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cowboy  QUOTES

15 " Cope laughed. “I wouldn’t worry yourself, my friend. Eobasileus has been extinct for thirty-seven million years.”
At this, the preacher could no longer contain himself. “Nonsense! Utter nonsense!”
“Nonsense?” asked Cope.
“The archbishop James Ussher, using the Holy Bible itself, worked back generation by generation, mathematically, and calculated that the Earth was created on Sunday, October 23, 4004 BC at precisely eight a.m.”
“Did he, now? Eight a.m., precisely?”
“Precisely,” the preacher insisted.
Copy and Sternberg exchanged amused looks.
“Well,” Cope replied, “since the rotation of the Earth assures us that it’s always eight a.m. somewhere in the world, I suppose I should applaud him for guessing the correct time, at least.”
The cowboy couldn’t help but interject.
“Pardon me, Preacher, but if I recall correctly, didn’t the Bible say something about the Lord resting on the seventh day?”
The preacher looked confused. “What?”
“I’m certain of it.” The cowboy quickly snatched the Bible from the preacher’s hands and opened it to the first page of Genesis. “Sure. Here it is. He got started on a Monday, making light and darkness. By the time he got around to creating the Earth it was well into the third day. I make that to be Wednesday, not Sunday.”
Nonplussed and blushing, the preacher snatched his Bible back.
The cowboy shrugged. “Looks to me like your archbishop pulled a fast one, Preacher. Or maybe he just wasn’t all that good at calculating. "

Wynne McLaughlin , The Bone Feud

19 " This is a love story, Michael Deane says.
But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke love Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the Mafioso loves, too—eating and money and Paulie and omerta` --the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story. "

Jess Walter , Beautiful Ruins