1
" Sonnez, grelots; sonnez, clochettes; sonnez, cloches!
Car mon rêve impossible a pris corps et je l’ai
Entre mes bras pressé : le Bonheur, cet ailé
Voyageur qui de l’Homme évite les approches,
- Sonnez grelots; sonnez, clochettes, sonnez, cloches!
Le Bonheur a marché côte à côte avec moi;
Mais la FATALITÉ ne connaît point de trêve :
Le ver est dans le fruit, le réveil dans le rêve,
Et le remords est dans l’amour : telle est la loi.
- Le Bonheur a marché côte à côte avec moi. "
― Paul Verlaine , Poèmes saturniens
2
" Like my prehistoric hunter-gatherer ancestors, I hit the road fairly often in my footloose youth. From Yale’s Dramat to Afghanistan’s Bamiyan Buddhas, from the tantric ashrams of Kathmandu to the libertine scenes of the Côte D’Azur and deep down into the dungeons of New York’s aptly named meat-packing district, I searched and researched sex, love and the politics of pleasure (mostly among humans)...
All of that searching and researching climaxed when I met my favorite research subject, who turned into my primary research partner and “prime mate,” my charming Prince Max. Unlike so many sex researchers who fall in and out of love (with their research as well as each other), we’re still researching, still married and, almost three decades later, more in love than ever thanks to a little bit of luck and the Bonobo Way. "
― Susan Block , The Bonobo Way
3
" How can I tell a story we already know too well? Her name was Africa. His was France. He colonized her, exploited her, silenced her, and even decades after it was supposed to have ended, still acted with a high hand in resolving her affairs in places like Côte d'Ivoire, a name she had been given because of her export products, not her own identity.
Her name was Asia. His was Europe. Her name was silence. His was power. Her name was poverty. His was wealth. Her name was Her, but what was hers? His name was His, and he presumed everything was his, including her, and he thought be could take her without asking and without consequences. It was a very old story, though its outcome had been changing a little in recent decades. And this time around the consequences are shaking a lot of foundations, all of which clearly needed shaking.
Who would ever write a fable as obvious, as heavy-handed as the story we've been given?
...
His name was privilege, but hers was possibility. His was the same old story, but hers was a new one about the possibility of changing a story that remains unfinished, that includes all of us, that matters so much, that we will watch but also make and tell in the weeks, months, years, decades to come. "
― Rebecca Solnit , Men Explain Things to Me
5
" So I still like to see you, my friend. I still like to sit in La Côte Basque and sip wine and eat fine food and indulge in our memories—the good ones, the ones we want to remember. So let’s do that. That’s the story we can tell ourselves, at night when we can’t sleep. We can tell ourselves that there is one other person in the world who sees it in the same way, who remembers. Who remembers her. Babe. And Gloria. And even Truman, I guess, as he was, back then. Our fun, gossipy friend. Our entrée into a different world, for a time. An amusing, brief little time. A time before it was fashionable to tell the truth, and the world grew sordid from too much honesty. "
― Melanie Benjamin , The Swans of Fifth Avenue
