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1 " He is a Londoner, too, in his writings. In his familiar letters he displays a rambling urban vivacity, a tendency to to veer off the point and to muddle his syntax. He had a brilliantly eclectic mind, picking up words and images while at the same time forging them in new and unexpected combinations. He conceived several ideas all at once, and sometimes forgot to separate them into their component parts. This was true of his lectures, too, in which brilliant perceptions were scattered in a wilderness of words. As he wrote on another occasion, " The lake babbled not less, and the wind murmured not, nor the little fishes leaped for joy that their tormentor was not." This strangely contorted and convoluted style also characterizes his verses, most of which were appended as commentaries upon his paintings. Like Blake, whose prophetic books bring words and images in exalted combination, Turner wished to make a complete statement. Like Blake, he seemed to consider the poet's role as being in part prophetic. His was a voice calling in the wilderness, and, perhaps secretly, he had an elevated sense of his status and his vocation. And like Blake, too, he was often considered to be mad. He lacked, however, the poetic genius of Blake - compensated perhaps by the fact that by general agreement he is the greater artist. "
2 " But we as a culture have lost the deep intuitive understanding that Creation exists on many levels. We have succumbed to the scientific viewpoint. Nothing characterizes ‘the modern world’ more completely than the loss of faith in Transcendence, our arrogant lack of any genuine appreciation for levels of reality above our little everyday affairs. The deepest wounds to the human soul have been caused by our lack of appreciation of levels. By shutting the door on transcendence, we have cut off any light from that world that might have illuminated this one, leaving us in darkness,leaving us with nothing but a dead world where scientists are merely performing an autopsy. "
― Andrew Cort , LOVE, WISDOM AND GOD: The Longing of the Western Soul
3 " I would like to think of my 'ignorance' less as a personal failing and more as a massive cultural trend, an example of doubling, of psychic numbing, that characterizes the end of the millennium. If we can’t act on knowledge, then we can’t survive without ignorance. "
― Ruth Ozeki , My Year of Meats
4 " According to the moral absolutism that characterizes McCandless's beliefs, a challenge in which a successful outcome is assured isn't a challenge at all. "
― Jon Krakauer , Into the Wild
5 " Today, one must either be isolated and cut off, or a carefully guarded, affluent drop-out, to allow one's children to play in an environment where they listen to people rather than to stars, speakers, or instructors. All over the world, one can see the rapid encroachment of the disciplined acquiescence that characterizes the audience, the client, the customer. "
― Ivan Illich , The Right to Useful Unemployment and Its Professional Enemies
6 " The very nature of the quantum theory ... forces us to regard the space-time coordination and the claim of causality, the union of which characterizes the classical theories, as complementary but exclusive features of the description, symbolizing the idealization of observation and description, respectively. "
― Niels Bohr
7 " The fine-structure constant is ubiquitous throughout physics. I’ve already noted its connection to the electromagnetic interaction. In atomic physics, the binding energy, fine-structure splitting, and Lamb shift are all proportional to powers of α. In condensed matter physics, α characterizes Josephson junction oscillations and quantum Hall resistance steps. In addition, α is an important component of our system of fundamental constants. [Physics Today] "
― Gerald Gabrielse
8 " A fear is a reaction to a specific danger, to which the individual can make a specific adjustment. But what characterizes anxiety is the feeling of diffuseness and uncertainty and the experience of helplessness toward the threat. "
― Rollo May , The Meaning of Anxiety
9 " However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will? "
― Honoré de Balzac , Père Goriot
10 " But in actuality, the assumption that there is no freedom leads to the exact opposite of order in human behavior. If we all really felt we were not free to make our own choices of how to face and deal with the conditions set for us by heredity and environment, we would also feel no responsibility for our behavior. And we would be right. We couldn’t be blamed for action over which we had no control, so we would make no real effort to act responsibly. We would give free rein to our passions on the grounds that whatever we did was part of the cause-and-effect sequence of events preordained by the conditions. Instead of orderly human conduct, there would be chaos. In fact, much of the irresponsible antisocial behavior that characterizes our modern society stems from the fact that many people have studied or otherwise absorbed this scientific doctrine of determinism. As a result, they have unconsciously excused their own behavior as well as that of others on the grounds that it is determined by factors beyond control. "
11 " He had carefully avoided her out of the natural cowardice that characterizes the stronger sex. "
― Gustave Flaubert , Madame Bovary
12 " A connection could be drawn between the secular ascent of biblical values in today's world and the depreciation of beauty that characterizes it on so many levels. Beauty today is often depreciated as monotonous or denounced as a constraining norm, when it is simply reduced to a pure spectacle accompanied by a rehabilitation or even exaltation of deformity and ugliness, as can be seen in many areas. The degeneration of beauty and the promotion of ugliness, tied to the flowering of intellectualism, could be certainly be part of the Umwertung stigmatized by Nietzsche. "
13 " In the afternoon the digestion of the meal deprives me of the incomparable lightness which characterizes the fast days. "
― , Aimer Le Jeune: L'Experience Monastique
14 " The author characterizes Hamilton's tone in the Federalist papers by saying that he never spoke of problems but of being at the last stage in the crisis. "
― John Ferling , Jefferson and Hamilton: The Rivalry That Forged a Nation
