragedy of feminine design is that it receives so little official support. Most of the world's design schools, having been organized by men, encourage a masculine approach, even when they are run by women. Yet many designers who are male in the biological sense have a feminine approach to design. "

― Tom Turner , City as Landscape: A Post Post-Modern View of Design and Planning

9 " There's no reason that anything should ever become obsolete, whether it be VHS tapes, celluloid film, print books or even the previous versions of a computer operating system, as long as even just one person still wants them around. After all, one thing leads to another, old inventions are the basis for new ones, inventors and designers and scientists and hobbyists worked hard to create all these things, so don't they deserve some respect, enough not to have their ideas buried in the dust by the latest trends and fads? "

10 " Graphic designers judge a cover by its book. "

― Mokokoma Mokhonoana , N for Nigger: Aphorisms for Grown Children and Childish Grown-ups

11 " Amazing, life-altering anonymous picture quotes on FaceBook: Are they created by graphic designers who steal quotes or don't bother to research the author, or are they original and just have exceptionally less ego than I do? Cos if I ever write something that brilliant it's gonna have flashing headlights. "

― Fierce Dolan

12 " But we do neither: we never fail, and we never succeed. We are not the designers of our lives. Life is the designer of us. Life is vast and grand, intelligent, clever, and completely unknowable. It always has the last word. It is the last word. Life interrupts us when we are at our most self-assured. Life diverts us when we are hellbent on going elsewhere. Life arrives in a precise and yet unplanned sequence to deliver exactly what we need in order to realize our greatest potential. The delivery is not often what we would choose, and almost never how we intend to satisfy ourselves, because our potential is well beyond our limited, ego-bound choices and self serving intentions. "

13 " A wise friend once told me, 'Don't wear what fashion designers tell you to wear. Wear what _they_ wear.' His point being that most designers, no matter what they throw onto the runway, favor simple, flattering pieces for themselves. "

14 " The Web is not a prize to be won, and Mr. Ballmer's attitude is deplorable in the light of what the Web means to the world, to users, to designers and developers, and - to put it into Microsoft parlance - customers. "

15 " If ever a car was created by designers with dreams of grandeur, it had to be the 1958 Buick Limited: the heftiest, highest-priced and most opulent monster ever to hit the street in the '50s. "

16 " One thing I have that the majority of other designers don't is humor. That's distinctly my approach, and it was distinctly Franco Moschino's, too. "

17 " I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change. "

18 " I think it's cool that London Fashion Week is about young designers trying wacky things. "

19 " The cool thing about designers is they have very specific points of view, and because my inspiration is always changing, it's easy to go, 'This feels right.' But just because I wear fancy dresses on weekends doesn't mean in my heart of hearts I'm not a jeans and T-shirt person. "

20 " Sometimes fashion designers will be like, 'This is what's hot right now, and you will be cool if you wear this,' but sometimes it's too expensive or doesn't look good on me or isn't who I am, and I don't need to just think that what you're saying is what's cool if I have my own identity. "

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