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1 " Whatever one man does, it is as if all men did it. For that reason, it is not unfair that one disobedience in a garden should contaminate all humanity; for that reason it is not unjust that the crucifixion of a single Jew should be sufficient to save it. "
― Jorge Luis Borges , Labyrinths: Selected Stories & Other Writings
2 " The Romans construed Jesus Chris’s crucifixion as a defeat, but what do we have today? Christianity triumphed. Jesus Christ never betrayed himself, he never betrayed his mission and he never corrupted the ideas that God wants us to live by. The Cameroonian soul is genuine. It is noble, and it embodies humaneness. There is no reason to try to kill it because it will triumph ultimately. "
3 " Modern romance, like Greek tragedy, celebrates the mystery of dismemberment, which is life in time. The happy ending is justly scorned as a misrepresentation; for the world, as we know it, as we have seen it, yields but one ending: death, disintegration, dismemberment, and the crucifixion of our heart with the passing of the forms that we have loved. "
― Joseph Campbell , The Hero With a Thousand Faces
4 " O cowardly amd tyrannous race of monks, persecutors of the bard, and the gleemen, haters of life and joy! O race that does not draw the sword and tell the truth! O race that melts the bones of the people with cowardice and with deceit! (" The Crucifixion Of The Outcast" ) "
5 " The clown is a creature of chaos. His appearance is an affront to our sense of dignity, his actions a mockery of our sense of order. The clown (freedom) is always being chased by the policeman (authority). Clowns are funny precisely because their shy hopes lead invariably to brief flings of (exhilarating?) disorder followed by crushing retaliation from the status quo. It delights us to watch a careless clown break taboos; it thrills us vicariously to watch him run wild and free; it reassures us to see him slapped down and order restored. After all, we can condone liberty only up to a point. Consider Jesus as a ragged, nonconforming clown--laughed at, persecuted and despised--playing out the dumb show at his crucifixion against the responsible pretensions of authority. "
― Tom Robbins , Another Roadside Attraction
6 " For all the pain you suffered, my mama. For all the torment of your past and future years, my mama. For all the anguish this picture of pain will cause you. For the unspeakable mystery that brings good fathers and sons into the world and lets a mother watch them tear at each other’s throats. For the Master of the Universe, whose suffering world I do not comprehend. For dreams of horror, for nights of waiting, for memories of death, for the love I have for you, for all the things I remember, and for all the things I should remember but have forgotten, for all these I created this painting—an observant Jew working on a crucifixion because there was no aesthetic mold in his own religious tradition into which he could pour a painting of ultimate anguish and torment. "
― Chaim Potok , My Name Is Asher Lev
7 " In the foreign country, we call the past, crucifixion was a common punishment. It was invented by the Persians, carried back to Europe by Alexander the Great, and widely used in Mediterranean empires. "
― Steven Pinker , The Better Angels of Our Nature: Why Violence Has Declined
8 " In allowing the crucifixion to take place, God did the world an incalculable favor. Though infinitely powerful, compassionate, and wise, he could think of no other way to reprieve humanity from punishment for its sins (in particular, for the sin of being descended from a couple who had disobeyed him) than to allow an innocent man (his son no less) to be impaled through the limbs and slowly suffocate in agony. By acknowledging that this sadistic murder was a gift of divine mercy, people could earn eternal life. And if they failed to see the logic in all this, their flesh would be seared by fire for all eternity. "
9 " a brief history of artCave paintings. Clay then bronze statues. Then for about 1,400 years, people painted nothing except bold but rudimentary pictures of either the Virgin Mary and Child or the Crucifixion. Some bright spark realised that things in the distance looked smaller and the pictures of the Virgin Mary and the Crucifixion improved hugely. Suddenly everyone was good at hands and facial expression and now the statues were in marble. Fat cherubs started appearing, while elsewhere there was a craze for domestic interiors and women standing by windows doing needlework. Dead pheasants and bunches of grapes and lots of detail. Cherubs disappeared and instead there were fanciful, idealised landscapes, then portraits of aristocrats on horseback, then huge canvasses of battles and shipwrecks. Then it was back to women lying on sofas or getting out of the bath, murkier this time, less detailed then a great many wine bottles and apples, then ballet dancers. Paintings developed a certain splodginess - critical term - so that they barely resembled what they were meant to be. Someone signed a urinal, and it all went mad. Neat squares of primary colour were followed by great blocks of emulsion, then soup cans, then someone picked up a video camera, someone else poured concrete, and the whole thing became hopelessly fractured into a kind of confusing, anything-goes free for all. "
― David Nicholls
10 " A light which lives on what the flames devour,a grey landscape surrounding me with scorch,a crucifixion by a single wound,a sky and earth that darken by each hour,a sob of blood whose red ribbon adornsa lyre without a pulse, and oils the torch,a tide which stuns and strands me on the reef,a scorpion scrambling, stinging in my chest--this is the wreath of love, this bed of thornsis where I dream of you stealing my rest,haunting these sunken ribs cargoed with grief.I sought the peak of prudence, but I foundthe hemlock-brimming valley of your heart,and my own thirst for bitter truth an "
