2
" There are no telegraphs on Tralfamadore. But you're right: each clump of symbols is a brief, urgent message-- describing a situation, a scene. We Tralfamadorians read them all at once, not one after the other. There isn't any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time. "
― Kurt Vonnegut Jr. , Slaughterhouse-Five
3
" Leave this touching and clawing. Let him be to me a spirit. A message, a thought, a sincerity, a glance from him, I want, but not news nor pottage. I can get politics, and chat, and neighborly conveniences from cheaper companions. Should not the society of my friend be to me poetic, pure, universal, and great as nature itself? Ought I to feel that our tie is profane in comparison with yonder bar of cloud that sleeps on the horizon, or that clump of waving grass that divides the brook? Let us not vilify, bur raise it to that standard. That great, defying eye, that scornful beauty of his mien and action, do not pique yourself on reducing, but rather fortify and enhance. "
― Ralph Waldo Emerson
6
" Find the Bad Guy means how, when you’re arguing with your spouse, both people are trying to win the argument. Who didn’t close the garage door? Who left the Bigfoot hair clump in the shower drain? What you have to realize, as a couple, is that there is no bad guy. You can’t win an argument when you’re married. Because if you win, your spouse loses, and resents losing, and then you lose, too, pretty much. "
― Jeffrey Eugenides , Fresh Complaint: Stories
7
" She has that voraciousness about children. She swoops in on them. Even I, in public was a beloved child. She'd parade me into town, smiling and teasing me, tickling me as she spoke with people on the sidewalks. When we got home, she'd trail off to her room like an unfinished sentence, and I would sit outside with my face pressed against her door, and replay the day in my head, searching for clues to what I had done to displease her.
I have one memory that catches in me like a nasty clump of blood. Marian was dead about two years, and my mother had a cluster of friends come over for afternoon drinks. For hours, the child was cooed over, smothered with red lipstick kisses, tidied up with tissues, then lipstick smacked again. I was suppose to be reading in my room, but I sat at the top of the stairs watching.
My mother finally was handed the baby, and she cuddled it ferociously. Oh, how, wonderful it is to hold a baby again! Adora jiggled it on her knee, walked it around the rooms, whispered to it, and I looked down from above like a spiteful little god, the back of my hand placed against my face, imagining how it felt to be cheek to cheek with my mother. "
― Gillian Flynn , Sharp Objects
10
" Standing there, peering around his room, Pete realized something that should have dawned on him years ago: Science really did suck. (Russell was right.) There just wasn’t any point to it. Sure, in its most altruistic distillation, science saved lives—but when had it ever made those lives worth living? The cold machine called science’s sole purpose, and Pete knew it now, was to drain the wonder out of things, to sap the imagination of its juices, to rob possibilities from dreamers. Science explained without ever getting to the crux of the matter, locking us all into a single paradigm of thought: that all we are is randomly accumulated stardust hanging out on a larger clump of randomly accumulated stardust that is spiraling out and away from other chunks of randomly accumulated stardust, on a collision course with an empty infinity. "
― Jay Nichols , Canis Major
13
" Big Brown Moose
I'm a big brown moose,
I'm a rascally moose,
I'm a moose with a tough, shaggy hide;
and I kick and I prance
in a long-legged dance
with my moose-mama close by my side.
I shrug off the cold
and I sneeze at the wind
and I swivel my ears in the snow;
and I tramp and I tromp
over forest and swamp,
'cause there's nowhere a moose cannot go.
I'm a big brown moose,
I'm a ravenous moose
as I hunt for the willow and yew;
with a snort and a crunch,
I rip off each bunch,
and I chew and I chew and I chew.
When together we slump
in a comfortable clump --
my mountainous mama and I --
I give her a nuzzle
of velvety muzzle.
Our frosty breath drifts to the sky.
I'm a big brown moose,
I'm a slumberous moose,
I'm a moose with a warm, snuggly hide;
and I bask in the moon
as the coyotes croon,
with my moose-mama close by my side. "
― Joyce Sidman , Winter Bees & Other Poems of the Cold
14
" Bridget cried for the leavers and the left. For the people, like herself, grimly forsaking what few precious gifts they would ever get. She cried for Bailey, for Tibby, for the resolute clump of cells making headway in her uterus, and for Marly, her poor, sad mother, who'd missed everything. "
― , Sisterhood Everlasting (Sisterhood, #5)
16
" Zoltán looked at them through the window. He hated the man. Now he hated work. Work for these? Work with these? He saw before him the great puszta. Here the long, cracked stripe of a ditch once again stole the blue of the sky, transforming it into a deeper colour, renewing it, like an artist's palette: every pool on the meadows, every clump of flowers, was a jewel on the bosom of nature, a diadem, a string of pearls: oh, nature was lovely... That is, it would be if it could... But mankind... Among these? Struggle, fight, this greedy little piece of meat... Dark furrows on the wondrous surface, the many-branched, tufted promise of the maize, jewelled patches on God's regal robe: why was the world so lovely? to cover up the ugliness of man? "
20
" A daffodil bulb will divide and redivide endlessly. That's why, like the peony, it is one of the few flowers you can find around abandoned farmhouses, still blooming and increasing in numbers fifty years after the farmer and his wife have moved to heaven, or the other place, Boca Raton. If you dig up a clump when no one is nearby and there is no danger of being shot, you'll find that there are scores of little bulbs in each clump, the progeny of a dozen or so planted by the farmer's wife in 1942. If you take these home, separate them, and plant them in your own yard, within a couple of years, you'll have a hundred daffodils for the mere price of a trespassing fine or imprisonment or both. I had this adventure once, and I consider it one of the great cheap thrills of my gardening career. I am not advocating trespassing, especially on my property, but there is no law against having a shovel in the trunk of your car. "
― Cassandra Danz , Mrs. Greenthumbs: How I Turned a Boring Yard Into a Glorious Garden and How You Can, Too
