6
" Dave and Serge...played the Fiddler's Elbow as if it were Giants Stadium, and even though it was acoustic, they just about blew the place up. They were standing on chairs adn lying on the floor, they were funny, they charmed everyone in the pub apart from an old drunk ditting next to the drum kit...who put his fingers firmly in his ears during Serge's extended harmonica solo. It was utterly bizarre and very moving: most musicians wouldn't have bothered turning up, let alone almost killing themselves. And I was reminded...how rarely one feels included in a live show. Usually you watch, and listen, and drift off, and the band plays well or doesn't and it doesn't matter much either way. It can actually be a very lonely experience. But I felt a part of the music, and a part of the people I'd gone with, and, to cut this short before the encores, I didn't want to read for about a fortnight afterward. I wanted to write, but I didn't want to read no book. I was too itchy, too energized, and if young people feel like that every night of the week, then, yes, literature 's dead as a dodo.
(Nick's thoughts after seeing Marah at a little pub called Fiddler's Elbow.) "
― Nick Hornby , The Polysyllabic Spree
7
" I am charmed by the idea that there is an activity known as work and another as play, although even in grade school the distinction eluded me. I remember how full of hope I was sitting in first-period home room listening to the teacher divide up our activities into purposeful sections. I got a grip on her process, at last, by picturing it in the following way: A cow stands in clover. When she is milked, that is her work; when she is merely eating, that is her play. But the problem lay, then as now, in the realization that, in any case, she is standing in clover. Not a handsome or elegant analogy, but it approximates for me the habit of reading - standing in a world of clover, the eating of which is occasionally utilitarian, usually nourishing, because that's what one does "
― Toni Morrison
11
" He gave Sophie the smile which had no doubt charmed the Witch of the Waste and possibly Lettie too, firing it along the fork, across the cream, straight into Sophie’s eyes, dazzlingly. “If you can bully Calcifer, the King should give you no trouble at all.”
Sophie stared through the dazzle and said nothing. This, she thought, was where she slithered out. She was leaving. It was too bad about Calcifer’s contract. She had had enough of Howl. First green slime, then glaring at her for something Calcifer had done quite freely, and now this! Tomorrow she would slip off to Upper Folding and tell Lettie all about it. "
― Diana Wynne Jones , Howl’s Moving Castle (Howl’s Moving Castle, #1)
12
" Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting. "
― E.A. Bucchianeri , Brushstrokes of a Gadfly, (Gadfly Saga, #1)
18
" When I was a young man and very well thought of,
I couldn't ask aught that the ladies denied.
I nibbled their hearts like a handful of raisins,
And I never spoke love but I knew that I lied.
But I said to myself, 'Ah, they none of them know
The secret I shelter and savor and save
I wait for the one who will see through my seeming,
And I'll know when I love by the way I behave.'
The years drifted over like clouds in the heavens;
The ladies went by me like snow on the wind.
I charmed and I cheated, deceived and dissembled,
And I sinned, and I sinned, and I sinned, and I sinned.
But I said to myself, 'Ah, they none of them see
There's part of me pure as the whisk of a wave.
My lady is late but she'll find I've been faithful,
And I'll know when I love by the way I behave.'
At last came a lady both knowing and tender,
Saying, 'you're not at all what they take you to be.'
I betrayed her before she had quite finished speaking,
And she swallowed cold poison and jumped in the sea.
And I say to myself when there's time for a word,
As I gracefully grow more debauched and depraved,
'Ah, love may be strong, but a habit is stronger
And I knew when I loved by the way I behaved. "
― Peter S. Beagle , The Last Unicorn (The Last Unicorn, #1)