1
" The plan of Nature is progress and for any progress mankind must pay a price. It is quite evident to me that man must pay for everything except for the natural beauty of the landscape, which, if he is fortunate enough to live where it still exists, is free. Beauty has always existed and always will. Man has destroyed much of it, but he can never destroy all. The oceans are unchanged and the rivers still flow, even though some of them are laden with pollution, and some overflow, and others are less brimful than they were. The mountains stand. Man has made changes, he builds highways, cuts down trees, deflects a river's course as well as poisons it, yet beauty remains.
Therefore, I think we should take time to enjoy what we can see of it. "
― Faith Baldwin , Evening Star
2
" The earth offers gift after gift—life and the living of it, light and the return of it, the growing things, the roaring things, fire and nightmares, falling water and the wisdom of friends, forgiveness. My god, the forgiveness, time, and the scouring tides. How does one accept gifts as great as these and hold them in the mind?
Failing to notice a gift dishonors it, and deflects the love of the giver. That's what's wrong with living a careless life, storing up sorrow, waking up regretful, walking unaware. But to turn the gift in your hand, to say, this is wonderful and beautiful, this is a great gift—this honors the gift and the giver of it. Maybe this is what [my friend] Hank has been trying to make me understand: Notice the gift. Be astonished at it. Be glad for it, care about it. Keep it in mind. This is the greatest gift a person can give in return.
'This is your work,' my friend told me, 'which is a work of substance and prayer and mad attentiveness, which is the real deal, which is why we are here. "
― Kathleen Dean Moore , Wild Comfort: The Solace of Nature
7
" Concurrently, the growing class power and public voice of conservative and liberal well-to-do black folks easily obscures the class cruelty these individuals enact both in the way they talk about underprivileged blacks and the way they represent them. The existence of that class cruelty and its fascist dimensions have been somewhat highlighted by the efforts of privileged-class blacks to censor the voices of black youth, particularly gangsta rappers who are opposing bourgeois class values by extolling the values of street culture and street vernacular. Significantly, the attack on urban underclass black youth culture and its gangster dimensions (glamorization of crime, etc.) is usually presented via a critique of sexism. Since most privileged-class blacks have shown no interest in advancing feminist politics, the only organized effort to end sexism and sexist oppression, this attack on sexism seems merely gratuitous, a smoke screen that deflects away from the fact that what really disturbs bourgeois folks is the support of rebellion, unruly behavior, and disrespect for their class values. In reality, they and their white counterparts fear the power these young folks have to change the minds and life choices of youth from privileged classes. If only underclass black folks were listening to gangsta rap, there would be no public effort to silence and censor this music. The fear is that it will generate class rebellion. "
― , Killing Rage: Ending Racism
