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1 " Stripped to its essence, combat is a series of quick decisions and rather precise actions carried out in concert with ten or twelve other men. In that sense it’s much more like football than, say, like a gang fight. The unit that choreographs their actions best usually wins. They might take casualties, but they win. That choreography—you lay down fire while I run forward, then I cover you while you move your team up—is so powerful that it can overcome enormous tactical deficits. There is choreography for storming Omaha Beach, for taking out a pillbox bunker, and for surviving an L-shaped ambush at night on the Gatigal. The choreography always requires that each man make decisions based not on what’s best for him, but on what’s best for the group. If everyone does that, most of the group survives. If no one does, most of the group dies. That, in essence, is combat. "
― Sebastian Junger , War
2 " This choreography of ruin, the world breakinglike glass under a microscope,the way it doesn’t crack all at once,but spreads out from the damaged cavities.Still for a moment it all recedes.The backyard potatoes swell quietlyburied beneath their canopy of leaves.The wind rubs its hands through the trees. "
― Ellen Bass , Like a Beggar
3 " In Hawaii, family showed itself in the way that my siblings never dared to call one another " half" anything. We were fully brothers and sisters. Family appeared in the pile of rubber slippers and sandals that crowded the entrance to everyone's home; in the kisses we gave when we greeted one another and said good-bye; in the graceful choreography of Grandma hanging the laundry on the clothesline; in the inclusiveness of calling anyone older auntie or uncle whether or not they were relatives. "
4 " Historically, the coupling of president and Speaker has been a tricky one that encourages a choreography both quick-footed and wary "
― Chris Matthews , Tip and the Gipper: When Politics Worked
5 " Why were Jack and his brother digging post holes? A fence there would run parallel to the one that already enclosed the farmyard. The Welches had no animals to keep in or out - a fence there could serve no purpose. Their work was pointless. Years later, while I was waiting for a boat to take me across the river, I watched two Vietnamese women methodically hitting a discarded truck tire with sticks. They did it for a good long while, and were still doing it when I crossed the river. They were part of the dream from which I recognized the Welches, my defeat-dream, my damnation-dream, with its solemn choreography of earnest useless acts. "
― Tobias Wolff , This Boy's Life
6 " Somehow they were entwining without touch, following a choreography laid down in time for lovers. "
7 " I waited in vain for someone like me to stand up and say that the only thing those of us who don't believe in god have to believe is in other people and that New York City is the best place there ever was for a godless person to practice her moral code. I think it has to do with the crowded sidewalks and subways. Walking to and from the hardware store requires the push and pull of selfishness and selflessness, taking turns between getting out of someone's way and them getting out of yours, waiting for a dog to move, helping a stroller up steps, protecting the eyes from runaway umbrellas. Walking in New York is a battle of the wills, a balance of aggression and kindness. I'm not saying it's always easy. The occasional " Watch where you're going, bitch" can, I admit, put a crimp in one's day. But I believe all that choreography has made me a better person. The other day, in the subway at 5:30, I was crammed into my sweaty, crabby fellow citizens, and I kept whispering under my breath " we the people, we the people" over and over again, reminding myself we're all in this together and they had as much right - exactly as much right - as I to be in the muggy underground on their way to wherever they were on their way to. "
8 " Liturgy puts us to work along with all the others who have been and are being put to work in the world by and with Jesus following our spiritually-forming text. Liturgy keeps us in touch with all the action that has been and is being generated by the Spirit as given witness in the biblical text. Liturgy prevents the narrative form of Scripture from being reduced to private individualized consumption.Understood this way, 'liturgical' has little to do with choreography in the chancel or an aesthetics of the sublime. It is obedient, participatory, listening to Holy Scripture in the company of the holy community through time (our two-thousand years of responding to this text) and in space (our friends in christ all over the world). High-church Anglicans, revivalistic Baptists, hands-in-the-air praising charismatics, and Quakers sitting in a bare room in silence are all required to read and live this text liturgically, participating in the holy community's reading of Holy Scripture. there is nothing 'churchy' or elitist about it; it is a vast and dramatic 'story-ing,' making sure that we are taking our place in the story and letting everyone else have their parts in the story also, making sure that we don't leave anything or anyone out of the story. Without sufficient liturgical support and structure we are very apt to edit the story down to fit our individual tastes and predispositions. "
― Eugene H. Peterson , Eat This Book: A Conversation in the Art of Spiritual Reading (Spiritual Theology #2)
9 " The cabinets and shelves are a bright busy choreography of oils, shampoos, conditioners, scrubs, lotions, salts, unguents. Zinnia loves buying pots and bottles and tubes of alchemised essences that smell like yearning or intimacy on the skin. "
― Glenn Haybittle , The Memory Tree
10 " Conductors must give unmistakable and suggestive signals to the orchestra not choreography to the audience. "
11 " Choreography is amazing. I'm still a dancer, yet I transitioned into choreography then as a Creative Director. All of these creative elements are brought out of being a dancer. Directing is something that comes out of understanding movement and choreography. Directing movement is directing a dance piece. "