15 " A comparably capacious embrace of beauty and pleasure - an embrace that somehow extends to death as well as life, to dissolution as well as creation - characterizes Montaigne's restless reflections on matter in motion, Cervantes's chronicle of his mad knight, Michelangelo's depiction of flayed skin, Leonardo's sketches of whirlpools, Caravaggio's loving attention to the dirty soles of Christ's feet. "
― Stephen Greenblatt , The Swerve: How the World Became Modern
16 " In a society so estranged from animals as ours, we often fail to credit them with any form of language. If we do, it comes under the heading of communication rather than speech. And yet, the great silence we have imposed on the rest of life contains innumerable forms of expression. Where does our own language come from but this unfathomed store that characterizes innumerable species? We are now more than halfway removed from what the unwritten word meant to our ancestors, who believed in the original, primal word behind all manifestations of the spirit. You sang because you were answered. The answers come from life around you. Prayers, chants, and songs were also responses to the elements, to the wind, the sun and stars, the Great Mystery behind them. Life on earth springs from a collateral magic that we rarely consult. We avoid the unknown as if we were afraid that contact would lower our sense of self-esteem. "
17 " Sociologists argue that in contemporary Western society the marketplace has become so dominant that the consumer model increasingly characterizes most relationships that historically were covenantal, including marriage. Today we stay connected to people only as long as they are meeting our particular needs at an acceptable cost to us. When we cease to make a profit - that is, when the relationship appears to require more love and affirmation from us than we are getting back - then we " cut our loses" and drop the relationship. This has also been called " commodification," a process by which social relationships are reduced to economic exchange relationships, and so the very idea of " covenant" is disappearing in our culture. Covenant is therefore a concept increasingly foreign to us, and yet the Bible says it is the essence of marriage. "
18 " There was that sense of abandoning the familiar for the unknown that characterizes all journeys made for the first time. "
― Terry Brooks , Magic Kingdom for Sale/Sold (Magic Kingdom of Landover, #1)
19 " There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book.The reason for that is that in adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult writers who deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship.But stories are vital. Stories never fail us because, as Isaac Bashevis Singer says, " events never grow stale." There's more wisdom in a story than in volumes of philosophy. And by a story I mean not only Little Red Riding Hood and Cinderella and Jack and the Beanstalk but also the great novels of the nineteenth century, Jane Eyre, Middlemarch, Bleak House and many others: novels where the story is at the center of the writer's attention, where the plot actually matters. The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do.But what characterizes the best of children's authors is that they're not embarrassed to tell stories. They know how important stories are, and they know, too, that if you start telling a story you've got to carry on till you get to the end. And you can't provide two ends, either, and invite the reader to choose between them. Or as in a highly praised recent adult novel I'm about to stop reading, three different beginnings. In a book for children you can't put the plot on hold while you cut artistic capers for the amusement of your sophisticated readers, because, thank God, your readers are not sophisticated. They've got more important things in mind than your dazzling skill with wordplay. They want to know what happens next. "
20 " A system of justice does not need to pursue retribution. If the purpose of drug sentencing is to prevent harm, all we need to do is decide what to do with people who pose a genuine risk to society or cause tangible harm. There are perfectly rational ways of doing this; in fact, most societies already pursue such policies with respect to alcohol: we leave people free to drink and get inebriated, but set limits on where and when. In general, we prosecute drunk drivers, not inebriated pedestrians.In this sense, the justice system is in many respects a battleground between moral ideas and evidence concerning how to most effectively promote both individual and societal interests, liberty, health, happiness and wellbeing. Severely compromising this system, insofar as it serves to further these ideals, is our vacillation or obsession with moral responsibility, which is, in the broadest sense, an attempt to isolate the subjective element of human choice, an exercise that all too readily deteriorates into blaming and scapegoating without providing effective solutions to the actual problem. The problem with the question of moral responsibility is that it is inherently subjective and involves conjecture about an individuals’ state of mind, awareness and ability to act that can rarely if ever be proved. Thus it involves precisely the same type of conjecture that characterizes superstitious notions of possession and the influence of the devil and provides no effective means of managing conduct: the individual convicted for an offence or crime considered morally wrong is convicted based on a series of hypotheses and probabilities and not necessarily because he or she is actually morally wrong. The fairness and effectiveness of a system of justice based on such hypotheses is highly questionable particularly as a basis for preventing or reducing drug use related harm. For example, with respect to drugs, the system quite obviously fails as a deterrent and the system is not organised to ‘reform’ the offender much less to ensure that he or she has ‘learned a lesson’; moreover, the offender does not get an opportunity to make amends or even have a conversation with the alleged victim. In the case of retributive justice, the justice system is effectively mopping up after the fact. In other words, as far as deterrence is concerned, the entire exercise of justice becomes an exercise based on faith, rather than one based on evidence. "
― , Entheogens, Society and Law: The Politics of Consciousness, Autonomy and Responsibility
