5
" Watching him, his hands buried in his pockets—to keep from circling her neck she supposed—she couldn't help but marvel at the curious mix of Southern courtesy and male arrogance, the natural assumption he shouldered of being lawfully in control. " Engaging in a moral battle isn't always hazardous to one's health, you know." " Doesn't look like it's doing wonders for yours." " Saints be praised, it can actually be rewarding." Looking over his shoulder, he halted in the middle of the room. " Irish." " I beg your pardon?" " You. Irish. The green eyes, the tiny bit of red in your hair. Is Connor your real name?" " Yes, why..." she said, stammering. Bloody hell. " Of course." " Liar." She felt the slow, hot roll of color cross her cheeks. " What could that possibly have to do with anything?" " I don't know, but I have a feeling it means something. It's the first I've heard come out of that sassy mouth of yours that didn't sound like some damned speech." He tapped his head, starting to pace again. " What I wonder is, where are you in there? "
12
" To generalize about war is like generalizing about peace. Almost everything is true. Almost nothing is true. At its core, perhaps, war is just another name for death, and yet any soldier will tell you, if he tells the truth, that proximity to death brings with it a corresponding proximity to life. After a firefight, there is always the immense pleasure of aliveness. The trees are alive. The grass, the soil—everything. All around you things are purely living, and you among them, and the aliveness makes you tremble. You feel an intense, out-of-the-skin awareness of your living self—your truest self, the human being you want to be and then become by the force of wanting it. In the midst of evil you want to be a good man. You want decency. You want justice and courtesy and human concord, things you never knew you wanted. There is a kind of largeness to it, a kind of godliness. Though it’s odd, you’re never more alive than when you’re almost dead. You recognize what’s valuable. Freshly, as if for the first time, you love what’s best in yourself and in the world, all that might be lost. At the hour of dusk you sit at your foxhole and look out on a wide river turning pinkish red, and at the mountains beyond, and although in the morning you must cross the river and go into the mountains and do terrible things and maybe die, even so, you find yourself studying the fine colors on the river, you feel wonder and awe at the setting of the sun, and you are filled with a hard, aching love for how the world could be and always should be, but now is not. "
― Tim O'Brien , The Things They Carried
15
" The value of money is subjective, depending on age. At the age of one, one multiplies the actual sum by 145,000, making one pound seem like 145,000 pounds to a one-year-old. At seven – Bertie’s age – the multiplier is 24, so that five pounds seems like 120 pounds. At the age of twenty four, five pounds is five pounds; at forty five it is divided by 5, so that it seems like one pound and one pound seems like twenty pence. (All figures courtesy of Scottish Government Advice Leaflet: Handling your Money.) "
― Alexander McCall Smith , Bertie's Guide to Life and Mothers (44 Scotland Street, #9)