1
" THE LILIES
This morning it was, on the pavement,
When that smell hit me again
And set the houses reeling.
People passed like rain:
(The way rain moves and advances over the hills)
And it was hot, hot and dank,
The smell like animals, strong, but sweet too.
What was it?
Something I had forgotten.
I tried to remember, standing there,
Sniffing the air on the pavement.
Somehow I thought of flowers.
Flowers! That bad smell!
I looked: down lanes, past houses--
There, behind a hoarding,
A rubbish-heap, soft and wet and rotten.
Then I remembered:
After the rain, on the farm,
The vlei that was dry and paler than a stone
Suddenly turned wet and green and warm.
The green was a clash of music.
Dry Africa became a swamp
And swamp-birds with long beaks
Went humming and flashing over the reeds
And cicadas shrilling like a train.
I took off my clothes and waded into the water.
Under my feet first grass, then mud,
Then all squelch and water to my waist.
A faint iridescence of decay,
The heat swimming over the creeks
Where the lilies grew that I wanted:
Great lilies, white, with pink streaks
That stood to their necks in the water.
Armfuls I gathered, working there all day.
With the green scum closing round my waist,
The little frogs about my legs,
And jelly-trails of frog-spawn round the stems.
Once I saw a snake, drowsing on a stone,
Letting his coils trail into the water.
I expect he was glad of rain too
After nine moinths of being dry as bark.
I don't know why I picked those lilies,
Piling them on the grass in heaps,
For after an hour they blackened, stank.
When I left at dark,
Red and sore and stupid from the heat,
Happy as if I'd built a town,
All over the grass were rank
Soft, decaying heaps of lilies
And the flies over them like black flies on meat... "
― Doris Lessing , Going Home
2
" Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives.
To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates.
'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic.
They've served their purpose.
Nature is unsentimental.
Death is built in. "
― Carl Sagan , Shadows of Forgotten Ancestors
9
" Later, I walked towards the dorm circle beside Alaska. The cicadas hummed their one-note song, just as they had at home in Florida. She turned to me as we made our way through the darkness and said," When you’re walking at night, do you ever get creeped out and even though it’s silly and embarrassing you just want to run home?”It seemed too secret and personal to admit to a virtual stranger but I told her, “Yeah, totally.”For a moment, she was quiet. Then she grabbed my hand, whispered,“Run run run run run,” and took off, pulling me behind her. "
12
" The sidewalks were haunted by dust
ghosts all night as the furnace wind summoned them up,
swung them about, and gentled them down in a warm spice on
the lawns. Trees, shaken by the footsteps of late-night strol-
lers, sifted avalanches of dust. From midnight on, it seemed a
volcano beyond the town was showering red-hot ashes every-
where, crusting slumberless night watchmen and irritable
dogs. Each house was a yellow attic smoldering with spon-
taneous combustion at three in the morning.
Dawn, then, was a time where things changed element for
element. Air ran like hot spring waters nowhere, with no
sound. The lake was a quantity of steam very still and deep
over valleys of fish and sand held baking under its serene
vapors. Tar was poured licorice in the streets, red bricks were
brass and gold, roof tops were paved with bronze. The high-
tension wires were lightning held forever, blazing, a threat
above the unslept houses.
The cicadas sang louder and yet louder.
The sun did not rise, it overflowed. "
― Ray Bradbury , Dandelion Wine (Green Town, #1)
