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1 " Give a man a centimeter and he'll think he's a ruler. "
― Janet Skeslien Charles , Moonlight in Odessa
2 " Consider the capacity of the human body for pleasure. Sometimes, it is pleasant to eat, to drink, to see, to touch, to smell, to hear, to make love. The mouth. The eyes. The fingertips, The nose. The ears. The genitals. Our voluptific faculties (if you will forgive me the coinage) are not exclusively concentrated here. The whole body is susceptible to pleasure, but in places there are wells from which it may be drawn up in greater quantity. But not inexhaustibly. How long is it possible to know pleasure? Rich Romans ate to satiety, and then purged their overburdened bellies and ate again. But they could not eat for ever. A rose is sweet, but the nose becomes habituated to its scent. And what of the most intense pleasures, the personality-annihilating ecstasies of sex? I am no longer a young man; even if I chose to discard my celibacy I would surely have lost my stamina, re-erecting in half-hours where once it was minutes. And yet if youth were restored to me fully, and I engaged again in what was once my greatest delight – to be fellated at stool by nymphet with mouth still blood-heavy from the necessary precautions – what then? What if my supply of anodontic premenstruals were never-ending, what then? Surely, in time, I should sicken of it.“Even if I were a woman, and could string orgasm on orgasm like beads on a necklace, in time I should sicken of it. Do you think Messalina, in that competition of hers with a courtesan, knew pleasure as much on the first occasion as the last? Impossible.“Yet consider.“Consider pain.“Give me a cubic centimeter of your flesh and I could give you pain that would swallow you as the ocean swallows a grain of salt. And you would always be ripe for it, from before the time of your birth to the moment of your death, we are always in season for the embrace of pain. To experience pain requires no intelligence, no maturity, no wisdom, no slow working of the hormones in the moist midnight of our innards. We are always ripe for it. All life is ripe for it. Always. "
― , The Eyes: Emetic Fables from the Andalusian de Sade
3 " And one cold Tuesday in December, when Marie-Laure has been blind for over a year, her father walks her up rue Cuvier to the edge of the Jardin des Plantes." Here, ma chérie, is the path we take every morning. Through the cedars up ahead is the Grand Gallery." " I know, Papa." He picks her up and spins her around three times. " Now," he says, " you're going to take us home." Her mouth drops open." I want you to think of the model, Marie." " But I can't possibly!" " I'm one step behind you. I won't let anything happen. You have your cane. You know where you are." " I do not!" " You do." Exasperation. She cannot even say if the gardens are ahead or behind." Calm yourself, Marie. One centimeter at a time." " I'm far, Papa. Six blocks, at least." " Six blocks is exactly right. Use logic. Which way should we go first?" The world pivots and rumbles. Crows shout, brakes hiss, someone to her left bangs something metal with what might be a hammer. She shuffles forward until the tip of her cane floats in space. The edge of a curb? A pond, a staircase, a cliff? She turns ninety degrees. Three steps forward. Now her cane finds the base of a wall. " Papa?" " I'm here." Six paces seven paces eight. A roar of noise - an exterminator just leaving a house, pump bellowing - overtakes them. Twelve paces farther on, the bell tied around the handle of a shop door rings, and two women came out, jostling her as they pass.Marie-Laure drops her cane; she begins to cry. Her father lifts her, holds her to his narrow chest." It's so big," she whispers." You can do this, Marie." She cannot. "
4 " Beyond all of that, I could see the wall I had seen from inside the train, the wall that runs along the train line. I assumed that there, behind it, was the west, and I was right. I could have been wrong, but I was right.' If she had any future it was over there, and she needed to get to it.I sit in the chair exploring the meaning of dumbstruck, rolling the word around in my mind. I laugh with Miriam as she laughs at herself, and at the boldness of being sixteen. At sixteen you are invulnerable. I laugh with her about rummaging around for a ladder in other people's sheds, and I laugh harder when she finds one. We laugh at the improbability of it, of someone barely more than a child poking around in Beatrix Potter's garden by the Wall, watching out for Mr McGregor and his blunderbuss, and looking for a step-ladder to scale one of the most fortified barriers on earth. We both like the girl she was, and I like the woman she has become.She says suddenly, 'I still have the scars on my hands from climbing the barbed wire, but you can't see them so well now.' She holds out her hands. The soft parts of her palms are crazed with definite white scares, each about a centimeter long.The first fence was wire mesh with a roll of barbed wire along the top. "
― Anna Funder , Stasiland: Stories from Behind the Berlin Wall
5 " This is a massive world, I think, and in each centimeter of it, a different drama unfolds every second of the day. But we live on as if the next moment in our lives will be no different than the last. How foolish we all are. "
― Mahbod Seraji , Rooftops of Tehran
6 " Sunny put on eyebrows, eyelashes, makeup, matching pajamas, a silk robe, and then say looking at herself in the vanity mirror in her bathroom. She had experienced moments in her life when she realized that she was actually alive and living in the world, instead of watching a movie starring herself, or narrating a book with herself as the main character. This was not one of those moments. She felt like she was drifting one centimeter above her physical self, a spirit at odds with its mechanical counterpart. She stood up carefully. Everything looked just right. "
― Lydia Netzer , Shine Shine Shine
7 " I mean: if you’re going outside to look for your sister, I get it.” Max goes silent. Maybe Mirjam’s death is hitting him now, maybe his voice will choke—but he goes on. “But if you’re going outside to help your mother . . .” He gestures helplessly at my injured arm. His fingers stop a centimeter away, hovering in midair. “Don’t risk it. Don’t risk you.”“She’s my mother.”“The captain will never let her on if she doesn’t even try. Not when there are so many people who haven’t had thechance to try. People we can use on the ship. People who have been on that waiting list forever.”There are a dozen things I want to say. But she’s mymother—as though that means as much as people pretend it does.She is trying, just in a different way—as though I’m convincing myself.I wasn’t on that waiting list, either.I might not be someone the ship can use, as much as I’m trying to be. "
― Corinne Duyvis , On the Edge of Gone
8 " We’re just…,” those blue eyes blaze at me and steal my breath, drawing me in, “just different people on different paths.”He comes closer, until he’s standing a centimeter away from me. “Look me in the eye and tell me you don’t want me,” he dares.“Jesus. Are you really that confident?”“I’m really that interested. "
― , A Diamond in the Rough (Diamond in the Rough series book 1)
9 " You could also ask who’s in charge. Lots of people think, well, we’re humans; we’re the most intelligent and accomplished species; we’re in charge. Bacteria may have a different outlook: more bacteria live and work in one linear centimeter of your lower colon than all the humans who have ever lived. That’s what’s going on in your digestive tract right now. Are we in charge, or are we simply hosts for bacteria? It all depends on your outlook. "
― Neil deGrasse Tyson , Space Chronicles: Facing the Ultimate Frontier
10 " All of us, whether or not we are warriors, have a cubic centimeter of chance that pops out in front of our eyes from time to time. The difference between an average man and a warrior is that the warrior is aware of this, and one of his tasks is to be alert, deliberately waiting, so that when his cubic centimeter pops out he has the necessary speed, the prowess, to pick it up. "
― Carlos Castaneda