11 " There is a paradox about tribulation in Christianity. Blessed are the poor, but by judgement (i.e., social justice) and alms we are to remove poverty wherever possible. Blessed are we when persecuted, but we may avoid persecution by flying city to city, and may pray to be spared it as. Our Lord prayed in Gethsemane. But if suffering is good, ought it not to be pursued rather than avoided? I answer that suffering is not good in itself. What is good in any painful experience is for the sufferer, his submission to the will of God, and for the spectators, the compassion aroused and the acts of mercy to which it leads. In the fallen and partially redeemed universe, we may distinguish (1) the simple good descending from God, (2) the simple evil produced by rebellious creatures, and (3) the exploitation of that evil by God for His redemptive purpose, which produces (4) the complex good out of simple evil does not excuse - though by mercy it may save -- those who do simple evil. And this distinction is central. Offences must come, but woe to those whom they come; sins do cause grace to abound, but we must not make that excuse for continuing to sin. The crucifixion itself is the best, as well as the worst, of all historical events, but the role of Judas remains simply evil...For you will certainly carry out God's purpose, however you act, but it makes a difference to you whether you serve like Judas or like John. "
― C.S. Lewis , The Problem of Pain
12 " The legions who attempt to love without Christ, without a new heart, are indeed able to love amongst themselves; however this love is made possible by restraining any anger or hatred deep within the old heart, only to release it all on whichever village idiot(s) they collectively feel a crucifixion would be justified. "
― Criss Jami , Healology
13 " The deeper into this chapter in my life I get, the fainter the hum of crucifixion becomes. "
― Maggie Georgiana Young
14 " According to Mark, it was a custom of the Roman governor during the feast of Passover to release one prisoner to the Jews, anyone for whom they asked. When Pilate asks the crowd which prisoner they would like to have released—Jesus, the preacher and traitor to Rome, or bar Abbas, the insurrectionist and murderer—the crowd demands the release of the insurrectionist and the crucifixion of the preacher. " Why?" Pilate asks, pained at the thought of having to put an innocent Jewish peasant to death. “What evil has he done?” But the crowd shouts all the louder for Jesus’s death. " Crucify him! Crucify him!" (Mark 15:1–20). The scene is absolutely nonsensical. Never mind that outside the gospels there exists not a shred of historical evidence for any such Passover custom on the part of any Roman governor. What is truly beyond belief is the portrayal of Pontius Pilate—a man renowned for his loathing of the Jews, his total disregard for Jewish rituals and customs, and his penchant for absentmindedly signing so many execution orders that a formal complaint was lodged against him in Rome—spending even a moment of his time pondering the fate of yet another Jewish rabble-rouser. "
15 " His crucifixion is the key "
16 " Among Romans, crucifixion originated as a deterrence against revolt of slaves, probably as early as 200 B.C.E. By Jesus's time, it was the primary form of punishment for " inciting rebellion" (i.e., treason or sedition) the exact crime which Jesus was charged.[..] The punishment applied solely to non-Roman citizens. Roman citizens could be crucified, however, if the crime was so grave that it essentially forfeited their citizenship. "
17 " There was a photograph of Trout. He was an old man with a full black beard. He looked like a frightened, aging Jesus, whose sentence to crucifixion had been commuted to imprisonment for life. "
― Kurt Vonnegut Jr.
18 " More to the point, what was the lesson that the first Christians drew from crucifixion? Today such a barbarity might galvanize people into opposing brutal regimes, or demanding that such torture never again be inflicted on a living creature. But those weren´t the lessons the early Christians drew at all. No, the execution of Jesus is The Good News, a necessary step in the most wonderful episode in history. In allowing the crucifixion to take place, God did the world an incalculable favor. Though infinitely powerful, compassionate, and wise, he could think of no other way to reprieve humanity from punishment for its sins (in particular, for the sin of being descended from a couple who had disobeyed him) that to allow, an innocent man (his son no less) to be impaled through the limbs and slowly suffocate in agony. By acknowledging that this sadistic murder was a gift of divine mercy, people could earn eternal life. And if they failed to see the logic in all this, their flesh would be seared by fire for all eternity. "
19 " The earthly form of Christ is the form that died on the cross. The image of God is the image of Christ crucified. It is to this image that the life of the disciples must be conformed; in other words, they must be conformed to his death (Phil 3.10, Rom 6.4) The Christian life is a life of crucifixion (Gal 2.19) In baptism the form of Christ's death is impressed upon his own. They are dead to the flesh and to sin, they are dead to the world, and the world is dead to them (Gal 6.14). Anybody living in the strength of Christ's baptism lives in the strength of Christ's death. "
― Dietrich Bonhoeffer , The Cost of Discipleship
20 " The symbol of a drama, a symphony, or a dance is useful to correct a certain absurdity which may arise if we talk too much of God planning and creating the world for good and then being frustrated by the free will of the creatures. This may raise the ridiculous idea that the Fall to God by surprise and upset His plan, or else – more ridiculous still – that God planned the whole thing for conditions which, He well knew, were never going to be realized. In fact, of course, God saw the crucifixion in the act of creating the first nebulae. The world is a dance in which good, descending from God, is disturbed by evil arising from the creatures, and the resulting conflict is resolved by God's own assumption of the suffering nature which evil produces. "
